电影的

For example, you can add a sepia tone and give your movies an old, worn feel. Introductions and end credits can also be integrated.

例如，你能够加一使用黑的色彩给你的电影，产生老电影的感觉。

The development of film industry, to a great extent, depends on the formation of commercialized stereotyped films.

电影产业的发展很大程度上依赖于商业化的类型电影的形成。

Meanwhile, as the unseparated part of movie industry, cinema is the place where the audience can realize the using value of movie by watching it.

同时，影院作为电影产业链条中不可分割的部分，是电影的使用价值在观众观看中得到实现的场所。

Heathen is, in essence, the first "traditional" Bowie album worthy of kudos in years, as it successfully reunites Bowie with producer Tony Visconti, the man at the controls during Bowie's Berlin period.

本张专辑收录了电影Mr Deeds之中的一些歌曲，对于很看好这部电影的影迷来说，这也无疑是一个很让人惊喜的作品。

The post-modernist characteristics of Stephen Chous movies have been analysed comparatively clearly and profoundly. But less attention was paid to the factors of traditional culture in his movies.

相对而言，周星驰电影的后现代特征已经被分析得较为清楚和深刻了，而他电影中的传统文化脉络则一直没有得到足够的重视。

As a consequence, it demonstrated that film's culture determines its mode and the mode present culture. Therefore mode and culture actually behaved as a commensally entity in films.

从而论证了电影的文化决定形式，形式表达文化，电影的形式与文化是彼此共生的一种整体。

As a film criticist and writer, Park Chan-wook is vanguard representative of Korean contemporary film. as early as 1992 in his movie career , the feature of Park Chan-wook is established, its topic concerns committing incest、revenge etc, which is full of cruel violence, but this kind of violence influence the spirit and the soul of people.

作为韩国当代电影的先锋代表，著名影评人和编剧出身的朴赞郁早在1992年开始电影生涯之时，就初步奠定了风格，题材是关于乱伦、复仇等亚文化，充斥着的残忍暴力，但这种暴力从精神层面和灵魂深处给人以影响。

The French philosopher Jacque Derrida is the founder of Destructionism Theory and the Ruassian philosopher Bakhtin is the creator of Carnival Poetics.

由香港著名影星周星驰创造的无厘头影片，是后现代文化语境下中国当代喜剧电影的重要代表，其喜剧性与传统喜剧电影有着很大的区别。

In particular, is 30-40 in the heyday of Hollywood, film and audio Cai Sepian have the birth of the rich and varied types of film, both on film production in China has greatly affected.

特别是30至40年代是好莱坞的鼎盛时期，有声片和彩色片的相继诞生，类型电影的丰富多样，均对中国电影创作产生了很大影响。

The experience of DV creation not only gave me the opportunity to approach the film, but firmed my belief in the post-graduate study of the film as well.

DV 创作的经历给予了我走近电影的机会，同时更加坚定了我深造学习电影的信念。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。