电视剧

Of course, the yen loans in China at that time task of rebuilding, lack of funds, just to restore the building, played a big role, but the Chinese are not without conscience, China not only to thank the many (not like some Be good at lying to the Japanese said, no thanks to China, thanks to never, China made a real concrete, and also wrote a book report, but also the "friends" like little talk about the substance of ODA , As "friends" to leave more face-saving), but also to use as much as possible the conditions for the promotion of Sino-Japanese friendship (at that time if there is such a media and the Internet, people across the country will be possible,"Hara"), it can be said for a long time in our Is to try not to open Japan's war of "pain"(see the introduction of a large number of Japanese movies on TV we can see the direction of public opinion).

当然，对华日元贷款在当时中国百废待兴，资金缺乏，刚刚恢复建设的时候，发挥了不小的作用，但中国人是有良心的，中国不仅多次感谢了（根本没有象有些善于说谎的日本人说的那样，中国毫无谢意，从不感谢，中国实实在在具体的作了，又出书又写了报告，而且也和这位"友人"一样很少谈论ODA的实质，为"朋友"留些面子），而且也利用尽可能的条件宣传了中日友好（如果当时有现在这样的媒体和互联网，可能全国人民都会"哈日"了），可以说在很长时间我们是尽量不揭日本的战争之"痛"（看看当时大量引进的日本电影电视剧就可知我们的社会舆论的导向了）。

Person's life, such as a TV series, we are the protagonist of the play.

人的一生如一部电视剧，我们都是剧中的主角。

In a recent survey by Chinese Web portal, more than 60% of 15,000 voters agreed with the statement that the drama reflects the public's sentiment on house slaves.

" 在不久前中国门户网站的一次调查中，在15，000名投票者中有60%以上的人认同"这部电视剧反映了房奴的心态的说法。

Meanwhile Alec Xiao Quai was looking at him from the side...

苏：我到很多国家拍戏，和韩日导演都有合作过，最大的体会时，他们很敬业，体制完善，电视剧制作很精良，投入非常大，而且还有国家投资机制，这些差距都是现实，也是需要中国影视人学习和努力的，不是开一个会能解决的，现在娱乐界全球化程度非常高，有句话叫"堵不如疏"，与其联合起来抵制，不如自我反省，寻求发展。

The creation of TV drama program have to follow quinquagenarian audience' psychological need of aesthetics.

因此，电视剧创作要顺应当代中老年受众的审美心理诉求。

Quinquagenarian audience' mind could change their receiving of action .

我国的中老年受众是电视剧节目的主流受众，他们的心理变化支配着收视行为。

Quinquagenarian Audience ; TV Operas' Formulating ; Psychological Change

中老年受众；电视剧创作；心理变化

Chinese TV play marketplace competition is escalating further in 2006 , every biography matchmaker organization is putting up a move rack one's brains, in numerous and confused provision , is planning and preparing development of self and survival tactics.

2006年中国电视剧市场的竞争进一步升级，各传媒机构都绞尽脑汁，纷纷出招，筹划着自己的发展和生存策略。

How did you feel about filming the more racy scenes from the series?

记者：你是怎么看待这部电视剧里的激情戏呢？

He was frequently involved in practising television and radio as a presenter, in Jiang Su TV, Makeup Channel, Nan Jing TV, Nan Jing Music Channel; and as a dubbing or program director for several movies and TV series.

曾活跃於电视、广播一线，担任江苏电视台、中国靓妆频道、南京电视台、南京音乐台节目主持；担任国内多部电影电视剧配音导演、电视节目导演。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。