电影

Saldana,though encased in CGI blue throughoutthe movie,manages to be the driving force:yet again in aCameronfilm,we find astrong woman seeking aman whose strength she can tap.

Saldana，虽说被电影CGI蓝幕技能覆盖了真正面貌，却制造了电影前行的助力：我们又一次在卡梅隆的电影里看到如许的女性，刚强的她找到了一个本身可以唤醒其气力的男人。

Brooks" while his 2008 film "Swing Vote" has been only recently released outside of America - in this one he doesn't only play Bud Johnson, but is also a producer and has been responsible for the soundtrack, for which he wrote the lyrics for the songs "Don't Lock'em Away","Backyard" and "Gotta Get Away.

而他2008年的作品&关键投票&，直到最近才在美国以外的国家上映，此部电影，他身兼数职---不仅饰演 Bud Johnson ，而且担当电影制片人，还负责了电影配音---为此他还为歌曲&Don't Lock'em Away&，&Backyard&和&Gotta Get Away&作词

However, he insisted on the creation of his films, life, loss of feeling in the film did not reflect, but more of a happy audience, and his spirit I think it is very moving, so I He will continue to support the film

然而，他却坚持着创作他的电影，生活中失落情绪在电影中丝毫没有体现出来，反而把更多的快乐带给观众，他的这种精神我认为是非常令人感动的，因此，我会继续支持他的电影

Realism ; reality ; mainstream movie ; commercial movie ; young film directors with avantgarde ideas.

现实主义；现实；主流电影；商业电影；带有先锋意味的青年电影

He employs mechanisms more commonly associated with lavish "motion picture" productions for cinema: notably his trompe l'oeil cinematographic vision, manifested in elaborate chiaroscuro combinations of light and half-light; tight control of changes in perspective and arrangement of the cast in majestic tableaux vivants; and a miniaturist's hypersensitivity in committing human emotions to film, his precise handling of the camera capturing the subtleties of sadness, melancholy, and grief as well as of prolonged expressionlessness and impassivity.

他使用了奢华的&电影&更普遍采用的影院制作机制：精心设计出明暗对照的光线组合所产生的电影错视画面；严格控制视角的变化和场面宏伟的活动画面中演员走位的安排；正如一个微图画家般的超敏性，将人类情感赋予电影，通过他对摄影的准确把握，捕捉悲伤、忧郁和哀痛，长时间的沉默和平静的细微差异。

I said last week that I like to watch movies and some people asked what movies I like. Two of my favories are "Wedding Crashers," that's really funny, and "Major League."

上星期我说我喜欢看电影，有很多人问我喜欢什麼电影，我最喜欢的两部是&婚礼，傲客&(按：这是从网路上找的，我很多年没用过中文电影名了 XD)因为很好笑，和&大联盟&。

Both of these sections, which are curated by the Berlin Film Museum, aim to place contemporary cinema within a historical context.

这些单元的电影将收入柏林电影博物馆，目的在于为这次些当代电影做历史性的记录。

While critics generally praised the films, few considered them to be anything more than very well-done big-budget extravaganzas, but the films' popularity has made them very influential in the filmmaking world.

虽然批评者普遍赞誉的电影，很少考虑他们只不过是非常良好的工作大预算extravaganzas ，但电影的受欢迎程度，已使它们非常有影响力的电影世界。

From the very beginning, music was regarded as an indispensable accompaniment; when the Lumiere films were shown at the first public film exhibition in the United States in February 1896, they were accompanied by piano improvisations on popular tunes.

从最开始，音乐就是电影不可或缺的伙伴；1896年2月，当卢米埃尔兄弟的电影在美国第一家公共电影院放映时，他们为电影配上了钢琴即席伴奏，演奏的都是通俗的曲调。

Combining historical methods with insights from linguistics and film studies, this study discusses the historical resonance of films such as Lawrence of Arabia (1962), Gangs of New York (2002) and United 93 (2006), and investigates the parameters and limitations of fiction film as a way to access history.

这项研究结合了历史方法和语言学家及电影研究领域的观点，探讨了一些电影引起的历史共鸣，如《阿拉伯的劳伦斯》（1962），《纽约黑帮》（2002），《联航93》（2006），分析了将科幻电影作为通向历史之门的变化因素和局限性。

But we don't care about Battlegrounds.

但我们并不在乎沙场中的显露。

Ah! don't mention it, the butcher's shop is a horror.

啊！不用提了。提到肉，真是糟透了。