用头顶

The Acetabula on top of head, with this equipment they travel all arround world under the bottom of whale or a big ship.

它们头顶是个吸盘，用这个吸盘吸在大鱼肚子底下，或者船底，周游世界

She said, what to get a good score for, you could not be divined.

她说，拿好成绩有什么用，头顶又不会多个光环。

Once you are accustomed to the process of donning the expert's head, you are ready to use this technique to accelerate your skills development.

一旦你习惯于过程披专家头顶您愿意用这种技术来加速你的技能开发。

If you have ever duelled a Kendo master, they finish you with the same strike almost every single time; every single time they can finish you with the overhead strike on your head.

如果你们曾经跟一位击剑大师对招过，他们几乎每次出手都能用同一招把你们摆平；他们每次出招，都能把竹剑点到你们头顶而把你们摆平。

The heart drum is beaten by invisible hands with music Oh, they are kissing, the young lovers So devoted, so spongy, and so rioted Gaze twists gaze, permeating cool green Don't know if a vine enlaces a tree or a tree wraps a vine as if when mouth touches mouth a magic wand comes out to turn stone into gold and freezes the flowing time to eternity The wind is fanning, like Cupid is calling The lawn under feet is turning into a flying carpet and carrying the young lovers blessed by Aladdin lamp flying to the sky of poetry flying to two people's castle Their bodies are made by water So soft, just like water Sunlight kisses water wave Fishes spring to the surface from the bottom as if two mouth leaning close to each other Oh, don't disturb them Let them send out ripple to the surface from heartbeat of spray and finally makeup a perfect ring Many years after, when time elapses like water memory wash gray hair on head you still can recognize that moment dyed by sunshine those two faces, two sunflowers

灵台的鼓点，被看不见的手急促地，用音乐敲响哦，那是一对少男少女在接吻那么专注，那么痴情，那么奔放目光绞着目光，沁出绿色的清凉分不出是藤缠绕着树还是树缠绕着藤似乎嘴唇碰到嘴唇就唤出一根点石成金的魔杖就能把流动的时间凝固成永恒风在吹拂，好象爱神在召唤脚下的草坪就要变成飞毯载着被阿拉丁神灯祝福的少男少女飞向诗的天空飞向两个人的城堡他们的身体由水生成像水一样柔软阳光吻着水波水底的鱼儿跃出水面像两只依偎的嘴唇哦，别惊动他们让他们在水花的心跳中向水面送出一圈圈波纹最后，组成一个完整的圆圈许多年后，当逝者如水记忆流过头顶的白发你仍会辨认那个阳光染成的瞬间那两张脸，两朵向日葵花

From the sole of the foot even unto the head there is no soundness in it; but wounds, and bruises, and putrifying sores: they have not been closed, neither bound up, neither mollified with ointment.

从脚掌到头顶，没有一处完全的，尽是伤口、肿，与新打的伤痕，都没有收口，没有缠裹，也没有用膏滋润。

From the sole of the foot even unto the head there is no soundness in it; but wounds, and bruises, and putrifying sores: they have not been closed, neither bound up, neither mollified with ointment.

1：6 从脚掌到头顶，没有一处完全的。竟是伤口，青肿，与新打的伤痕。都没有收口，没有缠裹，也没有用膏滋润。

Denied face and form by an age-old custom, a woman of Kabul secludes herself in a sleeveless silk chadri; a pair of Old World goldfinches rides home from market on her head.

June 14， 2001隐去面容外貌是一种古老的传统，一位喀布尔妇女用丝绸把自己包裹起来；买来的一对金翅雀装在她头顶的笼中。

He was a middle-aged man with a bald top to his head and his hair slicked over it.

他是个中年人，头顶上秃了，从旁边用些头发遮了上去。

She's made of ground-up metal and she has this furnace inside of her that glows from within and there's all this smoke wisping out of her head.

她是用ground-up金属制成的，她的体内有一个小熔炉，可以从里面发出光亮，并且有一缕缕的青烟冒出她的头顶。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。