瓦特

Buried in the cemetery's well-known characters Chopin, with Iraq Marshal, Baron Haussmann, Musset, Balzac, Delacroix, Bizet, Rossini, as a result of Tony Hart, Duncan, Colette, and so on Afridi .

公墓中埋葬的著名人物有肖邦，内伊元帅，奥斯曼男爵，缪塞，巴尔扎克，德拉克洛瓦，比才，罗西尼，贝因哈特，邓肯，科莱特，比阿夫等。

He,too, arrived near Calais on the same day with a new'Antoinette'.

同一天，他驾驶一架新的"安特瓦奈特"号飞机来到了加来附近。

Other characters making regular appearances are Grampa Simpson, Homer's cranky father with his fantastically unbelievable tales of yesteryear and inclination to fall asleep at any given moment; Homer's college friend Barney Gumble, the still single, overweight, beer swilling, constantly burping barfly; Mo, the caustic, self-loathing bar-owner with the secret soft heart; Monty Burns, Homer's boss and the ancient, evil owner of the nuclear power plant; Chief Wiggum, Springfield's junk-food and donut-munching incompetent arm of the law; Apu Nahasapeemapetalon, the oft-held-up manager of the local 'Kwik-e-Mart' store; Krusty the Klown, popular with the kids but offstage a jaded, cynical hack with a long history of overindulgence, gambling and substance abuse; Kent Brockman, the spoiled, self-important TV news anchorman; Troy Mclure, the ageing Hollywood star with the faltering career and bizarre sexual fetish; Rainer Wolfcastle, the Scwarzenegger style action movie hero with the Germanic accent and ultra-right wing views; the list goes on and on

其他经常亮相的角色还有：荷马的古怪父亲——祖父辛普森，他常常会讲一些让人云里雾里、难以置信的陈年故事，而且随时随地都会睡着；至今仍然单身的荷马大学时的朋友——巴尼·甘博，他体重超常，饮酒无度，是一个经常打着饱嗝的酒鬼；酒吧老板——莫，他刻薄且自我憎恨，但却有一颗不为人所知的柔软心肠；荷马的上司——蒙提·彭斯，他是核电厂"老掉牙"的邪恶老板。斯普林菲尔德的警长——威格，他执法不力，还总是使劲儿嚼着垃圾食品和油炸面包圈；经常遭受抢劫的当地便利店的经理——那哈萨彼马彼塔隆；深受孩子们欢迎的小丑克拉斯提，但私下里他却是毫无激情、愤世嫉俗的碌碌无为之人，长期以来放纵无度、赌博并吸毒；被宠坏了的电视新闻主播——肯特·布鲁克曼，他总是那么自命不凡；风华已逝的好莱坞明星——特洛伊·麦克鲁，他的事业摇摇欲坠并有怪异的性癖好；施瓦辛格式的动作电影英雄——瑞纳·沃尔夫卡斯提，他操着一口德国口音，持极右翼观点。角色可真是数也数不清啊

As for Linda Watson, fresh from her Bayreuth debut in the role this summer, she carried all before her, and rightly received an ovation at the end of Walküre, as did Hale – although this was partly, perhaps, in gratitude for their presence in Taipei's youthful venture.

此外，扮演齐格林德以及弗莱娅Freia，后来成了古特鲁妮(Gutrune的陈美玲，也以她的活力令许多人感到惊叹。她经常在台湾出演莫扎特音乐剧，其表演有时勉强合格，看来她在瓦格纳的剧里找到了拿手的角色。

Another martyr named Valentine, who was bishop of Terni, a region in present-day central Italy, has also been suggested as the inspiration for our modern feast of Saint Valentine's Day.

另一个叫圣·瓦伦丁的遇难者是特尔尼的主教(今天意大利中部的一个地区)，也有人认为现代圣·瓦伦丁节是为了纪念他。

Another martyr named Valentine, who was bishop of Terni, a region in present-day central Italy, has also been suggested as the inspiration for our modern feast of Saint Valentine's Day.

另一个叫圣·瓦伦丁的遇难者是特尔尼的主教（今天意大利中部的一个地区），也有人认为现代圣·瓦伦丁节是为了记念他。

Another martyr nameds Valentine, who was bishop of Terni, a region in present-day central Italy, has also been suggested as the inspiration for our modern feast of Saint Valentine's Day.

另一个叫圣·瓦伦丁的遇难者是特尔尼的主教（今天意大利中部的一个地区），也有人认为现代圣·瓦伦丁节是为了纪念他。

Roman senator Petronius Maximus and the chamberlain Heraclius were therefore able to enlist Valentinian in a plot to assassinate Aetius. On September 21, 454, when Aetius was at court in Ravenna delivering a financial account, Valentinian slew Aetius with his own hand.

罗马元老佩特罗尼乌斯·马克西姆斯和侍从官赫拉克留斯借此鼓动瓦伦提尼安设下了暗杀埃提乌斯的阴谋。454年9月21日，当埃提乌斯来到拉文纳宫廷参加财政会议时，瓦伦提尼安亲手将他杀死。

In 1929, O'Neill and Monterey moved to the Loire Valley in central France, where they lived in the Chateau du Plessis in Saint-Antoine-du-Rocher, Indre-et-Loire.

1929年，奥尼尔和蒙特雷移至卢瓦尔河谷在法国中部，在那里他们住在城堡杜立石在圣安东尼斗罗，安德尔，卢瓦尔。

Rīla Vivanātha Cakravartī Thākura comments in this connection that King Manu knew that the Supreme Personality of Godhead would take birth in the womb of kūti; therefore, in spite of having two sons, he wanted the particular son born of kūti because he was ambitious to have the Supreme Personality of Godhead appear as his son and grandson.

圣维施瓦纳特·查夸瓦提·塔库（ Vivanātha Cakravartī Thākura ）就此评论说，玛努王得知至尊人格神会诞自阿库缇的子宫，因为强烈渴望能得到至尊人格神作自己的儿子和孙子，所以虽然已有两个儿子，还是想求取阿库缇生下来的儿子。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。