瓦肯

Brasilia, Brazil, 25 Nov – Guinea Bissau's Minister of Natural Resources, Aristides Ocante da Silva, said Thursday in Brasilia that Guinea Bissau is interested in cooperating with Brazil in the bio-fuel business, particularly on ethanol a fuel produced from sugar cane.

巴西，巴西利亚，11月25日电－几内亚比绍自然资源部部长阿里斯蒂德斯？奥肯特？达席尔瓦周四称，几内亚比绍有兴趣与巴西开展生物燃料方面的合作，特别是从甘蔗中提取的酒精。

Brasilia, Brazil, 25 Nov – Guinea Bi au's Minister of Natural Resources, Aristides Ocante da Silva, said Thursday in Brasilia that Guinea Bi au is interested in cooperating with Brazil in the bio-fuel busine , particularly on ethanol a fuel produced from sugar cane.

巴西，巴西利亚，11月25日电－几内亚比绍自然资源部部长阿里斯蒂德斯？奥肯特？达席尔瓦周四称，几内亚比绍有兴趣与巴西开展生物燃料方面的合作，特别是从甘蔗中提取的酒精。

Other characters making regular appearances are Grampa Simpson, Homer's cranky father with his fantastically unbelievable tales of yesteryear and inclination to fall asleep at any given moment; Homer's college friend Barney Gumble, the still single, overweight, beer swilling, constantly burping barfly; Mo, the caustic, self-loathing bar-owner with the secret soft heart; Monty Burns, Homer's boss and the ancient, evil owner of the nuclear power plant; Chief Wiggum, Springfield's junk-food and donut-munching incompetent arm of the law; Apu Nahasapeemapetalon, the oft-held-up manager of the local 'Kwik-e-Mart' store; Krusty the Klown, popular with the kids but offstage a jaded, cynical hack with a long history of overindulgence, gambling and substance abuse; Kent Brockman, the spoiled, self-important TV news anchorman; Troy Mclure, the ageing Hollywood star with the faltering career and bizarre sexual fetish; Rainer Wolfcastle, the Scwarzenegger style action movie hero with the Germanic accent and ultra-right wing views; the list goes on and on

其他经常亮相的角色还有：荷马的古怪父亲——祖父辛普森，他常常会讲一些让人云里雾里、难以置信的陈年故事，而且随时随地都会睡着；至今仍然单身的荷马大学时的朋友——巴尼·甘博，他体重超常，饮酒无度，是一个经常打着饱嗝的酒鬼；酒吧老板——莫，他刻薄且自我憎恨，但却有一颗不为人所知的柔软心肠；荷马的上司——蒙提·彭斯，他是核电厂"老掉牙"的邪恶老板。斯普林菲尔德的警长——威格，他执法不力，还总是使劲儿嚼着垃圾食品和油炸面包圈；经常遭受抢劫的当地便利店的经理——那哈萨彼马彼塔隆；深受孩子们欢迎的小丑克拉斯提，但私下里他却是毫无激情、愤世嫉俗的碌碌无为之人，长期以来放纵无度、赌博并吸毒；被宠坏了的电视新闻主播——肯特·布鲁克曼，他总是那么自命不凡；风华已逝的好莱坞明星——特洛伊·麦克鲁，他的事业摇摇欲坠并有怪异的性癖好；施瓦辛格式的动作电影英雄——瑞纳·沃尔夫卡斯提，他操着一口德国口音，持极右翼观点。角色可真是数也数不清啊

No one was asking the 'Columbo' questions, says Toos Daruvala of McKinsey, a consultancy.

正如顾问公司麦肯锡的托什·达鲁瓦拉所言，"没有人像可伦坡1一样提出问题。"

In Lincoln, in eastern England, where, after studying at Oxford, he went to theological college and had his first curacy, he made a name for himself with "marriage-preparation classes" including detailed sex education.

在英格兰东部的林肯郡，瓦拉先生从牛津大学毕业后，他去了一所神学院并首次在那里担任副教士的职务，他因讲述包括详尽性教育的"婚姻准备期课程"而一举成名。

Without him there might not have been a regional mystery as clever as Percival Wilde's Inquest, or an ironic study as able as Raymond Postgate's Verdict of Twelve, or a savage piece of intellectual double-talk like Kenneth Fearing's The Dagger of the Mind, or a tragi-comic idealization of the murderer as in Donald Henderson's Mr. Bowling Buys a Newspaper, or even a gay and intriguing Hollywoodian gambol like Richard Sale's Lazarus No.

没有他，很可能就没有象珀西瓦尔·王尔德的《传讯》那样设想巧妙的地域性疑案小说，或者象雷恭·波斯特盖特的《十二人的裁决》那样有力的讽刺作品，或者象肯尼思·菲林的《思想匕首》那样充满了模棱两可的言论的淋漓尽致之作，或者象唐纳·汉德逊的《波林先生买报》那样把凶手美化的悲喜剧，或者象理查·莎尔的《拉北路斯第七号》那样开好莱坞式愉快的玩笑。？

East of my bean-field, across the road, lived Cato Ingraham,slave of Duncan Ingraham, Esquire, gentleman, of Concord village,who built his slave a house, and gave him permission to live in Walden Woods;—— Cato, not Uticensis, but Concordiensis.

在我的豆田之东，路的那一边，卡托。殷格拉汉姆曾居住过，他是康科德的乡绅邓肯。殷格拉汉姆老爷的奴隶；他给他的奴隶造了一座房子，还允许他住在瓦尔登林中，——这个卡托不是尤蒂卡的那个，而是康科德人。

But at the arrival of each successive dish Nana made a little face, hesitated, sniffed and left her plateful untouched.

但是马卢瓦太太只肯了解别人的秘密，对自己的隐私却一向只字不提。

In his way﹐Wang Du was fashioning his concept of the artist as self-media at the same time as a number of other artists who were active in this regard﹐including Pierre Huyghe and his Mobil TV﹐created with melik Ohanian in 1995 and 1998﹔Lincoln Tobier and Rirkrit Tiravanja and Radio Printemps＆...

以他的独特的方式，王度塑造了他对于自助媒体的观念，与此同时，还有1995年和1998年皮埃尔。雨戈和梅里克。欧阿年制作的《移动电视》，林肯。托比耶和里尔克利特。提拉瓦尼亚在1996年制作的《春天广播电台及其它》和2000年的《多功能电台舱》，格里高利。

In his way﹐Wang Du was fashioning his concept of the artist as self-media at the same time as a number of other artists who were active in this regard﹐including Pierre Huyghe and his Mobil TV﹐created with melik Ohanian in 1995 and 1998﹔Lincoln Tobier and Rirkrit Tiravanja and Radio Printemps＆... in 1996 and Polyradiobuket in 2000﹔Gregory Green and his

以他的独特的方式，王度塑造了他对于自助媒体的观念，与此同时，还有1995年和1998年皮埃尔·雨戈和梅里克·欧阿年制作的《移动电视》，林肯·托比耶和里尔克利特·提拉瓦尼亚在1996年制作的《春天广播电台及其它》和2000年的《多功能电台舱》，格里高利·格林和他在2000年制作的《

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。