电影

I don't remember a thing about the movie we went to except for how right it felt to have his arm around me.

我们去看了电影，可除了感觉他的胳膊搂着我时是多么舒适以外，电影中的情节我一点也没记住。

" Biochemical an army suddenly appearing from nowhere " film will produce by round-the-world movie company, john Logan (machine of horny fighter, time, final cavalier, aviator, tonsorial Tao De) hold the position of this playwrite.

生化奇兵》电影将由环球电影公司出品，John Logan（角斗士、时间机器、最后的武士、飞行家、理发师陶德）担任该片编剧。

After creating the last great traditionally animated film of the 20th century, The Iron Giant , filmmaker Brad Bird joined top-drawer studio Pixar to create this exciting, completely entertaining computer-animated film.

在创建的最后一个伟大传统的动画电影在20世纪，铁巨人，导演布拉德伯德加入顶级抽屉工作室皮克斯创造这一令人兴奋的，完全娱乐性的电脑动画电影。

Movies are of course also taught for their topicality. Films that address issues of gender, transgender, sexual orientation, nationality, race, etc. are introduced into curricula to raise awareness and build so-called "cultural competencies."

电影当然也有他们的时事性电影关注性别，变性，性取向，国籍，民族，等等被引入到课程计划中，提升意识，建立所谓的"文化的资格"。

According to a story in trade magazine Hollywood Reporter, he vowed not to show Stone's films in his theatres.

据说好来乌的记者，他发誓不会在他的电影院里放斯通的电影。

No, even if they all revisit the heart of things, they are individuals each expressing his aesthetic orientation, poets who capture a parcel of the world and transfigure it, each in their own way.

故事从他的外婆开始讲起：年轻时候的外婆神情专注地看着电影，多年后一家人带着她的遗像再次来到影院，看电影在这里成了对亲人的怀念。

Gltron - gltron was inspired by the film tron - actually, more by all the games that where inspired by the film tron :- It's a game for one to four players, the objective is not to drive into a wall.

gltron是受到电影《tron - actually》的灵感激发产来的，更多的游戏创意来源于电影tron。它可以有1－4位玩家，并且不会撞墙。

The cinema saved Francois Truffaut's life, he said again and again.

弗朗索瓦·杜鲁福不止一次说电影拯救了他，让坏学生有了爱的方向；在巴赞的鼓励下，他成为影评家；27岁生日那天，拍摄了这部电影。

What's great in the film, and what will make it live for many years and speak to many audiences, is what Coppola achieves on the levels Truffaut was discussing: the moments of agony and joy in making cinema.

这个电影之所以伟大，并将在今后许多年内保持生命力，吸引更多的观众的原因，就在于科波拉捕捉到了特吕佛谈论的层次：电影中欢乐与痛苦的瞬间。

Chapter Six explains the form and reasons of Chen-Kaige's overall turnabout through the angle of film economics.

第六章从电影经济学的角度来分析陈凯歌电影大转变的形态及其原因。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。