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"When a town celebrates the busk," says he, having previously provided themselves with new clothes, new pots, pans, and other household utensils and furniture, they collect all their worn out clothes and other despicable things, sweep and cleanse their houses, squares, and the whole town of their filth, which with all the remaining grain and other old provisions they cast together into one common heap, and consume it with fire.

当一个部落举行庆祝圣礼的时候,"他说,"他们先给自己预备了新衣服,新坛新罐,新盘子,新器具和新家具,然后集中了所有的穿破了的衣服和别的可以抛弃的旧东西,打扫了他们的房子,广场和全部落,把垃圾连带存下来的坏谷物和别的陈旧粮食,一起倒在一个公共的堆上,用火烧掉了它。

I am twenty-two blocks from where Rudolph Valentino lay in state,eight blocks from where Nathan Hale was executed,five blocks from the publisher's office where Ernest Hemingway hit Max Eastman on the nose,four miles from where Walt Whitman sat sweating out editorials for the Brooklyn Eagle,thirty-four blocks from the street Willa Cather lived in when she came to New York to write books about Nebraska,ne block from where Marceline used to clown on the boards of the Hippodrome,thirty-six blocks from the spot where the historian Joe Gould kicked a radio to pieces in full view of the public,thirteen blocks from where Harry Thaw shot Stanford White,five blocks from where I used to usher at the Metropolitan Opera and only 112 blocks from the spot where Clarence Day the elder was washed of his sins in the Church of the Epiphany(I could continue this list indefinitely);and for that matter I am probably occupying the very room that any number of exalted and somewise memorable characters sat in,some of them on hot,breathless afternoons,lonely and private and full of their own sense of emanations from without.

我是二十二个区段从哪里 Rudolph Valentino 以隆重的仪礼放置,八个区段从哪里内森猛拉被运行,来自欧内斯特海明威打击在鼻子上的最大依斯曼,四里的出版者的办公室的五个区段从哪里沃尔特惠特曼为布鲁克林鹰坐着出汗出社论,当她来了纽约有关内布拉斯加写书的时候,来自街道 Willa Cather 的三十四个区段住在,旧姓的区段从哪里用到在竞技场的董事会上的小丑的 Marceline,来自地点的三十六个区段哪里历史学家乔 Gould 踢了对民众的充足视野的块一个收音机,十三个区段从哪里哈利融解射击史丹福白色的,来自我过去一直在来自克拉伦马车日子年长者在主显节的教堂中被他的罪洗的地点的大都市的歌剧和只有 112个区段引导的地方的五个区段;(我可以不确定继续这一本目录)而且就那件事而论我正在或许占领最房间一些尊贵的和 somewise 值得纪念的个性坐在,他们其中的一些在热又喘不过气来的午后,孤单而私人而充满的他们自己散发感从没有。

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从"五四"到20世纪20年代,中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放,其所表现出来的特点,一是正面赋予性欲望以合理性,这种合理性是在人性解放和爱情前提下获得的;二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注,其焦点主要在体格方面;三是树立起新的性伦理道德观念,表现为强调在性爱问题上的个人选择自由,性爱成为个人自我实现的重要方式,从而赋予人在性爱问题上的独立性,同时还扩大了性爱表现的领域;四,这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓,首先是把性还原为欲望本身来探索,沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用,突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容;其次在叙事中表现出对欲望化了的身体的描绘与关注;第三是解构了性的伦理道德,无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德,或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军,其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱;第四,出现了由女性作家表现的女性性意识,在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在,而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙,其主要特征一是性爱在人道主义前提下获得合法性,但要求性爱不超出伦理规定的范围;再就是将性爱叙事同国家观念和民族神话相融合;此外还有对身体的描写审美化诗意化等。80年代中后期,小说性爱叙事进入了多元化探索的阶段,作家通过还原性欲望来还原人性、还原人类的本真状态,不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱,写出其具有的创造性力量和毁灭性特征;将性爱与暴力相联系并通过其来表现人性的黑暗;强调性爱的创造性作用,尤其在民族"血性"的传承方面。

He found old meerschaum pipes, and soiled, crumpled gloves that had once been fresh from the Parisian maker; old play bills, whose biggest letters spelled the names of actors who were dead and gone; old perfume bottles, fragrant with essences, whose fashion had passed away; neat little parcels of letters, each carefully labeled with the name of the writer; fragments of old newspapers; and a little heap of shabby, dilapidated books, each of which tumbled into as many pieces as a pack of cards in Robert's incautious hand.

他发现了陈旧的海泡石烟斗,一度是从巴黎制造商手里买来的崭新时髦的、而今弄脏弄皱了的手套;陈旧的节目单,单子上用最大的字体排印姓名的演员,都已经死了走了;尚有余香的香水瓶,这种香水现在已经不时髦了;一小包一小包整整齐齐的信件,每一包上都仔细地贴上了标明来信者姓名的标签;残缺不齐的旧报纸;一小堆破旧损坏的书籍,每本书都在罗伯特不小心的手里折腾成了许多帖,仿佛一叠叠扑克牌似的。

Steve Harley and Cockney Rebel - Sebastian Radiate simply, the candle is burning So low for me Generate me limply, I can't seem to place Your name, cherie To rearrange all these thoughts In a moment is suicide Come to a strange place, we'll talk over Old times we never spied Somebody called me sebastian Somebody called me sebastian Work out a rhyme, toss me the time, lay me, You're mine And we all know, oh yeah! Your persian eye sparkle; your lips, ruby blue Don't speak a sound You, oh so gay, with parisian demands, You can run-around And your view of society screws up my mind Like you'll never know Lead me away, come inside, See my mind in kaleidoscope Somebody called me sebastian Somebody called me sebastian Love me sublime, mangle my mind, do it in style, So we all know, oh yeah! You're not gonna run, babe, We only just begun, babe, to compromise Slagged in a bowery saloon, Love's a story we'll serialise Pale angel face; green eye-shadow, The glitter is outasite No courtesan could begin to decipher Your beam of light Somebody called me sebastian Somebody called me sebastian Dance on my heart, laugh, Swoop and dart, la-di-di-da Now we all know you, yeah!

发光,蜡烛在燃烧很微弱让我四肢无力,我不能就这样任命你的名字,cherie 重整一切思想在某瞬间是自杀来到一个陌生的地方,我们将谈论从未发现的旧时光有人叫我sebastian 有人叫我sebastian 唱出心中的话,给我时间,平息我你是我的我们都知道,欧耶你波斯般的眼镜在闪烁,你的嘴唇如忧郁的红宝石别发任何声音你有巴黎人的需求如此快乐你有借口你对友伴的看法振作了我仿佛你从不知道带我离开,来到内心用万花筒来看我的心有人叫我sebastian 有人叫我sebastian 狠狠爱我,独具风格的撕裂我的心我们都知道,欧耶你不会走的,孩子我们才开始妥协在树荫下的酒吧里成为熔渣爱是我们将要连载的故事苍白的天使的脸和充满活力的眼影闪光在(outasite不知这词)没有情妇可以解释你那一束光有人叫我sebastian 有人叫我sebastian 在我心中跳舞,欢笑飞奔,啦嘀嘀嗒现在我们都知道你,欧耶(都不知道自己在翻什么,准备下来听听。。。。

Renovations of old buildings in the cores of cities, especially those with a patina of rusticity or charm that can be converted and used as studios, or to sell a m thing from f i ne dining to artwork, appear to attract the flair and skills of designers who wa n !

城市的核心旧建筑物的革新,尤其有一个乡村式或能被转换而且用如工作场所的吉祥物的绿金秀的那些,或卖是从好的吃饭到艺术品的事物,似乎吸引锐利的眼力和设计者的技术苍白的!

Searching the boxes and closets result in the overflown of woman's necessities, among which shyness and helplessness generated from self-revealing are discovered -- the clothes flown from the closets, the stockings scattering on the floor, the bras hanging on the hangers, and the frogs painted on the old furniture using cosmetics.

翻箱倒柜的结果则是外溢的女性生活用品,我们发现了她在自我隐私暴露中所产生的羞涩和无奈,衣柜里流淌出来的服装,散落在地的女性丝袜,悬挂于衣架上的乳罩,以及在旧家具上用化妆品绘制的青蛙。

As a result of certain reason, we redesigned website structure and URL format, but however oversight a few more original the cleared job of old content, the result brings about search engine to be opposite same content with different URL capture, this and more similar at 6 o'clock, but this is point to those we do not want subsistent however the webpage on the space, especially more to a few content information site, the proposal uses Xenu or these link take out of Google website administrator invalidly.

由于某些原因,我们重新设计了网站结构和URL格式,但却忽略了原来一些旧内容的清除工作,结果导致搜索引擎对同样的内容以不同的URL抓取,这和第6点比较相似,但这是指的那些我们不想要却实际存在在空间上的网页,特别是对一些内容较多的信息站点,建议用xenu或者google网站管理员去掉这些无效的链接。

You BE Evolution incompletely of life body, gene mutation of Alien, The senior high school of kindergarten degree living, inborn Mongolia the frog head of disease, The abandoned baby of Mount Everest snow man, the septic tank stop of murderer, The Africa make top black*of descendant, the yin and yang out of tune chimpanzee, The hippo been ran over by the Noah's ark, new volcano eruption, Super big shameless transmit sound to expand a sound trumpet, the humiliation of the Eskimo, With cockroach coexistence live of super individual, the vitality putrefied half plant, Will send out bad smell of**person,"cast off" the source head of word, Everyday deteriorate three time dinosaur, mankind history top most strongly discard a material, God lose the old washer which fall off, ability thinking of have no head living creature, Damage the disaster of compatriot fame in Asia, the ancestry receive for it abashed of descendant, The Fu of deposition thousand years plant quality, the scientist also dare not a research of originality species, The deposition raw material of 1000% petroleum densities, is disfigure of McDonald's uncle, Be like your this kind of damned guy: Only one Tuo muck that can play the inside of the television drama, Canned not compare with a wayside the chewing gum be spread urine by the dog, Connect such as flower all handsome you 1000% above, Seek the girl friend get to even want to leave the Earth to the zoo, Wanting to commit suicide would someone advise you and don't leave corpse in order to prevent a pollution environment, You once touched of keyboard top connect rice the protozoa all live not bottom go to, Jet come of the saliva return than the SARS fatal, Pack the lovely words can the moment solve population inflation of problem, Play cool pack handsome words mankind to have to use asexual reproduction, The idiocy can be you of teacher, mentally retarded can teach you how to say person's words, Want ~only your rise ozone layer meeting hole Wanting to immigrate Mars is in order to leave you, If you of ugly can generate electricity of the nuclear power station of words whole world can be with the lockout, The words bullet missile fight would be unbearable to fly toward you, The hand grenade see you would from explode, Other people would not° until open an airplane to bump a pair of son star line but you as long as bail out and then have same of power, All of the famous spot that you have been to change historic monument, you have been to of the historic monument will become history, 18 generation son all have no stem good matter would understanding you, connect throw into the sun all suspicion not enough environmental protection Anyway horizontal Shu a words:Don't let me see you again, if saw you, I must put out you!

你是 进化不完全的生命体,基因突变的外星人,幼稚园程度的高中生,先天蒙古症的青蛙头,圣母峰雪人的弃婴,化粪池堵塞的凶手,非洲人搞上黑*的后裔,阴阳失调的黑猩猩,被诺亚方舟压过的河马,新火山喷发口,超大无耻传声扩音喇叭,爱斯基摩人的耻辱,和蟑螂共存活的超个体,生命力腐烂的半植物,会发出臭味的**人,&唾弃&名词的源头,每天退化三次的恐龙,人类历史上最强的废材,上帝失手摔下来的旧洗衣机,能思考的无脑袋生物,损毁亚洲同胞名声的祸害,祖先为之蒙羞的子孙,沉积千年的腐植质,科学家也不敢研究的原始物种, 10倍石油浓度的沉积原料,被毁容的麦当劳叔叔,像你这种可恶的家伙:只能演电视剧里的一陀粪,比不上路边被狗洒过尿的口香糖,连如花都帅你10倍以上,找女朋友得去动物园甚至要离开地球,想要自杀只会有人劝你不要留下尸体以免污染环境,你摸过的键盘上连阿米吧原虫都活不下去,喷出来的口水比SARS还致命,装可爱的话可以瞬间解决人口膨胀的问题,耍酷装帅的话人类就只得用无性生殖,白痴可以当你的老师,智障都可以教你说人话,只要你抬头臭氧层就会破洞要移民火星是为了要离开你,如果你的丑陋可以发电的话全世界的核电厂都可以停摆,去打仗的话子弹飞弹会忍不住向你飞,手榴弹看到你会自爆,别人要开飞机去撞双子星才行而你只要跳伞就有同样的威力,你去过的名胜全部变古迹,你去过的古迹会变成历史, 18辈子都没干好事才会认识你,连丢进太阳都嫌不够环保反正横竖一句话:别让我再看见你,要是见着了你,我一定要把你灭了!

They would have to be passed through a powerful press first, to squeeze their old notions out of them, so that they would not soon get upon their legs again; and then there would be some one in the company with a maggot in his head, hatched from an egg deposited there nobody knows when, for not even fire kills these things, and you would have lost your labor.

必须先把人们透过一个强有力的压榨机,把他们的旧观念压榨出来,使他们不再能够马上用两条腿直立,到那时你看人群中,有的人脑子里是长蛆虫的,是从不知什么时候起就放在那里的卵里孵化出来的,连烈火也烧不完这些东西;要不这样做,什么劳力都是白费。总之,我们不要忘记,埃及有一种麦子是一个木乃伊传下来,一直传到了我们手里的。读《瓦尔登湖》至此,觉得这是梭罗的 sarcasm 风格体现最为淋漓尽致的一段。

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在对危险的南部地区访问时,他斥责什叶派民兵领导人对中央集权的挑衅行为。

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