电视剧

Frankly speaking, I haven't seen this TV teleplay yet, neither.

坦白地讲，我还没有看过这个电视剧。

Ideal teleplay rhetoric has its deep structure which should be made up by the form and the meaning.

理想的电视剧修辞的深层结构应由形式与意义双向建构而成。

Current, the netizen that passes drama of video website teleview, film and MTV is in increase sharply.

现在，通过视频网站收看电视剧、电影以及MTV的网民正在激增。

E.g., teleplay " soldier assault " become the TV event with Chinese TV very main 2007 screen, greatly have the aid of Baidu is stuck, the network step such as skyline forum will undertake " agenda is installed ", in the times of beautiful younger sister of this popular handsome young man, this " 3 without "(without the belle, without love, did not star) product however but televiewer of conquer of network of have the aid of.

比如说，电视剧《士兵突击》之所以成为2007年中国电视荧屏极为重要的电视事件，很大程度上借助了百度贴吧、天边论坛等网络手段来进行"议程设置"，在这个流行帅哥靓妹的时代，这部"三无"(没有美女、没有爱情、没有明星)产品却可借助网络征服电视观众。

This is my first television show.

这是我的第一部电视剧。

Granted, I've done five seasons now, but it's still my first television show.

即便现在我已经写了5季了，但它始终是我的第一部电视剧。

A friend of mine was working as a writer for a television show.

我的一个朋友式写电视剧的。

Right now I have this new television show to work on.

现在我要演这个新电视剧。

In short, this is a series about the world's most virtuous of virtuous wives and mothers how to change the world's most terrible hell Temptress story.

简而言之，这部电视剧讲述的就是一个世界上最贤惠的贤妻良母如何变化世界上最可怕的地狱妖妇的故事。

In short, this is a series about the worlds most virtuous of virtuous wives and mothers how to change the worlds most terrible hell Temptress story.

简而言之，这部电视剧讲述的就是一个世界上最贤惠的贤妻良母如何变化世界上最可怕的地狱妖妇的故事。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。