电影导演

When asked about the biggest personal challenge, director Andrew Adamson (the director of Shrek and Shrek 2) said: For me, the film I am working on at the moment is a book that was very important to me as a child and it's another movie that comes with a lot of expectations, because it's a book that a lot of people enjoyed as children.

当被问到最大的个人挑战时，导演安德鲁·亚当森（《史莱克》《史莱克2》的导演）说道：对于我来说，我现在正在制作的电影是关于一本童年时期对我影响很大的书，它又是一部人们满怀期待的电影，因为很多人孩提时就已经很喜欢它。

On productions at the National Theatre, Skini and Nea Skini theatres, Aplo Theatro, Epochi theatre, Amphitheatro, etc., of plays by Shakespeare, Goldoni, Griboyedof, Turgenief, Chekhof, Gorki, O'Neill, Tennessee Williams, Arthur Miller, Pinter, Mammet, Orton, Aristophanes, Hourmouzis, Loula Anagnostaki, G.Dialegmenos, Euripides etc.At the cinema: Since 1983 she has been a permanent collaborator with Theo Angelopoulos, composing music for his films Voyage to Cythera, The beekeeper, Landscape in the Mist, The Suspended Step of the Stork, Ulysses' Gaze and the Cannes Festival Golden Palm award-winning film, Eternity and a Day. She has also composed music for films by Dimitris Mavrikios, Takis Kanelopoulos, Tonia Marketaki, Christoforos Christofis (Wandering / Rosa), Lefteris Xanthopoulos, Giorgos Koras Margarethe von Trotta (L' Africana), etc.

然后她回到雅典，上电台，办民族音乐试验室，1979年被她视为命运的转折点，她开启了电影作曲的职业生涯，合作者是希腊诗人兼新电影流派的导演Chistoforo Chillstofis，1982年Eleni Karaindrou因前者的影片"芳名罗莎"在塞瑟隆尼基电影节上获得原创音乐奖，颁奖人正是评审团主席Theo Angelopoulos，他们的合作也由此开始，以后的九年可谓硕果累累，两个人物以类聚，谁都没有辜负了彼此间的厚望。80年代安氏创作了他的"漂泊"三部曲，当首篇"塞瑟岛之旅"告竣之后，安氏在访谈录中称赞Eleni正是他所需要的那种博采众长且深具古典音乐实力的最佳搭档，Eleni不仅创作电影音乐，而且也涉足希腊的先锋戏剧，她的第二个丈夫就是一位戏剧导演，Eleni迄今已为35部剧本谱写了音乐。

These future film-makers believed that true auteur both writes and directs his films.

这些未来的电影制片人认为一个真正的性格导演既要创作也要导演他的电影。

"October Rising" 2009 Chinese film made the strongest. 2,"Shinjuku Incident" reflects the real Chinese people smuggling syndicate in Japans life, the director depicts scenes between men, friend and brother, is inspiring. 3,"Banlieue 2: Ultimate" smooth continuation of the first Parkour action style, fast-paced, music is a lot of highlights. 4,"Hurricane rescue" retired agents thousands of miles to save women, clear-cut action style, the audience hooked. 5,"Ye ask," the best in recent years, the Hong Kong kung fu movies. 6,"race situation" sense of speed super "car action movie." 7,"accident" opening a surprising and exciting plot, the unique way the film temperament and camera work. 8,"the Rye" is no heroism, replaced by nothing, anxiety and loss, it is no longer a clear distinction between good and evil battle of good and evil, but at the edge of the good sorts of people and more poor people struggle. 9,"the prequel Underworld: wolf came again," a simple plot, gorgeous fight, perfect visual impact on viewers eye. 10,"Vengeance": a quiet burst of violence under the screen, slow-paced narrative images and game-like life and death among men, affection, Hong Kong director for the French meal on an Oriental.

《十月围城》2009华语影坛最强制作。2、《新宿事件》真实的反应了偷渡到日本涉黑中国人的生活，导演刻画出的一幕幕男人间情义，令人动容。3、《暴力街区2：终极》延续第一部流畅的跑酷动作风格，节奏明快，配乐也是很大的亮点。4、《飓风营救》退休老特工千里救女，干净利落的动作风格，让观众大呼过瘾。5、《叶问》近年来最好的香港功夫电影。6、《赛车风云》速度感超强的"汽车动作片"。7、《意外》开场惊艳，情节精彩，独特的电影气质与运镜手法。8、《守望者》它没有了英雄主义，取而代之的是虚无、焦虑与失落，它不再是正邪分明的善恶大战，而是处在边缘，勉强称得上好人的人与更糟糕的人的斗争。9、《黑夜传说前传：狼族再起》单纯的情节，绚烂的打斗，完美的视觉效果冲击观众眼球。10、《复仇》：安静画面下的暴力迸发，慢节奏的叙事画面和男人间游戏般的生死情意，香港导演为法国人上的一道东方大餐。

Taiwanese American Heritage will hold an Ang Lee Film Series at the Chappaqua Library on May 20 at 7 p.m.; Commentary for "Crouching Tiger, Hidden Dragon" will be given by Mrs.

由台籍美国人协会举办的李安导演电影讲座系列将在五月二十日晚上七点在 Chappaqua 图书馆举行﹐李导演夫人将评介电影"卧虎藏龙"。

Having made a general study of his movies over the years, from his first work THE RED CHINESE SORGHUM in 1983 to the latest movie HERO in 2002, which are grouped into "ideography"and " documentation ", the thesis dissects the anesthetic ideas contained in those movies and further excavates the roots of the "two-pole"aesthetic phenomenon and the "extreme"director's t.

这是一篇关于张艺谋电影"两极"美学现象和"极致"导演思维的研究，是从张艺谋个人独特的"极致"导演思维出发，把他的电影作品——从1983年的处女作《红高梁》一直到2002 年的《英雄》——分为表意和纪实两极，作了一次宏观全面的梳理，分析其中包含的美学内蕴，并探究这种"两极"美学现象和"极致"导演思维产生的根源。

Recently there had been many reporters who've been calling me and asking my opinion on this movie. I didn't turn them away, because if my comments can help a local movie box office, I definitely won't stinge on it. To foster new and upcoming directors are my new responsibilities. I hope I can cultivate at least 2 new directors and script writers, as well as train all who are interested in this industry.

当然，记者最近也老是动不动就来电询问我关于对这部电影的看法，我是来者不拒，如果我的评语可以帮助到本地电影的票房，我绝对不会吝啬，因为栽培新进导演也是我来临的任务，我希望我可以栽培至少两个新的导演和电影编剧，训练更多对这方面有兴趣的人。

Relax's time,I would hope use favorite way to spent it,The end of the morning's course,When my partner Jane said to me,It so happened have two movie tickets,At 19:00,Whether with me together go to watch movie,After my heart feel delight,Though we have been reached before the consensus,Prepare to look at 19:10 the movie,《Red Cliff》,Actually,I hope to watch a local movie in china,I franked told she i have not seen the movie of the first half,But she said that will not affect,The pm 7:00,I already in the cinema At the door of wait for a long time,Has yet to see my companions,Maybe i in the kill of time,I watch of the film table,Screening of the it seem chinese movie,《Red Cliff》and《Madagascar》2 Some less the introduction of the movies,Despite I would not be surprise,But I would watch the 《Red Cliff》 should the good choice,I saw Jane,She let me wait a full 15 minutes,I think he will find for themselves better reason,To avoid being late forpsychological,Her own apology for being late because of traffic congestion on the road,Although I am a taxi to the,I feel Chengdu Crowded is Traffic,The sky already dark,The streets are constantly whistle sound,Finally,I can not on forgive her,We enter the cinemas,Cinema is no Imagine as spacious,But is a very delicate environment,The film should have been broadcast,I think we are 10 minutes late,So we quietly went to the location,To watch the movie,I feel to have chinese classical music,To surround the movie,Aslo let me fusion of the atmosphere in China,Maybe the movie has some humorous language,But sometimes have small number of comments Voice,At least that let me feel sick discomfort,We are seriously watch to the movie,Cinema is about to go out,Maybe this is for me is breath of fresh air,The best,But is the helpless's choose,Very fond three kingdoms of my friend,In U.S,They are very fond the Japanese game 《Dynasty Warriors》,They say he is cool,No have complex plot,Can let you full of crazy and direct,These maybe can to me as a reference,Because I do not know three kingdoms of lot,Jane asked in how I feel when,I told her I like Zhou Yu,,WHich have a scene,When he performed the sword dance when,In front of Xiao Qiao,I feel the ancients are the comfort and fine and smooth, And has a strong China atmosphere,Although in my thoughts,Zhuge Liang is the wisdom,And Cao Cao more are poetry and brutality,Maybe They are contrary,But i not longing the latter,In the movie has a Cao Cao poetry recitation,I ever for that memory,Is clearlr,It makes me feel he to near for me,My favorite watch movie,Maybe in U.S,Many people will because leisure watch movie,In U.S,Movie ticket prices low,That let me feel the can more depth and perfect sound quality,In U.S,I only know the Chinese movie is 《Crouching Tiger, Hidden Dragon》,This is my ever for China's thought,Martial arts and essence's experience,I like the director Ang Lee,He's movie has the ease,And sometimes,In heart was very heavy,Without violence,I feel that the oriental atmosphere,And bamboo's quiet,Maybe and 《Red Cliff》It is different,《Red Cliff》's scenes let me feel endless grand,Although i have not seen the upper part,Many Hollywood great's works,Filled more is behind the emotional and caring,They are usually war deep to aware of human nature,China's ancient war, Full of alertness,Also is the wisdom of the struggle,Even if I am fell,It still is a beautiful works,But I believe,It will become my forever memory,I like the memory,Chinese movie memory,Although it will never be able to replace the first

轻松的时间，我会选择用喜欢的方式度过它，结束了上午的课程，当我的工作伙伴珍对我说，刚好有两张电影票，下午7点，是否一起去看电影，我内心已经为此感到愉快，尽管我们之前已经达成了想法，准备看19点10分的电影《赤壁》，实际上我希望能够在中国看一部中国电影，我坦诚地告诉她并没有看过它的上部，但她说着并没有影响，下午7点，我已经在电影院门口等候多时，很迟没有看见我的同伴，也许在利用时间，我看着电影表，放映着似乎中国的电影《赤壁》，和《马达加斯加》2一些为数不多的引进电影，尽管我并不会感到惊奇，但是我想看《赤壁》，应该是不错的选择，我等到了珍，她让我等了足足有15分钟，我想她会为自己的找到更好的理由，来逃避迟到的心理，她道歉自己因为路上塞车而迟到，尽管我是计程车来的，我感到了成都交通很拥挤，天空已经黑了，街道不断是鸣笛声音，终于我无法不原谅了她，我们进入了电影院内，电影院不是想象那样宽敞，却是一个精致的环境，电影应该已经开始了播放，我想我们已经迟到了10分钟，所以我们安静走到位置，观看影片，我感到浓厚的中国古典音乐，包围着这部电影，也让我在中国气氛中间融合，也许是影片中有着幽默的语言，但有时会出现少量的评论声音，至少这让我感到不适，我们认真观赏完了这部电影，即将走出电影院，也许这是对我是呼吸新鲜空气，最佳的，可是无奈选择，我的朋友很喜欢三国，在美国，他们很喜欢日本的游戏《三国无双》，他们说他很酷，并没有复杂的剧情，可以让你充满疯狂和直接，这也许可以给我作为参考，因为我并知道三国的很多，在珍问我觉得怎么样的时候，我告诉她我很喜欢周瑜，其中有一个场景，他舞剑的时候，在小乔面前，我感到中国古人的舒适和细致，并有着浓厚的中国气氛，尽管在我的想法中，诸葛亮是智慧的，而曹操更多是诗歌和残忍，我不渴望后者，影片有一首曹操诗歌的朗诵，我曾经对那一首的记忆很清晰，它让我感到了他的靠近，我很喜欢看电影，也许在美国，很多人会因为闲暇看电影，美国的电影票价很低，这却让我感到了更加深入和完美的音质，在美国，我只知道的中国电影是《卧虎藏龙》，这是我对中国曾经的想法，武打和精华的观点，我很喜欢李安这位导演，他的电影有着缓和，和有时心里很沉重，没有暴力，《卧虎藏龙》让我感到了那段东方的气息，和竹子的舒适，也许它和《赤壁》的不同，《赤壁》的场面让我无尽感到宏伟，尽管我没有看到它的上部，很多好莱坞伟大的作品，充满更多的是背后的情感和关怀，他们往往是在战争深处而察觉人性，而中国古代的战争，充满着机警，也是智慧的斗争，即使我感到，它仍然是一部美丽的作品，但是我相信，它将成为我永远的记忆，我很喜欢这种记忆，中国电影的记忆，尽管它永远无法取代第部

Robert Zemickis is the visual genius who directed Back to the Future, here he is back into the movies, returning into fashion with a rightfully won Best Director Oscar in hand, Zemickis is my favourite director and most of his movies have made it so, this is one of the movies that creates that vision, thanks in turn to the writers of the incredible comedy drama that uses the best conventions possible to create one of the most entertaining and spot-on movies of the 1990's.

罗伯特zemickis是视觉的天才导演回到未来，他在这里是返回到电影，返回到时装与理所当然地赢得了奥斯卡的最佳导演奖在手， zemickis是我最喜欢的导演和他的大部分电影都说得那么，这就是其中的电影创造了这一设想，表示感谢，向作家的令人难以置信的喜剧话剧，使用最好的公约，有可能创造一个最娱乐性和突击上的电影， 90年代的。

On productions at the National Theatre, Skini and Nea Skini theatres, Aplo Theatro, Epochi theatre, Amphitheatro, etc., of plays by Shakespeare, Goldoni, Griboyedof, Turgenief, Chekhof, Gorki, O'Neill, Tennessee Williams, Arthur Miller, Pinter, Mammet, Orton, Aristophanes, Hourmouzis, Loula Anagnostaki, G.Dialegmenos, Euripides etc.At the cinema: Since 1983 she has been a permanent collaborator with Theo Angelopoulos, composing music for his films Voyage to Cythera, The beekeeper, Landscape in the Mist, The Suspended Step of the Stork, Ulysses' Gaze and the Cannes Festival Golden Palm award-winning film, Eternity and a Day. She has also composed music for films by Dimitris Mavrikios, Takis Kanelopoulos, Tonia Marketaki, Christoforos Christofis (Wandering / Rosa), Lefteris Xanthopoulos, Giorgos Koras Margarethe von Trotta (L' Africana), etc.

然后她回到雅典，上电台，办民族音乐试验室，1979年被她视为命运的转折点，她开启了电影作曲的职业生涯，合作者是希腊诗人兼新电影流派的导演Chistoforo Chillstofis，1982年Eleni Karaindrou因前者的影片&芳名罗莎&在塞瑟隆尼基电影节上获得原创音乐奖，颁奖人正是评审团主席Theo Angelopoulos，他们的合作也由此开始，以后的九年可谓硕果累累，两个人物以类聚，谁都没有辜负了彼此间的厚望。80年代安氏创作了他的&漂泊&三部曲，当首篇&塞瑟岛之旅&告竣之后，安氏在访谈录中称赞Eleni正是他所需要的那种博采众长且深具古典音乐实力的最佳搭档，Eleni不仅创作电影音乐，而且也涉足希腊的先锋戏剧，她的第二个丈夫就是一位戏剧导演，Eleni迄今已为35部剧本谱写了音乐。

Plunder melds and run with this jewel!

掠夺melds和运行与此宝石！

My dream is to be a crazy growing tree and extend at the edge between the city and the forest.

此刻，也许正是在通往天国的路上，我体验着这白色的晕旋。