生命的

From the Aurum Aetus Piraticus album (June 27th, 2006)-Pirate themed Folk/Death Metal "Pirate Metal" Walking through the halls of ancient times Through the souls which do not exist Gazing through the walls Falling down to the ground I'm Foreshadowing my own destiny The atmosphere is spinning The smokes revealing The my life is in jeopardy Forever lost in the halls of illusion Slowly sinking into the sands of time Forever lost in the halls of illusion My tortured screams and unheard cries Magic within the halls of despair Generate the souls which appear Past times slowly slip from my mind My thoughts decome those frozen in time Remember your forgotten past From the ages dead In the halls of the lost Our lives unthread Forever lost in the halls of illusion Slowly sinking into the sands of time Forever lost in the halls of illusion Our lives flash before our eyes

从姆（2006年6月27日），海盗主题的民谣/死亡金属海盗金属灵魂穿过大厅，通过古代的不存在大气望通过该墙倒下在地上，我伏笔我自己的命运是旋转揭示吸烟我的生活是我的心中，在大厅危险的幻想永远失去了幻想慢慢下沉到大厅砂的时间永远失去了我的折磨的尖叫声和哭声似乎闻所未闻的灵魂而魔术的大厅内生成的绝望慢慢滑过去的时代我的想法decome的冻结时间记住你的大厅被遗忘的过去，死者年龄在从我们的损失永远失去了生命抽去虚幻的大厅眼睛慢慢下沉砂我们进入前时间永远失去了生命的闪光在我们的大厅幻觉

Sometimes the neighbour's pigeons land on my windowledge Cooing softly Where the great poplar at the window has somehow grown beyond the fourth-floor roof They skim round its crown and back The sunlight on their fluffy feathers Alive day by day I keep coming indoors empty-handed And throwing book and jacket on the bed As the days hurry by I can bring scarcely anything home Even after days away Only you remain and the little room Living day by day We have grown used By an unspoken pact to the room's breadth A pair of pigeons cooing softly on the windowledge Which at many instants belong to us Day by day Dust that falls on book spines gradually yellows Perhaps it is otherwise That life, if it does, provides I know that the unwitting request is not excessive And that summer turns to autumn Perhaps fallen leaves will swirl after a night of rain It does not mean a return to green shade deep in sunlight A house-cleaning when leisure affords Feelings may come on latent even as Irrelevancies are spoken softly The instant when a first trembling on the lips teaches you happiness Lasts till the end of life A request always voiced unwittingly

有时候，邻家的鸽子落在我的窗台上咕咕地轻啼窗口的大杨树不知不觉间已高过了四层楼的屋顶它们轻绕那些树冠又飞回来阳光在蓬松的羽毛上那么温柔生命日复一日我往往空着手从街上回来把书和上衣掷在床上日子过得匆匆忙忙我时常不能带回来什么即使离家数日只留下你和这小小的屋子生活日复一日面对无声无息的默契我们已习惯了彼此间的宽容一对鸽子在窗台上咕咕地轻啼他们在许多瞬间属于我们日复一日灰尘落在书脊上渐渐变黄如果生活时时在给予那也许是另一回事我知道，那无意间提出的请求并不过份我知道，夏日正转向秋天也许一场夜雨过后就会落叶纷飞不是说再回到阳光下幽深的绿荫日子需要闲遐的时候把家收拾干净，即使轻声述说些无关紧要的事情感也会在其间潜潜走过当唇际间最初的战栗使你感知了幸福这一瞬已延伸到了生命的尽头而那些请求都是无意间说出的

According to the feeling of humans, it is not clear to show something, from time to time, we are not sure whether we should insist on our feelings, but we do like that ,cos we can't control ourselves, when you fall in love river, maybe you will lose your intellect , some words , some smile, some comportment could make you remember forever, we can't choose to remember something ,and forget something , once something happened in our lifes, it becomes past. What it left to us is the memory, I think memory has the life-span, and it was controlled by our minds. There is a rule to memory, if you force yourself to forget something ,usually , you must fail to forget something, cos a kind of consciousness in your mind make you remember that more and more clearly,, it is difficulty to fade something from one's memory by action,,, the only way to forget is the time , the time owns huge power to control human beings mind… waimaozu_com

关于人类的情感，这是个不太容易可以去诠释的东西，时而，我们并不确定我们是否应该坚持自己的情感，但是那样做了，因为我们无法控制自己内心的情感，当人们坠入爱河的时候，很多时候又会失去理智，一些言辞，一些微笑，一些举止都会让我们永久的铭记，我们无法选择性的去记忆什么，淡忘什么，一旦什么事情发生在我们生命里，即刻就成为过去，它留给我们的就只是"记忆"，然后记忆是有生命的，它被我们的思维所控制，对于这点有个规则是这样说的如果人们刻意的去淡忘什么，通常情况下，人们无法做到真正的忘却，因为人的大脑里有种潜意识会让我们越来越记忆深刻，所以通过某些方式让记忆消失并不是一件容易的事情，可以选择淡忘的唯一方式就是----时间，时间既有巨大的能量，它可以操控人们的思想。

As concerns your more particular questions, I do not see any basic contradiction between the Greek and Socratic belief that there is an immortal mind in a mortal body, and the emphasis on unity of life which we find in ancient Hebrews,- on the condition that the immortal mind in question not be regarded (in the Platonic or Hindu manner) as a spirit prisoner in an alien place or a bird in a cage, but as a spirit substantially one with the body it animates (according to the Aristotelian notions of "form" or "entelechy", which Thomas Aquinas has made classical in Catholic theology).

对于你特别提到的问题，我并不认为在东正教的信仰和苏格拉底派的信仰之间有任何基本的冲突或矛盾，它们都相信在一个有限肉体中存在着一个不朽的灵魂，并强调二者的统一，古希伯来人也如此认为。在这种情况下，我们所谈的不朽的灵魂并不被认为（如同在柏拉图主义者和印度人的思想方式里一样）是禁锢于异己处的"囚徒"，如同关在笼中的鸟，而是赋予肉体生命的实质上的精神存在（根据亚里士多德关于"形式"和"生命圆满"的观念，圣。

You see, if the body of human beings without something of essence of life-----it just is called God----,which can innerly dictates its operation, it is just the material of non-life that can be provided to people for study in field of science and if you study from the angle of art appreciation------just as the works of art exhibited after the bodies having been processed in German---- the material has shown a special value, and here what I specially emphasize on is the body without life is still the indication of civilization and culture of human bengs, but it is like a pile of clothings, and its spirit has already left from under the clothings as the most important and essent existence, and what the appearance of body without life can only bring us the symbols hidden under the body.

你看，人体如果没有生命本质-----这就是神----的东西在其体内指挥其运转时，它们只是科学领域内可以供人研究的物质而在艺术欣赏角度-----正如德国的那些对于尸体加工之后作为艺术品展出的作品----看来，那些物质又具有了一种特殊的价值的存在，而特别强调的是，没有生命的人体仍然是一种人的文化文明的表现，只不过那只是象一堆衣服，其灵魂已经作为这堆衣服下作为人最重要最本质的存在而离开了，而由这无生命的人体的表象所能带给我们的仅是这人体所蕴藏着的符号，最多给我们观察到他们的人们以提示：那曾经是一个被代号**所称呼的人的存在，而他们不再能言语，他们也就没有文化文明了。

There is nothing glamorous in this simple town But there's this special flower that can only bloom right here And all the heavy burdens in our heart, Get carried away The wind can smooth the wrinkles of the past Like a dazzling reflection in the sky I hear the distant calling of the ancient ripples of the sea And I realise that your laughter reminds me Of the soothing sound of the gentle ocean And your heart can't cover up the look of loneliness You don't have to reveal it to me But anytime you need it These faces so familiar in your heart Wait for you to reach to their hands I want to know if that place That I've been once before Hasn't ever changed And remains the place that always will be there for me Till the last goodbye ill cherish it And I can't stop looking back to see That you're smiling waving back at me Gonna bite my lips not to cry And I'm trying to fight this feeling But the tears may get so hard to see Ill be waiting for the day We can reunite again Where the flowers bloom For Jus me and you There is something that the shadows can't explain Something so simple and so obvious, that we forget Behind the cloudy surface of it all, if we look up above We'll see the sun shine illuminate everything we see All the past and present faces here are all to stay Each prayer wishes new memories Im proud to have it all These memories alive inside my heart Blossoming vividly one by one After the rain the roads are muddy and there's puddles everywhere And we clearly see all the footsteps in this journey thru this life we lead And I pray these tears can find a way and breathe life back into the day When the weltered petals in my heart once again blossoming And ill whisper to the ocean breeze and my wish will soar above the seas And a rainbow in the sky will appear for you and i Glistening in the sun, shine for everyone Hey, the only place where the flowers bloom The only place where this wind can blow The only place you can hear this song The only place you can see these sign Hey, the only place where the flowers bloom The only place where this wind can blow I want to know if that place That I've been once before Hasn't ever changed And remains the place that always will be there for me And ill try to fight this feeling But the tears may get so hard to see Ill be waiting for the day We can reunite again After the rain the roads are muddy and there's puddles everywhere And we clearly see the footsteps in this journey thru this life we lead I try to fight this loneliness But the tears may get so hard to see Even thru the scars and memories I won't forget you and me So radiantly shining thru The horizon as it rises high And the wind carries it star beneath the memories Ooh still im waiting for you

没有什么简单的魅力在这个镇不过，这次特别花，只能在这里盛开和所有的沉重负担在我们心中，得过且过风可以顺利的皱纹过去像一个耀眼的反射天空我听到远处的要求古代的海上涟漪我明白，你的笑声让我想起在舒缓的声音柔和的海洋和你的心不能掩盖的外观孤独您还没有透露给我但是，任何时候你需要它这些熟悉的面孔，使你的心等你来达到他们的手我想知道那个地方这我已经过还没有任何改变并且仍然是地方，总是将在那里对我来说直到最后告别虐待珍惜我不能停止寻找回见您微笑着挥手回我要去咬我的嘴唇没有哭和我想这种感觉斗争但是，眼泪可能会因此很难看到虐待被等待一天我们可以再次团聚凡百花齐放为绝对我和你有一些阴影无法解释这么简单的东西，因此很明显，我们忘记多云表面背后的这一切，如果我们看一看上方我们会看到阳光照亮一切，我们看到所有的过去和现在都面临着在这里逗留每个祈祷祝愿新的记忆林自豪地拥有一切这些回忆我的心里面活着开花生动地一个接一个雨后的道路泥泞，有水坑到处我们清楚地看到所有的脚步声在这个征途上，我们通过这个生命铅和我祈祷这些眼泪可以找到一种方法，并注入活力回天当weltered花瓣在我的心里再次开花和虐待低声向海洋的微风，我希望将矗立海洋和彩虹在天空中会出现的你和我在阳光下闪闪发光，为每个人服务嘿，唯一的地方，鲜花盛开的唯一地方此风可以吹只有在你能听到这首歌只有在你可以看到这些迹象嘿，唯一的地方，鲜花盛开的唯一地方此风可以吹我想知道那个地方这我已经过还没有任何改变并且仍然是地方，总是将在那里对我来说和虐待尝试这种感觉斗争但是，眼泪可能会因此很难看到虐待被等待一天我们可以再次团聚雨后的道路泥泞，有水坑到处我们清楚地看到的脚步在这生命的旅程，我们领先我试图消除这一孤独但是，眼泪可能会因此很难看到即使通过的伤疤和记忆我不会忘记你和我因此，通过radiantly光辉因为它的地平线上升高和星风携带它下面的回忆户外通讯仍然等着你

Early in 1995, in his "Desire" series where red and blue lines come in strong contrast with each other, Ma Yiping instinctively used his personal experience to drop a hint of the transcendence of life. From 1996 to 2001, his "Images" series established the development direction of his art, owing to its artistic expression_r_r of overloaded psychological priori images. In his works before or after 2003, dream-like symbolic images presented perplexed feeling of human beings about the universe and the physical world. In his "images" series in 2006, uncertain images stood on black cube-shaped objects and ambiguous edges pointed to various uncertain directions with the accompaniment of silver light and shadow. At this point, the intuitive perception of the essence of nature made his artistic style gradually take shape. In his later "fetish" series, in which he gradually became mature in spiritual and symbolic expression_r_rs, Ma Yiping fully grasped the eternal sense of the spiritual world.

在早期，1995年的《欲望》马一平用对比强烈的红色、蓝色层层涂盖、本能地运用自身感受以暗示的手法表达对生命的超越。1996-2001年以物象为主题的系列作品对超载心理先验物象的表达方式确定了他艺术作品的发展方向，2003年前后的作品中，梦一般的暗示性物体程现了生命本体对宇宙物理世界的茫然，在2006年的《物象》系列中，黑色的方体上不确定的物状、模糊的边缘在泛着银色光影的衬托下，泛生着各种不确定的指向感，此时对本质直观的感知性的把握使作品艺术风格基本形成，到后来的《神物》已经充分地把握了精神世界里的永恒感，画面中所能达到的精神性和神密暗示意义的表现手法已近成熟。

Life can not be heavy, the length of life are still unknown, but we can control is the content of life, the quality of life is the quality of life, life is the width, not-mediocre yung pursuit of life, even if only long again a no value blotters, has performed poorly as Jiaoqu, and fighting progressive enrichment fullness of life, even a very short is a fresh Meaningful Short Poems, meaning deep bang.

人生不能重来，人生也无法预知长短，但我们可以控制的，是人生的内容，是人生的质量，是生命的品质，是生命的宽度，庸庸碌碌没有追求的人生，即使再长也只是一部没有价值的流水帐，乏善可陈味同嚼蜡，而拼搏进取充实丰满的人生，即使很短也是一首清新隽永的小诗，寓意深刻回味无穷。

Up it is a little baby's face,the baby's first cry means the life was borth,body only a simple Finger mark,but It isn't exile his beautiful,suround it all like "s",look it from above is Symmetrical, Squeeze dry of the Finger's mark show the Creative hand's big power .two piece of mark Full of passion Scratch in Side ,quicly Grazed means :pepole's life is very short ,but it can works the things forever

作品解说文上部是一个刚刚出生婴儿的头，婴儿的第一声啼哭寓示着生命的产生，身体仅仅是一个最简单的握痕，但这并不缺少形式上的美感，从四周任何角度看它都是流畅的&s&型，俯视也是对称的。握痕上面的挤压炸裂感蕴涵着&创造之手&无穷无尽的力量。侧面两道饱含激情的擦痕瞬间划过，喻示着：生命是有限的，但创造是无限永恒的。

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施维英的晋升阀液压柱塞泵广泛应用活着界规模内的城市管理工作以及工业污泥输送项目今日，施维英被公以为是世界规模内&脱水污泥泵送体系&的科学技术带领者施维英泵可以泵送固体含量达56%的活性有生命的物质脱水污泥，甚或者固体含量达80%的非有生命的物质其它稀浆与污泥施维英泵颠末多年不中断地事情，靠患上住性仍维持在99%施维英滑架体系位于料仓的底部，可以将污泥排入卡车或者施维英泵中用来暂存污泥以及装车的料仓较典型的应用是以及施维英污泥泵一路被安装在污泥脱水举措措施相近施维英料仓在污水措置惩罚厂的预设中首要负担3种脚色，料仓被集成处措置惩罚流程之中，均衡物料出进，并对终极排出的污泥计量料仓用于装车料仓的储存体积说了然污水措置惩罚厂措置惩罚污泥的规模料仓可以用来吸收暂存从其它污水厂送来的污泥，尔后送到后续污泥措置惩罚装备中滑架技能已在被证实是最具国际性最有用率的技能

But we don't care about Battlegrounds.

但我们并不在乎沙场中的显露。

Ah! don't mention it, the butcher's shop is a horror.

啊！不用提了。提到肉，真是糟透了。