电影的

As a case stands the significance that the exploration into this field of KMT goes far beyond the industry itself, for instance, the control over culture, protecting the Party body, popular enlightenment and education through visualized tools so as to rule the country effectively.

事实上，国民党当局在大陆时期对电影的探索具有超乎电影本身之外的意义，诸如，通过对电影的管理引发对文化的控制、利用电影训政、维护党派形象、发展电化教育以"启发民智、教育民众"进而作为参与治理国家的有效工具和手段等等。

Oh no…It is not my favorite, it is a chance. This movie will feature both action and comedy and the reason I am in this movie was that long time talk between Director and me during the making of the Satang movie. I told him that I like to work with him again if there is a chance. When he contacted me, I thought this is a chance to work together again so I took it without knowing what the story would be

噢，不是，这不是我的喜好，这是一次机会，这部电影以动作和喜剧为特点，而我拍摄这部电影的原因是导演 Bundit 和我在拍摄电影《泰铢》期间的一次长谈，我告诉导演如果有机会的话我喜欢和他再次一起工作，当他联系我，我想这是再次一起工作的一次机会，所以我在不知道这个故事讲什么的情况下接受了这部电影。

In the third part, I will bring it back to the film itself, seeking for the special art style in Tsais film, the relations and reformations to the Taiwan new movies, some conjunction between Tsai and the early movie theories, and the adoption from the western stagecraft theories and practice.

本文第三部分我将回到电影的本体，寻求蔡氏电影独特的艺术风格、其与台湾新电影集体影像的联系与革新，蔡明亮与早期电影理论的某些契合以及对西方舞台艺术理论与实践的借鉴。

As Chinese film is becoming marketable, domestic and international cultural trade is increasing, With reference to the international independent film marketing system, and the evolving Chinese film industry, this thesis explain how Chinese independent film will become an necessary and important part of the Chinese film industry.

本文的研究对象为20世纪90年代以后中国大陆出现的独立电影，通过分析历史上的独立电影概念，以及中国当前对于独立电影具有不同理解和不同称谓的现实情况，本文着重分析了具有中国特色的独立电影的存在价值和表现特征。

Then, this thesis analyzes the subjective causes of the impact on Chinese movie industry made by American movies: Chinese people's taste of movies are getting increasingly Americanized and Europeanized; Chinese people, domestic media and the Chinese government have not been fully aware of the importance of protecting Chinese domestic movies.

在分析客观原因后，本论文进而论述了美国电影对中国电影业造成冲击的主观原因：一方面，中国观众的口味日趋欧美化使中国电影流失了相当一部分观众；另一方面，国人保护国产电影的意识还很淡薄，无论是国内观众、媒体，还是中国政府对于保护国产电影的意识都尚待加强。

Then, thisthesis analyzes the subjective causes of the impact on Chinesemovie industry made by American movies: Chinese people's taste ofmovies are getting increasingly Americanized and Europeanized;Chinese people, domestic media and the Chinese government have notbeen fully aware of the importance of protecting Chinese domesticmovies.

在分析客观原因后，本论文进而论述了美国电影对中国电影业造成冲击的主观原因：一方面，中国观众的口味日趋欧美化使中国电影流失了相当一部分观众；另一方面，国人保护国产电影的意识还很淡薄，无论是国内观众、媒体，还是中国政府对于保护国产电影的意识都尚待加强。

The article deals with narration including the content, the structure and the paroles. What I made is a systematic study of the theme, the figure, the structure and the paroles. My work is trying to get a conclusion of the narrative of Zhang Yi-Mou's creation in the field of film in order to provide a vivid case of the narration analysis.

本文尝试从叙事学的角度，综合运用电影叙事学、电影语言学的知识对张艺谋导演的电影作品加以梳理和分析，从叙事内容、叙事结构、叙事话语等三大方面，将张艺谋电影的题材选取、人物塑造及其叙事模式和基本话语进行了比较系统的论说；试图总结出张艺谋在叙事方面的优长与缺失，并希冀自己的工作会为电影叙事学的分析和研究提供一个生动的案例。

And I think, people go to the movies and they know too much about the movie before they go into it, whether it's the advertising or they're reading too many stories about it, and they don't know, I mean, they know the essential elements of the story before even going into it and I think that sabotages a thriller.

而且我觉得，如果人们看电影之前就知道了太多关于电影的内容，不管是从广告上还是从什么地方读到的许多相关故事，我是说，在他们真的看到电影之前就已经知道了电影所有的关键桥段，那可真是毁一部惊悚片。

Changchun Film Studio is the cradle of Chinese movies, which have cultivated many film talents.

长春电影制片厂是中国电影的摇篮，培育了一大批电影艺术人才。

In the beginning part of the paper, the overall background of Zhang\'s movies, such as the cultural layout of the 1980s, the fresh re-recognition of Chinese Movie itself as well as the defection of the 5th directors on the Chinese movie tradition are viewed and the cultural and mind factors that cause Zhang\'s movies are explored.

本文先从1980年代的文化格局、中国电影对自身的重新认识以及第五代整体对前辈电影的背叛等方面对张艺谋的电影进行了观照，探寻其电影出现的文化和思想因素。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。