电视剧

In fact, the weekly raunch factor has been largely abandoned to focus on the more realistic characters.

事实上，电视剧版中每周都有的低俗的元素被完全抛弃，电影更关注更现实的因素，。

It seems harder than boys' quiting smoking.

我戒电视剧，似乎比男生戒烟还难。。。

In recent years, the wave tide of the"Reality TV"rises and spreads within the scope of global, being a kind of newly arisen program style, it concentrated the documentary of the televised documentary , the story of the television drama and the competition of the game program. The most original human nature and personal privacies are showing in the programme.

近年来，一股电视&真人秀&的浪潮在全球范围内兴起和蔓延，作为一种新兴的节目样式，它集中了纪录片的纪实性，电视剧的故事性和游戏节目的竞争性，最原始的人性和个人隐私在节目中予以公开展示，在西方一出现，便在短时间内凝聚了广大观众的目光，使节目获得巨大收益。

It is divided into three parts to discuss: In chapterⅠIt discusses the Yang Yazhou's film and teleplay creation of civilians orientation from the perspective of choose topics, all the film and teleplay of Yang Yazhou have chosen the pipsqueak for the main represent targets, focused on the demonstrating the state of survival and psychological changes of these figures in a Time of Change when the living conditions of China changed. Obviously, it accords with popular culture for publicity awareness of the requirements of the civilian population, and the current aesthetic habits of the civilians, at the same time, the consciousness of the topic choice made a tacit understanding with the reactive tendencies of reality of the world, and Chinese film movies, television dramas, and it is an excellent creative concept of inheritance and development in the Yang yazhou film and teleplay works. Stories often start around the family, family members and the major social relation of family members are described in detail. And the vicissitudes of life are similar to Motif of many folktales.

论文分为三章加以论述：第一章从题材选择的角度探讨了杨亚洲影视剧创作的平民化取向，杨亚洲的所有影视剧作品都选择了小人物为其表现对象，着力于展现这些人物在变革时代的中国当生活境遇发生改变时的生存状态和心理变化，这显然符合大众文化对于宣扬平民意识的要求，符合当下老百姓普遍的审美习惯；同时，这一题材选择上的自觉性也与世界电影史和中国电影、电视剧发展史中的现实主义创作倾向形成了难得的默契，是对一种优秀创作理念的继承和发展；在杨亚洲的影视剧作品中，故事往往围绕家庭展开，对家庭成员和家庭成员的主要社会关系进行了细致地刻画，并且他们之间的悲欢离合与我国民间故事中的诸多母题颇为相似。

A group of high school outcasts get revenge on the students that torment them.

几个受到排斥的高中生向折磨过他们的那些最新电视剧学生展开复仇。。。

Which gave fans and neophytes alike time to bone up on the characters and the complicated story lines before the second season premiered two weeks later — to huge ratings.

这给了剧迷们和刚刚开始看这部电视剧的观众时间来钻研角色和复杂的故事情节——迎接它的将是巨大的收视率。

After briefly reviewing the development history of narratology at home and abroad, this dissertation elaborates on the historical TV play Yong Zheng Dynasty from the following aspects: in the aspect of narrating time, the historical TV play Yong Zheng Dynasty adopts the linear narrating order, with focus on chronological order and few flashback narrating as a complement. Mainly using the elliptical narrating means, the whole play takes quick-paced narrating time span.

在叙事时间方面，历史电视剧《雍正王朝》采用线性的叙事时序，以顺叙为主，辅之以少量的倒叙；全剧以省略的叙事手段为主，采用快节奏的叙事时距，其中&治国篇&的叙述节奏比&夺嫡篇&要更为紧凑；全剧的叙事频率主要是&讲述一次发生过一次的事&。

Urge one's horse on with a whip; whip one's horse on

电视台总会在这个时段放一些无聊的电视剧。

It was related to the pleasure I still get from watching a well-played baseball game, or my wife gets from watching reruns of The Dick Van Dyke Show.

我回想起来，当时的心情应该是像观看一场精彩的棒球比赛所带来的愉悦一样，或者像我老婆在观看《迪克。范。戴克秀》（The Dick Van Dyke Show，讲述一位时运不济的电视剧本作家在家工作的电视剧，共获15座艾美奖）重播时的愉悦一样。

This teleplay once caused a sensation in 95 years, the figure of violet water chestnut, green duckweed, Fei Yunfan, Chu Lian is already thorough popular feeling.

这部电视剧曾经在95年引起了一片轰动，紫菱、绿萍、费云帆、楚濂的形象已经深进人心。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。