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In the 2-year field experiments, host plant preference and dispersal of the rice water weevil adults of the 1st generation emerged from the 1st cropping season rice were measured on newly transplanted plants of different species and/or growth stage. The weevil preferred significantly to barnyardgrass over Leersia herxandr and Cyperus difformis L with rice at the least, while the age of the plant did not affect such preference. But mean size of feeding scar in on younger plants were larger than in older plants.

在田间自由选择条件下,一代稻水象甲成虫对稗草的选择性显著高于对水稻的选择;稻水象甲对不同生育期的稗草、水稻的选择没有显著影响;对李氏禾和莎草的选择高于水稻,低于稗草;较幼嫩的植物上的取食斑总长度、取食斑平均长度比较老的植物的要长。

And as he lay there panting and trembling, and listened to the whistlings and the patterings outside, he knew it at last, in all its fullness, that dread thing which other little dwellers in field and hedgerow had encountered here, and known as their darkest moment—that thing which the Rat had vainly tried to shield him from—the Terror of the Wild Wood!

他只能蜷缩在被风刮到洞里的枯叶里,希望能暂时避避难、他躺在那里,大口喘气,浑身哆嗦,听着外面的哨声和脚步声,他终于恍然大悟。原来,其他的田间和篱下的小动物最害怕见到的那种可怕的东西,河鼠曾煞费苦心防止他遇上的那种可怕的东西,就是——野林的***!

And as he lay there panting and trembling, and listened to the whistlings and the patterings outside, he knew it at last, in all its fullness, that dread thing which other little dwellers in field and hedgerow had encountered here, and known as their darkest moment—that thing which the Rat had vainly tried to shield him from—the Terror of the Wild Wood!

他只能蜷缩在被风刮到洞里的枯叶里,希望能暂时避避难、他躺在那里,大口喘气,浑身哆嗦,听着外面的哨声和脚步声,他终于恍然大悟。原来,其他的田间和篱下的小动物最害怕见到的那种可怕的东西,河鼠曾煞费苦心防止他遇上的那种可怕的东西,就是——野林的恐怖!

The genetic study suggested that the carbendazim-resistance in these mutants could be steadily inherited by asexual and selfed reproduction, and the resistance was controlled by the same single major gene both in laboratory mutants and field resistant isolates, the different levels of resistance or the same resistant level in different strains maybe conferred by mutations at different sites or one site with different allelic mutations. The gene compensates for the sensitivity to MDPC was allelic to that governs the carbendazim resistance, but the mutation for increasing sensitivity to MDPC in this gene could get the pathogen highly resistant to carbendazim.

抗药性遗传研究表明,在所研究的抗药突变体中,抗药性在自交和无性繁殖后代中能稳定遗传;室內抗药突变体和田间抗药菌株对多菌灵的抗药性由同一个主效基因控制,但它们发生突变的位点不同或者同一碱基位点发生了不同的突变;对MDPC的敏感性也是由单个基因控制的,该基因与控制多菌灵抗性的基因是等位基因,当该基因发生对MDPC的敏感性增加的突变时会使病菌对多菌灵产生高水平抗性。

Biological characteristics of the pathogen and the resistance of 13 cultivars of tea plant to tea brown blight were studied by means of natural infection in the field and artificial inoculation in vitro. Resistant cultivars and susceptible cultivars of tea plant were divided. And the resistance mechanism was researched tentatively. The findings are as follows: 1 Some biological characteristics of the pathogenic fungus The experiment result showed: the optimum temperature for the growth of fungus mycelium was from 24 to 27℃, the optimum temperature for sporulation ranged 22 to 30℃. Treated at 54℃ in 10 minutes, the spores didn't germinate. The optimum pH for the growth of the mycelium was 5.1~5.9, the optimum pH for sporulation ranged 5.0~6.0. Light had no much effect on the growth of fungus mycelium, but had much effect on the reproduction of the spore.

首先,研究了茶云纹叶枯病病菌的生物学特性;其次,通过田间抗性调查和室内人工接种鉴定,对 13 个茶树品种进行了抗病性鉴定;第三,在前人研究的基础上,对茶树抗病机理作了更深入的研究,结果发现: 1 病原菌的生物学特性病原菌的分生孢子萌发的最适温度范围为 24~27℃,菌丝生长的最适温度范围为 22~30℃;致死温度为 55℃;菌丝生长的最适 pH 范围为 5.1~5.9,孢子萌发的最适 pH 范围是 5.0~6.0;光照对病菌生长速度及分生孢子萌发影响不大,但对其产孢的影响很大,特别是有光照与无光照处理之间差异显著,光照有利于分生孢子的形成。

Kim will sit for the portrait master summer "spent Guiqu horseshoe-riding" for the painting: the early rainy weather was fine, Lin Jianxiao Road, from near and far, Xi Xi and scattered Mati Yin and his party in recent Mati Yin bees have three, two in Tiyin circled on the preparations for Caimi, and another along the "road-" has been exiting…... forward in the "mountains of temple," he will be painted screen: the flying rock cliffs, winding the breakwater Two small over the faltering of the old monk, is struggling to carrying a bucket of water going to the mountains, the clouds wind around the side of the Linhai…... In the "green leaves that red" is the screen: an oasis in a Green rice fields and jungles, a hands Ziyi girls were carrying their loved ones to send the rice basket lunch and Tao Waguan; Fumian from the face of the Shanfeng, a Ziyi Chuidong the shadow show girls Ena, blowing open the girls UFA reveal the beautiful face - Emeifengyan, Fensaizhuchun, disclosed the spring atmosphere…….

应考画师夏珪将&踏花归去马蹄香&-为:初雨天晴,林间小道上,由远及-、稀稀地零落一行马蹄印;在最近的-马蹄印上有三只蜜蜂,两只在蹄印上-旋准备采蜜,而另一只沿着&香路&-直向前飞去……;在&深山藏古寺&-中,他将画面画成:在飞岩绝壁、蜿-的石矶小道上两名步履蹒跚的老和尚-正吃力地抬着一桶水向山上走去,一-旁是云雾缭绕的林海……;而在&万-丛中一点红&的画面是:在一望无垠-绿色丛林与稻田间,一位紫衣少女双-手分别拎着给亲人送午餐的饭篮与陶-罐;那迎面拂面而来的山风,吹动着-衣显现少女婀娜的身影,吹开少女的-乌发露出美丽的脸庞——蛾眉凤眼、-腮朱唇,透出春的气息……。

Kim will sit for the portrait master summer "spent Guiqu horseshoe-riding" for the painting: the early rainy weather was fine, Lin Jianxiao Road, from near and far, Xi Xi and scattered Mati Yin and his party in recent Mati Yin bees have three, two in Tiyin circled on the preparations for Caimi, and another along the "road-" has been exiting…... forward in the "mountains of temple," he will be painted screen: the flying rock cliffs, winding the breakwater Two small over the faltering of the old monk, is struggling to carrying a bucket of water going to the mountains, the clouds wind around the side of the Linhai…... In the "green leaves that red" is the screen: an oasis in a Green rice fields and jungles, a hands Ziyi girls were carrying their loved ones to send the rice basket lunch and Tao Waguan; Fumian from the face of the Shanfeng, a Ziyi Chuidong the shadow show girls Ena, blowing open the girls UFA reveal the beautiful face - Emeifengyan, Fensaizhuchun, disclosed the spring atmosphere…….

u2 M- w7 O5 a% k 应考画师夏珪将&踏花归去马蹄香&画为:初雨天晴,林间小道上,由远及近、稀稀地零落一行马蹄印;在最近的马蹄印上有三只蜜蜂,两只在蹄印上盘旋准备采蜜,而另一只沿着&香路&一直向前飞去……;在&深山藏古寺&中,他将画面画成:在飞岩绝壁、蜿蜒的石矶小道上两名步履蹒跚的老和尚,正吃力地抬着一桶水向山上走去,一旁是云雾缭绕的林海……;而在&万绿丛中一点红&的画面是:在一望无垠的绿色丛林与稻田间,一位紫衣少女双手分别拎着给亲人送午餐的饭篮与陶瓦罐;那迎面拂面而来的山风,吹动着紫衣显现少女婀娜的身影,吹开少女的乌发露出美丽的脸庞——蛾眉凤眼、粉腮朱唇,透出春的气息……。

Kim will sit for the portrait master summer "spent Guiqu horseshoe-riding" for the painting: the early rainy weather was fine, Lin Jianxiao Road, from near and far, Xi Xi and scattered Mati Yin and his party in recent Mati Yin bees have three, two in Tiyin circled on the preparations for Caimi, and another along the "road-" ha**een exiting…... forward in the "mountains of temple," he will be painted screen: the flying rock cliffs, winding the breakwater Two small over the faltering of the old monk, is struggling to carrying a bucket of water going to the mountains, the clouds wind around the side of the Linhai…... In the "green leaves that red" is the screen: an oasis in a Green rice fields and jungles, a hands Ziyi girls were carrying their loved ones to send the rice basket lunch and Tao Waguan; Fumian from the face of the Shanfeng, a Ziyi Chuidong the shadow show girls Ena, blowing open the girls UFA reveal the beautiful face - Emeifengyan, Fensaizhuchun, disclosed the spring atmosphere…….

应考画师夏珪将&踏花归去马蹄香&画为:初雨天晴,林间小道上,由远及近、稀稀地零落一行马蹄印;在最近的马蹄印上有三只蜜蜂,两只在蹄印上盘旋准备采蜜,而另一只沿着&香路&一直向前飞去……;在&深山藏古寺&中,他将画面画成:在飞岩绝壁、蜿蜒的石矶小道上两名步履蹒跚的老和尚,正吃力地抬着一桶水向山上走去,一旁是云雾缭绕的林海……;而在&万绿丛中一点红&的画面是:在一望无垠的绿色丛林与稻田间,一位紫衣少女双手分别拎着给亲人送午餐的饭篮与陶瓦罐;那迎面拂面而来的山风,吹动着紫衣显现少女婀娜的身影,吹开少女的乌发露出美丽的脸庞——蛾眉凤眼、粉腮朱唇,透出春的气息……。

Kim will sit for the portrait master summer "spent Guiquhorseshoe-riding" for the painting: the early rainy weather was fine,Lin Jianxiao Road, from near and far, Xi Xi and scattered Mati Yin andhis party in recent Mati Yin bees have three, two in Tiyin circled onthe preparations for Caimi, and another along the "road-" has beenexiting…... forward in the "mountains of temple," he will be paintedscreen: the flying rock cliffs, winding the breakwater Two small overthe faltering of the old monk, is struggling to carrying a bucket ofwater going to the mountains, the clouds wind around the side of theLinhai…... In the "green leaves that red" is the screen: an oasis ina Green rice fields and jungles, a hands Ziyi girls were carrying theirloved ones to send the rice basket lunch and Tao Waguan; Fumian fromthe face of the Shanfeng, a Ziyi Chuidong the shadow show girls Ena,blowing open the girls UFA reveal the beautiful face - Emeifengyan,Fensaizhuchun, disclosed the spring atmosphere…….

应考画师夏珪将&踏花归去马蹄香&画为:初雨天晴,林间小道上,由远及近、稀稀地零落一行马蹄印;在最近的马蹄印上有三只蜜蜂,两只在蹄印上盘旋准备采蜜,而另一只沿着&香路&一直向前飞去……;在&深山藏古寺&中,他将画面画成:在飞岩绝壁、蜿蜒的石矶小道上两名步履蹒跚的老和尚,正吃力地抬着一桶水向山上走去,一旁是云雾缭绕的林海……;而在&万绿丛中一点红&的画面是:在一望无垠的绿色丛林与稻田间,一位紫衣少女双手分别拎着给亲人送午餐的饭篮与陶瓦罐;那迎面拂面而来的山风,吹动着紫衣显现少女婀娜的身影,吹开少女的乌发露出美丽的脸庞——蛾眉凤眼、粉腮朱唇,透出春的气息……。

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