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Porcelain is easy to be found in Jing Dezhen, an old man is polishing China bowl absorbedly.

《打磨瓷碗》景德镇处处可见瓷器,在巷道深处的角落里,老人正专心致志地打磨瓷碗。

Drinking-cups of gold and ivory, chiseled by Benvenuto Cellini; cabinets of buhl and porcelain, bearing the cipher of Austrain Marie Antoinette, amid devices of rose-buds and true-lovers' knots, birds and butterflies, cupidons and shepherdesses, goddesses, courtiers, cottagers and milkmaids; statuettes of Parian marble and biscuit china; gilded baskets of hot-house flowers; fantastical caskets of Indian filigree work; fragile tea-cups of turquoise china, adorned by medallion miniatures of Louis the Great and Louis the Well-beloved, Louise de la Vallière, and Jeannne Marie du Barry; cabinet pictures and gilded mirrors, shimmering satin and diaphanous lace; all that gold can buy or art devise had been gathered together for the beautification of this quiet chamber in which my lady sat listening to the moaning of the shrill March wind and the flapping of the ivy leaves against the casements, and looking into the red chasms in the burning coals.

黄金和象牙的酒杯,都是本文纳托·切利尼③雕刻的;镶嵌金、银、鳖甲的布尔柜子和瓷器,在玫瑰花苞、真情同心结、飞鸟与蝴蝶、爱神与收女、女神与廷臣、村民与挤奶女等所构成的装饰性图案之中,还有着奥斯特里安·玛莉·昂朵涅特④的花押;用帕洛岛的大理石制作的小雕像和本色瓷器;盛放着暖房花卉的镀金花篮;妙想天开的用金银丝编织的印度首饰匣;薄而脆的青瓷茶杯,杯子上还雕着微型雕像,伟大的路易⑤啦,受人爱戴的路易啦,瓦里埃的路易啦,让娜·玛莉·迪·巴列⑥啦;六时大小的图画和镶着镀金框子的镜子,微微闪光的锦缎和半透明的花边;一切金钱买得到、艺术设计得出的东西,都收集拢来美化这安静的房间;爵士夫人便坐在这房间里,谛听着料峭的三月风的呜咽以及长春藤叶子在窗扉上飘飘拂拂的声音,凝望着熊熊燃烧的煤块之间殷红的空隙。

Shinichi Fujimura was one of Japan's leading archaeologists - despite being self-taught. In 1981 he made his first discovery of stoneware that dated back 40,000 years. It was the oldest stoneware ever found in Japan and this discovery launched his career.

尽管是自学,藤村新一仍是日本主要的考古学家之一。1981年他第一次发现了可追溯至四万年前的瓷器,这是当时日本发现的最古老的瓷器,从此他的事业如日中天。

Amongst the most popular were the fish carved and incised under the glaze of the classic Northern Song Ding wares, such as that carved in the interior of the large basin in the Percival David Foundation,23 and moulded on Northern Song or Jin dynasty Ding wares such as the dish with paired fish and lotus in the Idemitsu Art Museum, Tokyo.24 Fish also appear on popular wares such as the 12th century Cizhou wares with sgraffiato decoration, as seen on the famous pillow with catfish and eel grass in the Yamato Bunkakan Museum, Nara.25 They can also be seen on Southern Song celadon-glazed wares from the Longquan kilns, usually in the form of a pair of sprig moulded fish applied in relief under the glaze, as on a dish in the Percival David Foundation.26

最盛行的是著名的北宋定窑明刻和釉下暗刻鱼纹,诸如大卫珀西瓦尔基金会收藏的内底心雕刻的大盆,以及东京 Idemitsu 艺术博物馆馆藏的北宋或金代定窑盘子上的双鱼莲花造型。12世纪磁州窑的瓷器上也带有鱼的纹饰,正像在那件在奈良大和 Bunkakan 博物馆馆藏的著名的鲶鱼和蛇形鱼草瓷枕上所见到的那样。在南宋龙泉窑青釉瓷器上也同样可以见到鱼纹,通常是一对儿小枝造型的鱼以釉下暗刻浮雕的形式出现,正如大卫珀西瓦尔基金会一件盘子上所见到的那样。

The Jiangnan's silk and Jiangxi Province's china wer e inpoured to Min-chao ports and swarmed into overseas markets in succession with the white sugar , the copy of silk and china produced in the local areas.

江南的丝绸、江西的瓷器从外省流入闽潮口岸,加上本地生产的白糖及仿冒的丝绸、瓷器,在闽潮商人的操作下,纷纷涌入海外市场。

As early as company's generation of more than 3000 year agos, the our country has already appeared original green porcelain, again through the development for more than 1000 years, arrive east Han period finally got away from original china appearance, burn to make the green china of the maturity, this is our country porcelain and ceramics development an important milestone on the history.

早在3000多年前的商代,我国已出现了原始青瓷,再经过1000多年的发展,到东汉时期终于摆脱了原始瓷器状态,烧制出成熟的青瓷器,这是我国陶瓷发展史上的一个重要里程碑。

There were many flowers on porcelain. It was a reaction of intellectual esthetic thought in making porcelain, which was called the phenomenon of flowers.

很多瓷器与花连在一起,不仅在纹饰上大量采用花的图案,而且造型上也运用花的外观,这是文人的审美思想在瓷器制作上的反应,形成一种花文化现象。

Liling the reason for the special porcelain, the material is that it is endemic Huang Mao Ling Kaolin big ball, non-renewable resources, making use of porcelain as jade crystal.

醴陵的瓷器之所以特别,就在于它的材料是当地特有的黄茅岭大球高岭土,资源不可再生,用它制作的瓷器晶莹如玉。

The form is based on Meissen or other soft-paste porcelain, but it is not really European. Nor is it particularly Chinese, although it was made there.

这些瓷器在形式上是以Meissen瓷器或其他幼陶器为模板的,但没有真正具有欧洲风格,同样也不具有特别的中国风格,虽然这是在中国产的。

The formis based on Meissen or other soft-paste porcelain, but it is not reallyEuropean. Nor is it particularly Chinese, although it was made there.

这些瓷器在形式上是以Meissen瓷器或其他幼陶器为模板的,但没有真正具有欧洲风格,同样也不具有特别的中国风格,虽然这是在中国产的。

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