瓦

Kveroslava: Your future is unclear, ranger. You are a gentle man with a will of iron. A goddess fondly looks down on you.

卡弗丝拉瓦：游侠，你的未来并不明确……你是个柔情铁汉，某位女神正眷顾着你。

AMMAN, Jordan - Muhammad Fawaz is a very serious college junior with a stern gaze and a reluctant smile that barely cloaks suppressed anger.

穆罕默德E法瓦兹是很认真的大三学生，目光严厉坚定，勉强挤出的笑容难掩压抑的怒气。

The loss of Cannavaro, who ruptured ankle ligaments in a training-ground collision with Giorgio Chiellini on Monday, has dealt a savage blow to Italy's defensive options.

周一训练中卡纳瓦罗在与基耶利尼一次碰撞中踝关节韧带受伤因而退出欧洲杯，对意大利的后防线是个严重的打击。

Vanity came out of the secret door a moment later and closed it silently behind her.

一会儿之后，瓦妮特从秘密的门中走出来并静静地关上了它。

Seven locations across in BC: Vancouver, Burnaby, Surrey, Abbotsford, Coquitlam,Kelowna, Chilliwack.

在七个地点在公元前：温哥华，本拿比，萨里，阿伯兹福德，高贵林，基洛纳，吉利瓦克。

Weitling und der Kommunistenlarm in Zurich.EineVerteidigungsschrift , did , bereits gesetzt , aber vom

一份已是合法的、但被瓦利斯枢密院扣压、现在在这里公布于众的辩护书》，1843 年伯尔尼德文版。

In this sense, Che was an absolute abject failure and it's a damn good thing that he was.

在这一层意义上说，格瓦拉彻底地失败了。他的失败确实大快人心。

In recent weeks Mr Wagoner has been accused of abjectly failing to tackle GM's problems.

最近几周来，瓦格纳被指责不能处理GM的棘手问题。

Its intimacy suited his meditative rather phlegmatic nature and his taste for involved polyphony; and writing chamber music, absolute music, was the sign of his opposition to, and separation from, the dramatic and programmatic orchestral writing of the "New German" followers of Wagner and Liszt.

室内乐密切的关系适合他沉思冥想而非冷漠的天性，以及他于对位法的偏爱；写作室内乐这种纯音乐，也是他反对与脱离戏剧性和标题音乐管弦乐队写法的一个标记，就像瓦格纳和李斯特"新德国"追随者们主张的那样。

However, local media and many Rotorua residents were abuzz about the amount.

然而，当地媒体和许多居民被充斥罗托鲁瓦的数额。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。