生叶的

In Chapter 4, A detailed comparison between the realization of Cholesky decomposition and OR method is given, a systolic/wavefront array made of general purpose DSP is used to realize the adaptive beamforming at a moderate speed, and a wavefront array to extract the adaptive weights which is necessary in some applications is designed. In Chapter 5, the author proposed a new structure to realize the space time adaptive processing. First 1~q using the FFr and the truncating infinite sequence and sone optimizing method, a much simpler architecture can be acquired in realizing the three portion of channel processing: quadrature sampling, pulse compression and adaptive equalization.

第五章研究并提出了用全通用DSP模块设计空时二维自适应信号处理机的新方案，首先用快速付立叶变换和对长序列截断处理的重叠保留法以大大减少的运算量完成了处理机通道处理部分的正交插值、脉压、自适应均衡三个功能块的长阶数线性卷积运算，接着对自适应波束形成提出了多种实现方案，分析了多种方案下的运算量和设备要求，指出在不同通道数、不同数据吞吐率、不同自适应要求时这几种方案有不同的可行度和实现难度，并针对实际要求确定了一种运算田N、的实现方案，对自适应波束合成部分的大量贝玉以良元组咸肋冈络结拘和处凰闺和羽凶挝娠昨了优化设计以威少设备复杂性，构成了设备量大夕父伯小、们g团回高、辜于生回阴田闩引愧快的空时二维自适囱戏升引毗四机。

For example, the basic angiosperm stem is vertical and elongated, but some cacti have swollen water-storing stems, while other xerophytic plants that have lost their leaves during the course of evolution have evolved flattened leaflike stems for photosynthesis, e.g.

例如被子植物的茎是垂直的，伸长的，但一些仙人掌具有膨大的能够储水的茎，另一些旱生植物在进化的过程中失去了叶子，但又发展为利用扁平叶状的茎来进行光合作用。

Leaves are generally semi-evergreen, made up of 3-9 lanceolate or ovate leaflets that are deep green during the growth period, and change color to purple-green in autumn. Flowers of 5-10 cm across are set singly on long stems (10-15 cm) growing out of leaf axils. They comprise 4 to 8 oval, slightly wavy edged tepals which are creamy white and have a pale green central bar on the outer side. In autumn flowers turn slightly greenish.The striking appearance of the blooms is due to its unusually long contrasting stamens consisting of deep crimson-purple, almost black anthers set on filaments that are white at the base and violet at the top.

茎细长，有明显的纵条纹，茎长能达2米，靠叶茎攀爬在附着物上生存，叶对生，3-9个毛尖形或卵圆形叶片，叶片在生长期是深绿色，秋天变为紫红色，花朵直径5-10cm，在10-15cm长的叶腋处伸出，有4-8个卵形或圆形的微小苞片，苞片微微卷起，淡黄色，外面有浅绿色中心状条纹，秋天花朵变成浅黄绿色，花朵迷人魅力在于从深红色到深紫色一系列花色组成的雄蕊，深黑紫色的花药，由一些美丽的花丝组成，这些花丝的底部是白色，顶部是紫罗兰色，基部是白色。

Before further interpreting and justifying the substance of Shakespearean tragedies, I make a brief review of the major visions on death in Chinese and Western thoughts; the Freudian concepts of Eros and the death instinct are also induced in this chapter as a theoretical device to enter the discussion of the theme of death.Chapter Two attempts to solve the question ofIs it the denial of death or

论述了五部悲剧中种种情形复杂的&爱&是如何惊人地与潜伏在悲剧人物下意识中的&死亡本能&联系在一起的，有哈姆雷特因&俄狄浦斯情结&而对奥菲里亚所产生的扭曲却强烈的爱；有奥赛罗对德斯底蒙娜由爱而生痛惜、嫉妒而最终走向&执行正义&的爱；有李尔王对小女儿考地利亚超越父女之情的爱，有安东尼和克利欧佩特拉由性爱而转变、升华的精神之爱，有罗密欧与朱丽叶富有浪

It deals with the concreteinfluence of Rilke on the poetic pursuit of "identity withexistence" of the Nine Leaves School with the background andmedium in the middle of the 1940s, from the three aspects ofdevotion to things, dialectical relation of life and death,solitude and communication. In addition, it makes further studieson the combination of influence of Rilke and notion of "union ofcorrespondence of man and universe" included in the Chineseclassical poetics by means of the ecological poetics.

考察了里尔克中期以&诗是经验&为核心的诗学追求，梳理了里尔克诗学在40年代中国的接受背景与影响中介，从物的皈依、生与死的辩正关系、孤独与交流三个方面分析了里尔克对九叶诗派&与存在同一&的诗学追求所产生的具体影响，并以生态诗学方法对里尔克的影响与中国古典诗学&天人合一&观的结合作出了探讨。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。