生活节奏

"October Rising" 2009 Chinese film made the strongest. 2,"Shinjuku Incident" reflects the real Chinese people smuggling syndicate in Japans life, the director depicts scenes between men, friend and brother, is inspiring. 3,"Banlieue 2: Ultimate" smooth continuation of the first Parkour action style, fast-paced, music is a lot of highlights. 4,"Hurricane rescue" retired agents thousands of miles to save women, clear-cut action style, the audience hooked. 5,"Ye ask," the best in recent years, the Hong Kong kung fu movies. 6,"race situation" sense of speed super "car action movie." 7,"accident" opening a surprising and exciting plot, the unique way the film temperament and camera work. 8,"the Rye" is no heroism, replaced by nothing, anxiety and loss, it is no longer a clear distinction between good and evil battle of good and evil, but at the edge of the good sorts of people and more poor people struggle. 9,"the prequel Underworld: wolf came again," a simple plot, gorgeous fight, perfect visual impact on viewers eye. 10,"Vengeance": a quiet burst of violence under the screen, slow-paced narrative images and game-like life and death among men, affection, Hong Kong director for the French meal on an Oriental.

《十月围城》2009华语影坛最强制作。2、《新宿事件》真实的反应了偷渡到日本涉黑中国人的生活，导演刻画出的一幕幕男人间情义，令人动容。3、《暴力街区2：终极》延续第一部流畅的跑酷动作风格，节奏明快，配乐也是很大的亮点。4、《飓风营救》退休老特工千里救女，干净利落的动作风格，让观众大呼过瘾。5、《叶问》近年来最好的香港功夫电影。6、《赛车风云》速度感超强的"汽车动作片"。7、《意外》开场惊艳，情节精彩，独特的电影气质与运镜手法。8、《守望者》它没有了英雄主义，取而代之的是虚无、焦虑与失落，它不再是正邪分明的善恶大战，而是处在边缘，勉强称得上好人的人与更糟糕的人的斗争。9、《黑夜传说前传：狼族再起》单纯的情节，绚烂的打斗，完美的视觉效果冲击观众眼球。10、《复仇》：安静画面下的暴力迸发，慢节奏的叙事画面和男人间游戏般的生死情意，香港导演为法国人上的一道东方大餐。

In an urban society in which highly structured, fast-paced and stressful work looms large in life, experiences of a different nature, be it television watching or bird-watching, can lead to a self-renewal and a more "balanced" way of life.

在城市社会中，结构紧密、节奏快捷、充满压力的工作笼罩着人们的生活，某种不同性质的经历，不管是看电视还是看鸟，都能导致自我更新和一种更加"平衡"的生活方式。

For a century , past conditions of life have been conditionally speeding up , till now we live in a world of noise and violence and speed.

一个世纪以来，过去的生活状况一直在有条件的急剧变化，现在，我们生活在一个充斥着喧嚣，暴力和快节奏的世界之中。

I am hunted by the future, will the future be my past?Or is time a fade-out picture of my everlasting cast?Love is phasing, love is moving to the rhythm of your sight...I get closer to the crossing point of light.Sanctus, Sanctus Dominus, Deus Sabaoth.Pleni sunt caeli et terra gloriae.Hosanna in excelsis. Benedictus...Let us try to live our lost illusions; they're the sun at nightIf we don't, we'll never taste the spice of life

乐曲在安静的音乐背景下，由深沉的女声独白带出，独白引用了上一首曲子的歌词"眼光决定爱的运动阶段，黑暗中接近光的交叉点"，在紧凑的节奏下，男声和吟唱出现，那是对轮回的期盼和欣喜，在音乐升华气氛的衬托下，给人心灵放飞的感觉，仿佛可以看到生命之光的完美闪现，随之， Cretu 登场，又是让人共鸣的歌词：让我们尽量去生活在失去的幻想中，那是夜晚中的太阳，如果不能这样，我们将不能体会生活的意味。

Humor is the great reliever of tension, the counterbalance to the dash and roar of our fastpaced industrialized life with its whirring machines, traffic snarls and frayed tempers.

幽默能很好地消除紧张，调节我们繁忙的工业化生活的快节奏。这种工业化的生活中，机器飞转，车辆轰鸣，人心浮躁。

It has already become people's social activities in the factor of the indispensability, affecting the people's daily life, also affecting the rhythm of the modern and economic development.

它已经成为人们社会生活中不可缺少的因素，影响着人们的日常生活，也影响着现代经济发展的节奏。

In the study of the performance of the song, the paper makes a review of the pronunciation of vowels and consonants in German, introduces some frequent problems in singing the song and proposes my own opinions on how to deal with them. In the exactness and rhythm of the divertimento, based on my experience of performance, I sum up what should be paid more attention to in the work, emphasizing the creative rhythm and the value of notes in each stanza. It also analyzes the syntax and breath, the control and performance of shade, the pace and tempo. From different perspectives, the importance of the emotion in the divertimento Frauenlieb und leben op.42 is exactly explained. There is a detailed explanation of the eight sections in the paper.

更多己的处理方法；在声乐套曲演唱中音准与节奏的分析方面，结合自己的演唱体会，总结出演唱这部作品时音准方面要注意的地方，突出了舒曼作品最具独创性的节奏，强调了音符在每小节中的价值；并从乐句与呼吸、音色的控制与表现、速度与力度等方面分析了本声乐套曲演唱的音色与力度；从多个方面阐述声乐套曲《妇女的爱情与生活》中情感的重要性，以及怎样把握、运用和表现作品的情感；着重对本套曲八首分曲的演唱处理进行了系统分析；通过听赏不同大师对此套曲的演唱版本，以期在声音的运用、乐句的划分、速度的安排、旋律的演唱、歌曲的处理方法等方面得到有益的借鉴，扩大我们的艺术视野，在演唱实践中给予启发和熏陶。

First the formation of composing features is explored with reference to the life experiences of Lehar, the social and cultural background of his age and the development of Viennese operetta; secondly, the composing features are analyzed as to rhythm, melody, instruments device, ensemble and play books; Finally, the work is analyzed from the angle of singing. In this part the style of singing is explained specifically in terms of rhythm, timbre, etc. Also a famous Aria "vilja-lied" in this work is explained in detail and a comparison is made between operetta and opera to impress people with the singing style of operetta in a deeper way.

首先，本文从雷哈尔的生活经历、所处时代的社会文化背景、维也纳轻歌剧的发展来分析《风流寡妇》创作特特征的形成；其次，从节奏、旋律、配器、重唱以及剧本这几个方面来分析作品的创作特征；最后，从演唱的角度分析作品，除了从节奏、音色、起句等方面具体的分析作品的演唱风格外，还对其中的一首著名咏叹调维利亚之歌做了详细地分析，并且从演唱的角度把轻歌剧和歌剧做了一个比较，从而使人们能够更深刻的理解轻歌剧演唱的风格。

It is a retrospection and criticism to the fast pace life in a modern society. What it embodies is an easygoing life style.

它是对现代社会快节奏生活的反思与批判，体现的是一种恬静从容的生活方式。

As I gradually got used to the slow-paced lifestyle in Africa, none of the wild visions I had on the plane materialized.

当我逐渐习惯於南非这种缓慢节奏的生活方式之后，我当初在飞机上的那些遐想没有一样出现在现实生活当中。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失