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与 用眼的 相关的网络例句 [注:此内容来源于网络,仅供参考]

" Juno trembled as he spoke, and said,"May heaven above and earth below be my witnesses, with the waters of the river Styx- and this is the most solemn oath that a blessed god can take- nay, I swear also by your own almighty head and by our bridal bed- things over which I could never possibly perjure myself- that Neptune is not punishing Hector and the Trojans and helping the Achaeans through any doing of mine; it is all of his own mere motion because he was sorry to see the Achaeans hard pressed at their ships: if I were advising him, I should tell him to do as you bid him.

" 宙斯一顿怒骂,牛晴眼夫人赫拉心里害怕,开口告辩,用长了翅膀的话语:"让大地和辽阔的天空为我作证,还有斯图克斯的泼水――幸福的神祗誓约,以此最为庄重,最具可怕的威慑。我还要以你的神圣的头脑作证,以我们的婚姻和睡床――对此,至少是我,不敢信口誓言。裂地之神波塞冬并非秉承我的意志,加害于特洛伊人和赫克托耳,助信他们的敌人,而是受他自己激情的催使,风风火火地干出此番事件。他目睹阿开亚人已被逼退船边,由此心生怜悯。真的,我没有让他这么做;相反,我愿劝他跟着你的路子循走,按你的号令行事;你,驾驭乌云的神主。

Steve Harley and Cockney Rebel - Sebastian Radiate simply, the candle is burning So low for me Generate me limply, I can't seem to place Your name, cherie To rearrange all these thoughts In a moment is suicide Come to a strange place, we'll talk over Old times we never spied Somebody called me sebastian Somebody called me sebastian Work out a rhyme, toss me the time, lay me, You're mine And we all know, oh yeah! Your persian eye sparkle; your lips, ruby blue Don't speak a sound You, oh so gay, with parisian demands, You can run-around And your view of society screws up my mind Like you'll never know Lead me away, come inside, See my mind in kaleidoscope Somebody called me sebastian Somebody called me sebastian Love me sublime, mangle my mind, do it in style, So we all know, oh yeah! You're not gonna run, babe, We only just begun, babe, to compromise Slagged in a bowery saloon, Love's a story we'll serialise Pale angel face; green eye-shadow, The glitter is outasite No courtesan could begin to decipher Your beam of light Somebody called me sebastian Somebody called me sebastian Dance on my heart, laugh, Swoop and dart, la-di-di-da Now we all know you, yeah!

发光,蜡烛在燃烧很微弱让我四肢无力,我不能就这样任命你的名字,cherie 重整一切思想在某瞬间是自杀来到一个陌生的地方,我们将谈论从未发现的旧时光有人叫我sebastian 有人叫我sebastian 唱出心中的话,给我时间,平息我你是我的我们都知道,欧耶你波斯般的眼镜在闪烁,你的嘴唇如忧郁的红宝石别发任何声音你有巴黎人的需求如此快乐你有借口你对友伴的看法振作了我仿佛你从不知道带我离开,来到内心用万花筒来看我的心有人叫我sebastian 有人叫我sebastian 狠狠爱我,独具风格的撕裂我的心我们都知道,欧耶你不会走的,孩子我们才开始妥协在树荫下的酒吧里成为熔渣爱是我们将要连载的故事苍白的天使的脸和充满活力的眼影闪光在(outasite不知这词)没有情妇可以解释你那一束光有人叫我sebastian 有人叫我sebastian 在我心中跳舞,欢笑飞奔,啦嘀嘀嗒现在我们都知道你,欧耶(都不知道自己在翻什么,准备下来听听。。。。

Light holds between its hands The white hill and black oaks, The path that goes o, The tree that stays; Light is a stone that breathes By the sleepwalking river, Light: a girl stretching, A dark bundle dawning; Light shapes the breeze in the curtains, Makes a living body from each hour, Enters the room and slips out, Barefoot, on the edge of a knife; Light is born a woman in a mirror, Naked under diaphanous leaves, Chained by a look, Dissolved in a wink; It touches the fruit and the unbodied, It is a pitcher from which the eye drinks clarities, A flame cut in blossom, a candle watching Where the blackwinged butterfly burns; Light opens the folds of the sheets And the creases of puberty, Glows in the fireplace, its flame becomes shadows That climb the walls, yearning ivy; Light does not absolve or condemn, Is neither just or unjust, Light with impalpable hands raises The buildings of symmetry; Light escapes through a passage of mirrors And returns to light: Is a hand that invents itself, An eye that sees itself in its own inventions.

光 双手拥着白色山峦与黑色橡树林,前行的路,停留的树;光是梦游的河旁呼吸的石光:一个女孩舒展,一束暗色破晓。光勾勒出帘中微风的形状,每时每刻造出一个鲜活的身体,光著脚,踩著刀刃;蹑入房间,又溜走;光是镜中诞生的女人,裸露在透明的叶底,被目光锁定,瞬间消逝;它触摸著果实和无形,眼睛在它的水罐饮著清晰,火焰绽放如花,蜡烛目睹黑翅的蝴蝶燃烧光展开被单的折皱与青春期的皱痕在壁炉里光芒焕发,它的火焰成影在墙上攀爬,怀恋著长春藤光既不赦免也不谴责无公平与不公平而言光,用无法察觉的双手举起对称的建筑;光在镜子的通道里逃遁返回于光:一只发明自己的手,一只在自己的发明中看到自己的眼。

Mila has recommended rose quartz to hold all the pink tones associated with forgiveness and unity in the Language of Light, and amethyst to hold all the lavender tones of structure and divine union; and amber or jasper to hold the peach tones of power and truth; and aventurine or crysocolla to hold the turquoise tones of compassion; and citrine or yellow calcite to hold the yellow tones of freedom and breath of life; and hematite to hold the silver tones of non-conditional love; and tigers eye or rutilated quartz to hold the golden tones associated with non-conditional governance.

Mila 建议用玫瑰粉晶来持有与光之语中宽恕及统一有关的所有粉色音调、紫水晶持有结构和神性统一的所有淡紫色音调、琥珀或碧玉持有力量和真相的桃色音调、砂金石或蓝玉石持有同情的蓝绿色音调、黄水晶或黄色方解石持有自由与生命呼吸的黄色音调、赤铁矿持有无条件爱的银色音调、虎眼石或发晶持有与无条件统辖相关的金色音调。

Hence we conclude that there is positively no real Atman; that there are only various consciousnesses which, since before the beginning of time, have followed one another, the subsequent one arising with the disappearance of the antecedent, and thus a continuous series of causes and effects (karmic seeds-actual dharmas-karmic seeds) is formed; and that, by the perfuming energy of false thinking, an image of a pseudo-Atman arises in the consciousness, and it is this pseudo-Atman which the ignorant take for a real Atman.

因此可以确定的说:一定毫无实实在在的我;只有诸识在自己无始开始存在以来,於分段生死中相续不断,自己的存在无始以来前灭后生,在因因果果、果果因因中相续不断,因著业力的虚妄熏习,出现假我的种种现象,就误以为有我,故无知的愚者自以为有ㄧ个实我。(韦达在此将《成唯识论》的「诸识」翻成「几种不同的识」,指的是种子识、末那识、眼、耳、鼻、舌、身、意等八个识,在不同时空分段生死中,所起的外延与内涵、作用不同,所以才用「不同的」various一词。其次,他把「无始时来」翻成「since before the beginning of time」,就尚德对佛法的了解而言,佛法所指的「无始」不是指「时间的本身」,而是指众生生命开始的那个时刻,叫做「无始」。----------译者

It should be noted that paper-cut of "engraved" on the one hand, use a round-shaped volume, drop-shaped, zigzag-shaped symbol and so on almost any program is the way the eye, such as animals, clothing, flowers, finch翎毛the only kind of "shape ", but also a variety of programs focused on the point, line and plane in the plane cloth slightly wrong in seeking out the relationship between rhythm.

值得注意的是,剪纸的&刻&一方面要用圆卷形、水滴形、锯齿形等等近乎符号的程式手法概现诸如动物的眼、衣服的花、鸟雀的翎毛只类的&形&,更着重于各种程式的点、线、面在平面布列错略中求得节奏关系。

Immediately prior to the cup saw its mind every place and every trace of water. It was only know that it loves water, it is so in love with the water. However, it is no longer on the water the whole heart of the. cup crying, and it's tears and water-soluble together, expect a final can use the water in the power of love again. master picking up glass fragments and was one of them cut a finger, fingertip blood.

臨死前,杯子看見了,它心裡的每一個地方都有誰的痕跡,它才知道,它愛水,它如此的愛著水,可是,它再也無法把水整個的放在心裡了,杯子哭了,它的眼淚和水溶在一起,奢望著能用最後的力量再去愛水一次,主人撿著杯子的碎片,被其中一片割破了手指,之間有血。

One is the sales bar code, this type of bar code primarily to provide to the seller in sales when scanning, contains information that is generally the drive letter for a production plant and product lines, such cards and membership cards to make the external surface of jewel; another is to to your product packaging for packaging equipment on eyes read for the bar code, so it must accurately.

一个是产品销售条形码,这类条形码主要是为了提供给销售商在销售时扫描用的,包含的信息一般是生产工厂的代号和产品种类,通常制卡和会员卡制作在包装盒的外表面;另一个是为了在产品包装时能够让包装设备上的光眼读取的条形码,所以它的位里要准确。

Jump for the most common eyelid orbicularis oculi muscle of the "little muscle vibration syndrome", each jump a few seconds to several minutes; normal circumstances as long as a period of time after the automatic recovery, but also close your eyes a rest look, or deposited his eyes with hot towel, as well as with a balanced diet and adequate sleep, to shorten the eyelid beating time.

跳为最常见的眼睑眼轮匝肌的&小肌肉振动综合症&的肌肉,每几秒钟到几分钟的时间,如在一段时间内维持正常情况下,自动恢复后跳,也闭上你的眼睛休息一下看看,或用热毛巾存入他的眼睛,以及均衡饮食和充足的睡眠,以缩短眼皮跳动的时间。

When I'm satisfied with the general volume a shell modifier helps me to give thickness to the piece. In this phase, I don't usually bother that much about every single rivet, hole or cut, I just try to develop a good quad topology of the main volumes. Of course the topology is done by taking count of the main cuts and holes, but the rest can be done easily with a normal or bump map. It's up to you to decide how much a single detail is worth to be modeled or can it be put into a bump map. I usually adopt a "comfortable" criteria...it means that if something looks tricky to me to be carved or extruded into an existing geometry I usually put it into a normal map. When you make something for production, you don't usually have much time to model everything, so you need to set priorities.

当我对整个盔甲的体积感满意之后,一个shell修改器就可以帮我给整个盔甲添加厚度,在这个阶段,我通常不会考虑太多那些细小的铆钉,洞眼或者切边,我只是给整个的模型确立一个好的四边形拓扑结构,当然拓扑是通过重视主要的切割和打洞来形成的,但其余那些细小的部分可以用一个normal 或者bump贴图很容易地模拟出来,这由你来决定到底一个细节是值得建模还是放到一个bump贴图里面,我通常采用一个&舒服&的标准,也就是说,如果有什么东西对我来说,在已有模型上再挤出或者开洞是非常麻烦的,那么我就通过Normal贴图来表现,而当你为商业生产制作模型时,你通常都没有足够的时间来把任何东西都建出来,因此你需要设置重点。

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