电影

So this thesis aims at achieving satisfactorysubtitling translation. By analyzing different rewritings in English-Chinese subtitling, this thesis focuses on the English-Chinese film subtitling translation constraints ,including formal constraints and textual constraints (cultural differences, temporal differences andspecial set of language use ) which influence film subtitling.

为了追求完美的字幕翻译，本文主要综合国内外著名电影字幕翻译学者的一些翻译理论，通过分析电影中英语英译汉字幕举例，针对英语电影字幕翻译中经常遇到的约束因素，例如技术约束，其中包括：时间约束和空间约束；语境约束，其中包括：文化差异约束，时代约束和个性语言等。

His sadomasochistic scenes in the new movie "Secretary":"I did something in that scene that I'd never done in a film before but that's been the case with so many of my movies."

关于Secretary这部电影：我在这部电影里拍了那个我从没有在其他电影里拍过的镜头

To occupy the market and being dominant is the wayout for our Chinese movie, but obviously, we're still on the elementary phase in this aspect.

中国电影，能够占领市场，赢得市场的胜利，才是中国电影的出路，在这方面我们的电影显然还处于探索阶段。

The reviews for "Me and Orson Welles" have been mostly positive and Roger Ebert called it "one of the best movies about the theater that I've ever seen".

我和奥森威尔斯的受到了很多好评。罗杰艾伯特称这部电影&是今年电影院里我看过最好的电影之一。&

In addition, the former Soviet Union, the earliest film master door, such as Eisenstein, Pudovkin and others classified as 20 film festivals in the pioneer era of Marxism as an important branch of film movement is also very important.

另外，把前苏联最早期的电影大师门，如爱森斯坦、普多夫金等人的电影活动归为20年代先锋主义电影运动的一个重要分支，也是非常重要的。

Blitzfilm is being organized in cooperation with:-Kulturelle Filmfoerderung Schleswig Holstein (Cultural Filmfunds Schleswig Holstein )-Filmbuero Bremen -Kurzfilmargentur Hamburg -Bitfilmfestival (International Festival for Digital Film)-Filmfest Weiterstadt -AG Kurzflilm -German Films (Government Institution for German Filmexport) BLITZFILM is unique in the festivalscene.

&Blitzfilm&电影节赞助机构：石勒苏益格—荷尔斯泰因文化电影基金/不来梅电影署/汉堡短片机构/ Bitfilm电影节/弗伦斯堡电影节/德累斯顿AG 短片/德国电影/上海多伦现代美术馆由自1975年始活跃于德国独立影片界的制片人们发起组织的&BLITZFILM&电影节在当今影界中保持其独特性格。&BLITZFILM&提供对德国短片近期发展的深入透视，去发现反叛传统的影片制作新实验的未来。

Blitzfilm is being organized in cooperation with:-Kulturelle Filmfoerderung Schleswig Holstein (Cultural Filmfunds Schleswig Holstein )-Filmbuero Bremen -Kurzfilmargentur Hamburg-Bitfilmfestival (International Festival for Digital Film)-Filmfest Weiterstadt-AG Kurzflilm-German Films (Government Institution for German Filmexport)BLITZFILM is unique in the festivalscene.

&Blitzfilm&电影节赞助机构：石勒苏益格—荷尔斯泰因文化电影基金/不来梅电影署/汉堡短片机构/ Bitfilm电影节/弗伦斯堡电影节/德累斯顿AG 短片/德国电影/上海多伦现代美术馆由自1975年始活跃于德国独立影片界的制片人们发起组织的&BLITZFILM&电影节在当今影界中保持其独特性格。

About that time, Hitchcock became intrigued by photography and started working in film in London. In 1920, he obtained a full-time job at Islington Studios under its American owners, Players-Lasky, and their British successors, Gainsborough Pictures, designing the titles for silent movies. In 1925, Michael Balcon of Gainsborough Pictures gave him a chance to direct his first film, The Pleasure Garden.

就是在那个阶段，希区科克对摄影产生了浓厚的兴趣并且开始在伦敦的电影业中工作。1920年他在美国Players-Lasky公司旗下的伊斯灵顿电影制作工作室以及后来由英国人创建的庚波斯罗图片社中找到了一份全职工作，设计无声电影中的字幕。1925年庚波斯罗图片的迈克尔白尔肯给了他指导生平第一部电影--&欢乐园&的机会。

It doesn't matter if you go to Netflix or Amazon.com and if there's truly a revenue stream that I can build a pipeline between making the movies and distributing them myself, maybe I can take Gissing to jam a little wire through the ground to just learn and just start.

不管你是去Netflix还是Amazon(译注：这两家都在网上卖DVD)，也不管是不是真的会给我带来收入流，我要做的是在制作电影和自己发行电影之间建立一个管道，也许我可以把Gissing的电影来做这个实验，正好让我学习也让我开始。

Although it is about the children's life on the streets, the entire film was shot in the film-maker's room in the Ethiopia Hotel in Piassa, Gondar.

虽然影片是关于流浪儿的街头生活的，但整部电影均在作者的电影是在电影制作人位于贡德尔皮阿萨的埃塞俄比亚旅馆房间中拍摄的。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。