电影

Films as diverse as Hiroshima, Mon Amour and Hatari, Breathless and Blow-Up, The Savage Innocents and Fahrenheit 451, 2001: A Space Odyssey and Playtime, Contempt and The Rise of Louis XIV were virtually defined by their multinational elements and sentiments; and for the first time since the 20s--barring perhaps only the impact of Italian neorealism in the 40s-Hollywood styles of filmmaking were fundamentally overturned by new developments from abroad.

电影五花八门：《广岛之恋》和《哈泰利》、《筋疲力尽》和《放大》、《雪海冰上人》和《华氏451》、《2001：太空漫游》和《玩乐时间》、《轻蔑》和《路易十四的崛起》，事实上都是依据它们所包含的多国元素和情感来进行阐释；就第一时期，从20年代起始--40年代所受到的可能也是唯一的意大利新现实主义影响除外--好莱坞电影制作形式基本上被国外的新发展所颠覆。

It has made great contribution by adding a tip of newness into the development of modern film.

它既为现代电影的创作发展做出了积极的贡献，也为现代电影文学增添了新的题材内容和创作样式。

But it's still a Coen brothers film, which means it is about as dark and nihilistic as comedies are allowed to get before the laughter dies bitterly on your lips.

但是它仍然是柯恩兄弟的电影，也就意味着这是一部充满喜剧中常有的黑暗和妄想的电影，笑过后便会体会到其中的苦涩。

For example, a film noir is a movie about murder and other crimes.

例如，"黑色电影"是一个关于谋杀和其他罪行的电影。

Luo Weimin of vice-president of limited company of technology of fast thunder network says, nolle prosequi actively to the company of 6 big movies of MPA subordinate express to welcome; Express, fast thunder hope and company of 6 big movies inside the unit of world-famous movie and TV that make strengthens cooperation, discuss the innovation of commercial pattern.

迅雷网络技术有限公司副总裁罗为民称，对MPA下属的六大电影公司主动撤诉表示欢迎；并表示，迅雷希望与六大电影公司在内的国际闻名影视制作单位加强合作，探讨商业模式的创新。

Guest appearance by legendary Portuguese filmmaker, the nonagenarian Manoel de Oliveira who philosophises on the nature of cinema.

年届九十多岁的葡萄牙电影大师曼劳迪奥利菲拉在片中粉墨登场，以哲理阐述电影本质。

There is a movie El Norte that tells of a young man and her sister from Guatemala who attempted to enter the U.S. illegally by way of Mexico. It had good reception in the 80's.

有一个电影叫做《北方》，反映的就是两个危地马拉兄妹穿越墨西哥进入美国的故事，是八十年代获得极好评价的一部电影。

It is notA movie; it is a serial of movies.

它并不是一部电影，而是一系列电影。

Firstly, the paper analyzed the characteristics of movie video's digitization from the angle of movie noumenon.

首先，从电影本体的角度分析数字时代电影影像的数字化特点。

Secondly, the paper expatiated the networking of movie acceptance from the angle of acceptance noumenon.

其次，从电影的接受本体角度阐述数字时代电影接受的网络化特点。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。