电影的

It is as if the director had no confidence in the screenwriter or lost confidence in the power of cinema to actually tell a literate story, and instead opted to fill the movie with ridiculous special effects a la the recent remake of King Kong with its plethora of incredibly hysterical special effects that reduced THAT movie to the level of a cinematic joke.

这是因为如果没有导演在编剧信心或失去信心，对电影的权力真正讲一个有文化的故事，而是选择填充可笑的特殊效果拉最近金刚改造与过多的电影难以置信的歇斯底里的特殊效果，以减少那部电影的电影笑话的水平。

How Chinese native detective film, affectional film, and comedy , under the influence of Ameri- can and European film, were attempted to produce in the early of 1920s were examined in this paper.

本文考察了1920年代初期，中国电影如何在欧美电影的影响试下开始试制侦探片、爱情片和喜剧短片，并就中国一些早期影片与欧美电影的影响关系做了初步考证。

A winning mixture of SOME LIKE IT HOT and blaxploitation flicks, this is a hilarious heist film thats not to be missed.

这是电影"SOME LIKE IT HOT"和黑人电影的成功混合体，属于不容错过的搞笑抢劫电影。

A winning mixture of SOME LIKE IT HOT and blaxploitation flicks, this is a hilarious heist film that's not to be missed.

这是电影"SOME LIKE IT HOT"和黑人电影的成功混合体，属于不容错过的搞笑抢劫电影。

He traces immersive cinema through Cinerama, Sensorama and IMAX, and the head mounted display with its military origins.

他也通过对电影、传感全景、扩展电影、3D 、 Omnimax 和 IMAX ，以及原用于军事目的的数据头盔显示器中追寻了沉浸电影的发展轨迹。

Your breakthrough film really was Crouching Tiger Hidden Dragon. How did you get the part in that?

你电影生涯中具有突破意义的电影是卧虎藏龙，你是怎样有机会参与这部电影的？

That is to transcend the fetters and durance, to seek the freedom and liberation

从第五代电影到第六代电影，中国当代先锋电影思潮经历了从启蒙主义到后现代主义的转递，潮起潮落间却有着内在的驱动力贯穿其间，那就是人们对于束缚和禁锢的超越，对自由和解放的追求，对于美的向往和沉迷，而先锋电影的颠覆性、革命性、实验性正是这种超越和追求的具体化。

It was characterised by a new attitude to filmmaking which rejected both the mainstream British cinema and the alternative documentary tradition - although Humphrey Jennings, a founder of the Mass Observation movement and director of stirring propaganda films like London Can Take It!

它体现出一种崭新的拍摄电影的态度，那就是既拒绝主流的英国电影也拒绝非主流的纪实主义电影——尽管汉弗莱·詹宁斯，群众关注运动的创始人及如《伦敦能拿下它》（1940）和《火已燃烧》（1943）等激动人心的宣传电影的导演能被他们所钦佩与赞美。

Last century 30-40 age Hollywood movie's theme was broad, the style was different, but was nearly same as Griffis's movie, what paid great attention was the plot surges up windingly, strange, like "Tumultuous times Beautiful woman""Soul Broke Blue Bridge""Citizen Cairne" and so on, was creates the epic poem human activity by movie's form, butChaplin's comedy movie, then the prominent character's mold, has created "in the world movie history for the audience the first vivid silver screen image"("Foreign film History", Zheng Ya Ling, Hu Binzhuo).

上世纪三四十年代好莱坞电影的题材广阔，风格迥异，但几乎都与格里菲斯的电影一样，注重的是情节的波澜起伏、曲折离奇，如《乱世佳人》《魂断蓝桥》《公民凯恩》等，都是以电影的形式来创造史诗般的人类活动，而卓别林的喜剧电影，则突出人物的塑造，为观众创造了&世界电影史上第一个有血有肉的银幕形象&（《外国电影史》，郑亚玲、胡滨著）。

Of its predecessor, GO FOR BROKE 2 revamps its winning formula. This time, the guys find ...

这是电影&SOME LIKE IT HOT&和黑人电影的成功混合体，属于不容错过的搞笑抢劫电影。

Do you know, i need you to come back

你知道吗，我需要你回来

Yang yinshu、Wang xiangsheng、Li decang,The first discovery of haemaphysalis conicinna.

1〕 杨银书，王祥生，李德昌。安徽省首次发现嗜群血蜱。