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Whether produced in Mainland China, or in Hong Kong or Taiwan, Chinese language films have become important cultural products and brands. With it, China is maturing into an important film production base and consumer market.

当前，中国与世界各国的电影合作与交流已取得了良好的成效，由大陆、香港、台湾构成的华语电影，已经成为重要的文化产业和文化品牌，中国也因此成为世界电影的重要生产基地和消费市场。

The Flix company concentrates in surveying on the degree of expectation among the films scheduled to be released including much talked about films, sequels to the enjoyable films, and the next film by stars people are interested in, etc.

FilX公司集中调查了对即将上映电影的期待程度，包括关於电影的众多话题，喜剧电影的结局，人们所关心的明星们的下一部作品等。

The first American review, Todd Gilchrist of Cinematical, reported that Bay's "ambition runs a mile long and an inch deep," but, in a spirited defense, says "this must be the most movie I have ever experienced."

出于对本国电影的支持，他接着说："这是我所体验过的最爽的电影"，同时他对该片的票房也很乐观"这部电影注定将成为电影史上的典范。"

But while Mr. Kim's cinephilic ardor is well established, the cinema of and about North Korea remains as murky as one would expect of a nation routinely described as a hermit kingdom and an information black hole.

虽然金正日对电影的热爱是毫无疑问的，但对于这个常常被称为"封闭王国"以及"信息黑洞"的国度，朝鲜制作的电影以及关于朝鲜的电影总是像雾里看花一样。

As to the study of contemporary western film theories, the psychoanalytic study of films is an important part, or a subject, which is of great importance.

电影与精神分析学之间的关系，是十分密切的，电影的精神分析学研究是当代西方电影理论研究的一个重要组成部分，或一个学科，占据着重要的地位。

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The first American review, Todd Gilchrist of Cinematical, reported that Bay's "ambition runs a mile long and an inch deep," but, in a spirited defense, says "this must be the most movie I have ever experienced."

出于对本国电影的支持，他接着说：&这是我所体验过的最爽的电影&，同时他对该片的票房也很乐观&这部电影注定将成为电影史上的典范。&

Animations and films are intercrossed both in artistic and technical way. The more accurate way to describe it is that the principles of sliding images back to the period of " motion picture " had inspired the invention of film art, which made animation a film genre after its maturity.

动画与电影在艺术和技术层面上互有交叉，更准确的说法则是，&活动画片&时期的动画原理启示了电影的产生，而当电影发展为一种成熟的艺术样式之后，又有充分的理由将动画囊括为其类型之一。

Joking, re-enacting bits of or spoofing the film afterwards elaborate the specific grounded aesthetics through which the film was made to come alive and establish and reinforce the group as a social symbolic unit, reminding everyone that the horror effect is just an artificial accomplishment.

玩笑，情节再现或事后对电影的谈笑，对这种以细节为基础的艺术作更为详尽的讨论，正是通过这种艺术电影被制作得栩栩如生，并且能使恐怖电影作为一个象征性的社会单元建立和发展起来，才使得每个人记起恐怖效果只是人工的杰作罢了。

But while Mr. Kim's cinephilic ardor is well established, the cinema of and about North Korea remains as murky as one would expect of a nation routinely described as a hermit kingdom and an information black hole.

虽然金正日对电影的热爱是毫无疑问的，但对于这个常常被称为&封闭王国&以及&信息黑洞&的国度，朝鲜制作的电影以及关于朝鲜的电影总是像雾里看花一样。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。