瓦尔德

Anil admits he never wanted Salman's favourite composers Sajid-Wajid to do the music of "Veer".

阿尼尔承认，他从来都不想萨勒曼最喜爱的作曲家塞吉德，瓦基德做音乐"韦埃尔"。

First there is "lightness", and Calvino cites Lucretius, Ovid, Boccaccio, Cavalcanti, Leopardi, and Kundera—among others, as always—to show what he means: the gravity of existence has to be borne lightly if it is to be borne at all.

第一个是"轻盈"，卡尔维诺引用了卢克菜修，奥维德，薄迦丘，卡瓦尔康蒂，列奥帕第，和昆德拉--还有其他一些作家，都是用来--表明他的意思：如果要显示生存的重负，那就应该轻盈的显示。

This part contributes enormously to the understanding of Isolde's love, of the whole opera and of wagnar's style.

对于了解瓦格纳的创作风格，理解《特里斯坦与伊索尔德》全剧，理解伊索尔德之爱及演唱情感的表现都起着铺垫性的意义。

The roster of composers and conductors who have led the Philharmonic includes such historic figures as Theodore Thomas, Pyotr Ilyich Tchaikovsky, Antonín Dvoák, Gustav Mahler (Music Director, 1909–11), Otto Klemperer, Richard Strauss, Willem Mengelberg (Music Director, 1922–30), Wilhelm Furtwngler, Arturo Toscanini (Music Director, 1928–36), Igor Stravinsky, Aaron Copland, Bruno Walter (Music Advisor, 1947–49), Dimitri Mitropoulos (Music Director, 1949–58), Klaus Tennstedt, George Szell (Music Advisor, 1969–70), and Erich Leinsdorf.

曾与乐团合作过的史上著名作曲家和指挥包括：西奥多托马斯、柴科夫斯基、德沃夏克、马勒、奥托克伦佩勒、理查施特劳斯、威廉孟高贝格、富尔特文格勒、托斯卡尼尼、斯特拉文斯基、科普兰、布鲁诺瓦尔特、迪米特里米特罗普洛斯、克劳斯腾斯泰德、乔治塞尔、埃里克雷恩斯朵夫。

NSU in 1873 in the Danube River瑞德林root the establishment of the founder of the two Swabian mechanics, a Christian Schmidt Clay, another is called the sea希斯特尔by Lane.

NSU于1873年在多瑙河畔的瑞德林根成立，创始人是两位斯瓦比亚的机械师，一位名叫克里斯汀·舒米特，另一位叫海因里希·斯特尔。

Examples of possible leadership, focusing on countries that are not part of the group of eight industrialised nations (this need not be a requirement, provided the individual has a strong international perspective), include: Montek Singh Ahluwalia; Leszek Balcerowicz; Kemal Dervis; Francisco Gil Diaz; Stanley Fischer; and Trevor Manuel.

可能的领导人选——聚焦于非G8国家（如果某人拥有较强的国际视角，那么这不是一个必要条件）——举例如下：印度的蒙特克·辛格·阿卢瓦利亚、波兰的勒茨克·巴塞罗维茨、土耳其的凯末尔·德尔维什、墨西哥的弗朗西斯科·希尔·迪亚斯、以色列的斯坦利·费西尔和南非的特雷弗·曼纽尔。

He had sold the last of his furniture, then all duplicates of his bedding,his clothing and his blankets, then his herbariums and prints; but he still retained his most precious books, many of which were of the greatest rarity, among others, Les Quadrins Historiques de la Bible, edition of 1560; La Concordance des Bibles, by Pierre de Besse; Les Marguerites de la Marguerite, of Jean de La Haye, with a dedication to the Queen of Navarre; the book de la Charge et Dignite de l'Ambassadeur, by the Sieur de Villiers Hotman; a Florilegium Rabbinicum of 1644; a Tibullus of 1567, with this magnificent inscription: Venetiis,in aedibus Manutianis; and lastly, a Diogenes Laertius, printed at Lyons in 1644, which contained the famous variant of the manuscript 411, thirteenth century, of the Vatican, and those of the two manuscripts of Venice, 393 and 394, consulted with such fruitful results by Henri Estienne, and all the passages in Doric dialect which are only found in the celebrated manuscript of the twelfth century belonging to the Naples Library.

他把最后的几件木器也卖了，随后，凡属多余的铺盖、衣服、毛毯等物，以及植物标本和木刻图版，也全卖了；但是他还有些极珍贵的藏书，其中有些极为稀有的版本，如一五六○年出版的《历史上的圣经四行诗》，皮埃尔·德·贝斯写的《圣经编年史》，让·德·拉埃写的《漂亮的玛格丽特》，书中印有献给纳瓦尔王后的题词，贵人维里埃－荷特曼写的《使臣的职守和尊严》，一本一六四四年的《拉宾尼诗话》，一本一五六七年迪布尔的作品，上面印有这一卓越的题铭：&威尼斯，于曼奴香府&，还有一本一六四四年里昂印的第欧根尼·拉尔修①的作品，在这版本里，有十三世纪梵蒂冈第四一一号手抄本的著名异文以及威尼斯第三九三号和三九四号两种手抄本的著名异文，这些都是经亨利·埃斯蒂安②校阅并取得巨大成绩的，书中并有多利安方言的所有章节，这是只有那不勒斯图书馆十二世纪的驰名手抄本里才有的。

He had sold the last of his furniture, then all duplicates of his bedding,his clothing his blankets, then his herbariums prints; 8ttt8.com he still retained his most precious books, many of which were of the greatest rarity, among others, Les Quadrins Historiques de la Bible, edition of 1560; La Concordance des Bibles, by Pierre de Besse; Les Marguerites de la Marguerite, of Jean de La Haye, with a dedication to the Queen of Navarre; the book de la Charge et Dignite de l'Ambassadeur, by the Sieur de Villiers Hotman; a Florilegium Rabbinicum of 1644; a Tibullus of 1567, with this magnificent inscription: Venetiis,in aedibus Manutianis; lastly, a Diogenes Laertius, printed at Lyons in 1644, which contained the famous variant of the manuscript 411, thirteenth century, of the Vatican, those of the two manuscripts of Venice, 393 394, consulted with such fruitful results by Henri Estienne, all the passages in Doric dialect which are ssbbww.com found in the celebrated manuscript of the twelfth century belonging to the Naples Library.

他把最后的几件木器也卖了，随后，凡属多余的铺盖、衣服、毛毯等物，以及植物标本和木刻图版，也全卖了；但是 dddTt 他还有些极珍贵的藏书，其中有些极为稀有的版本，如一五六○年出版的《历史上的圣经四行诗》，皮埃尔·德·贝斯写的《圣经编年史》，让·德·拉埃写的《漂亮的玛格丽特》，书中印有献给纳瓦尔王后的题词，贵人维里埃－荷特曼写的《使臣的职守和尊严》，一本一六四四年的《拉宾尼诗话》，一本一五六七年迪布尔的作品，上面印有这一卓越的题铭：&威尼斯，于曼奴香府&，还有一本一六四四年里昂印的第欧根尼·拉尔修①的作品，在这版本里，有十三世纪梵蒂冈第四一一号手抄本的著名异文以及威尼斯第三九三号和三九四号两种手抄本的著名异文，这些都是经亨利·埃斯蒂安②校阅并取得巨大成绩的，书中并有多利安方言的所有8 tt t8.com 章节，这是只有那不勒斯图书馆十二世纪的驰名手抄本里才有的。

Igor Sposobin ? book " the harmony Guide", Paul Hindemith ? book "A Concise Course of traditional and acoustic",Rimsky Korsakov ? book "Practical Guide and acoustic",Percy ? The Stankevicius book and acoustic, Theodore Dubois ? a "theory and practice and acoustic Guide", Walter ?

伊·斯波索宾等人合著的《和声学教程》、保罗·兴德米特著《传统和声学简明教程》、里姆斯基·科萨科夫著《和声学实用教程》、柏西·该丘斯著《和声学》、泰奥多尔·杜布瓦著《理论与实践和声学教程》、瓦尔特·辟斯顿著《辟斯顿和声学》这六本和声教科书，是多年来沿用至今的六本较好的和声教材。

The panel was made up by Ben Lilienthal, general manager, CCL Mexico; Edgar Vargas, general manager, Diagraph ITW Mexico; Luis Maria Garcia, president, Multilabel Argentina; Enrique Feingold, sales director, Novelprint; and Fernando Aranguren Alvarez, general director, Flexoprint.

该小组是由Ben Lilienthal在总经理，CCL的墨西哥行动；埃德加巴尔加斯，总经理，作图ITW的墨西哥；路易斯玛丽亚加西亚，总裁，Multilabel阿根廷，恩里克法因戈尔德，销售总监，Novelprint和阿尔瓦雷斯费尔南多古伦，总经理， Flexoprint。

The basic concept of FOP can be summarized as to further optimize effective prescription according to the standard of curative effects and with the aid of modern science and technology and theories of traditional Chinese medicine.

其基本内涵可概括为：以确有疗效的中药复方为研究对象，以现代科学技术和传统中医药理论为技术支持，以该复方所治病证的药效响应为评价标准，以优化重组疗效更优的新复方为研究目的。

Ever since our world has been a world, native forests have been indiscriminately exploited by man.

自从我们的世界一直是世界原生森林被任意剥削人。