生活者

But still i''m havin memories Of high speed when the cops crashed, As i laughed Pushin the gas when my Glocks blast We was young and we was dumb but we had heart In the dark, where we survived through the bad parts Many dreams is what i had, and plenty wishes, No hesitation in extermination of these snitches And these bitches, they still continue to persue me A couple o'' movies, Now the whole world is tryin to screw me Even the cops tried to sue me So what can I do, but stay true, Sippin 22''s of brew And now the media is trying to test me, Got the press asking questions, tryin'' to stress me Misery is all I see, thats my mind state My history with the police Would shake the crimerate My main man had two strikes slipped, Got arrested and flipped, He screamed "Thug Life!"

但是，我仍记得那些警察撞车时的疯狂速度。当我的格洛克响起冲击着汽油，我笑了，我们那时年幼笨拙，但我们有心。我们在黑暗中度过了艰难岁月，许多梦想是我曾经拥有的，还有许多愿望。要灭绝这些告密者，我没有一丝犹豫。这些贱人，他们仍不放过我。像一些电影情节，如今全世界都要置我于死地，甚至警察也试过起诉我。因此，我别无他法，只能保持真诚的心。啜饮着陈年好酒。如今媒体要考验我，新闻界不断问问题，不遗余力要加压于我。我眼前全是痛苦，那是我的精神状态。我和警察以前的过节，将会动摇the crimerate 。我的一个重要的人栽在两次罢工中，被拘捕，扣上了手铐。他大叫，生活太恶心了！

Thus the noisemakers connect surreal identity and sit in between the prosperity and solitaries. They stroke abandoned or peculiar objects and at the same time sing/mourn in irresistible modern ceremonial/mundane prayers.

吵闹者于是穿梭在介于繁华繽纷与颓败荒凉的超现实诗/失意中，抚摸着陈旧/新奇的物件，哼唱/祭弔对不可抗拒当代仪式/生活之祷文。

These languages accumulate 'cultural knowledges and techniques', specific to each culture, which enable us to open and 'read' the histories inscribed in our bodies as we would read a book, and 'read' all social space as living 'theatres of memories and desires'(shaped by learned ways of spectating and performing).

这种以理解为前提的&阅读&就如同我们读书一样自然；这种有阅读性质的&理解&，敦促我们把社会生活的各各层面理解成一出不断上演记忆和欲望的戏剧--一出由表演者和观看者共同完成的戏剧。

He supplicated strength for the weak-hearted; guidance for wanderers from the fold: a return, even at the eleventh hour, for those whom the temptations of the world and the flesh were luring from the narrow path.

他祈求给弱者以力量；给脱离羊栏的迷路人以方向；让那些受世俗生活和情欲诱惑而离开正道者，关键时刻迷途而知返。

The explosion of the sixties underground film scene was over,but Andy Warhol was still an influence,as were Kenneth Anger and other avantgarde film diarists who toted their 16mm and Super-8mm cameras everywhere.

地下电影风靡一时的六十年代已经成为过去，但是安迪·沃霍尔（1928.8.6－1987.2.22，港台地区译为安迪·沃荷，波普艺术的倡导者和领袖）对影界的影响仍然存在，与肯尼斯·安格尔（美国地下电影运动内部的超现实主义倾向的代表人物）和其他先锋电影记录者一样，他带着16毫米和超8毫米镜头，将它们对准了社会生活的每个角落。

Living and working conditions for trafficked persons were generally poor.

生活和工作条件贩卖者一般都很差。

Settlers first came to the Trinities in numbers during the 1850s with the California gold rush, disturbing what for eons had been the summer hunting lands of the Wintu and several other tribes of American Indians.

受加利福尼亚淘金热的驱使，在18世纪50年代大批的移民者来到了特里尼迪。他们的到来扰乱了这里的只有在夏季才出来狩猎的原著居民印纽特人以及印第安人的一些小部落的生活。

This talker leads him on and carries him into a different country or a different age, or unburdens to him some of his personal regrets, or discusses with him some special line or aspect of life that the reader knows nothing about.

这位善谈者引领他走进另外一个国界，或另外一个时代，或向他倾吐自己胸中的不平，或和他讨论一个他从来不知道的生活问题。

People in business who succeed have wallowed their fear and have set out to create something special, something to make a difference to people's lives.

想要成功立足于商业世界者，必须先吞噬他们的恐惧，并且要着手打算创造些特别的东西，让人们的生活与众不同。

All of these men were fathers whose primary job in life is to protect their kids from predators.

所有这些人都是父亲，本其主要工作是在生活中保护自己的孩子不受扑食者的骚扰。

What would he tell Judith and the children?

他将怎样告诉朱迪丝和孩子们呢？

I this is at that time, the opinion with peacockish true girl is full of in a heart.

这就是当时的我，一个心中布满虚荣的女孩子真实的想法。