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while the drama Che Guevara, which arosed furor about revolution words,has little influence in tidal wave of market and consumption, After four years, the drama, the 93' year, performed by the state showplace, whice blazoned forth "the absolute humanitarianism above the absolute revolution", encountered cold shoulder at the very start. The paper's goal is to inquire the uncommensuration states between revolution and humanitarianism under intervention of power volition of country by their acception.

中国诺宇综合网http：//www.siaaa.com摘要：话剧《切·格瓦拉》在2000年的春夏之交所刮起革命话语的旋风已淹没在市场与消费的浪潮中，时隔四年后由国家话剧院推出的《九三年》所宣扬的&绝对的革命之上还有一个绝对的人道主义&主题一开始就遭冷遇，而本文就是围绕着《切·格瓦拉》到《九三年》的接受情况，论证了革命与人道在国家意志的介入下难以通约的情形。

The economy has become so heavily dependent on the so-called parallel exchange rate for greenbacks that the government was recently forced to intervene after the dollar traded as high as seven bolivars in August.

由于委内瑞拉经济已经严重依赖该国货币博利瓦兑美元的所谓平行汇率，以致于当8月份1美元一度兑7博利瓦之多后，委内瑞拉政府最近被迫出手加以干预。

R īla Vi van ā tha Cakravartī points out that the word kitava - bandho expresses envy; the phrase from sapatnyāh to nah , jealousy; the phrase mā spr a ańghrim , pride; and the phrase from vahatu to prasādam , disrespect, while the phrase from yadu - sadasi to the end of the verse decries Krsna s tactless treatment of Rādhārān ī.

圣维思瓦那塔-查克拉瓦提导师指出， kitava - bandho 表示羡慕，从 sapatnyāh 到 nah 的短语表示嫉妒，短语 mā spr a ańghrim 表示骄傲，从 vahatu 到 prasādam 这句短语表示轻视，从 yadu - sadasi 到诗的结尾这句短语谴责奎师那不机智地对待拉妲拉妮。

Again the Frenchman and the Finn dueled for the lead, but unfortunately toward the and of the race Francois stepped in a hole and sprained his ankle, enabling Jon to coast to an easy victory.

法国人弗朗斯瓦和苏兰人杨为争得领先而斗智斗勇，但不幸的是，临近比赛结束时弗朗斯瓦踩到了一个洞，扭伤了足踝，从而使杨轻松获胜。

As a well-educated the Argentines Guevara, could have chosen stability and carefree life, however, he has abandoned all of this into the Latin American revolutionary flames. In 1955,when exiling in Mexico, Guevara met with Castro ,the Cuban revolutionaries.From then on,he joined the Cuban revolutionary struggle.

身为受过良好教育的阿根廷人的格瓦拉，本来可以选择稳定安逸的生活，然而，他却抛弃了这一切，投入了拉丁美洲的革命烽火。1955年，格瓦拉在墨西哥流亡时与古巴革命者卡斯特罗结识，从此加入了古巴的革命斗争。

Barrios leapt to his feet and Valero feinted at him making Barrios step back. Valero then calmly turned, removed his glasses casually, and continued to speak.

巴里奥斯跳了起来，瓦雷罗好像要动手揍他，巴里奥斯退步躲闪，然后瓦雷罗又镇定地转过身随意地摘下眼镜继续谈话。

FONTOVA: He says,"The Negro is lazy and indolent and spends all of his money on frivolities and booze, whereas the European is intelligent and forward-looking."

洪波托。方透瓦：格瓦拉曾说：&黑人都是懒人喜欢闲散。他们挣了钱就都花在玩儿女人与酗酒上了。欧洲白人可都是聪明的和有眼光的。&

But small fires can quickly turn into runaway infernos—like this 1990 blaze in Chihuahua, Mexico—when conditions such as drought, dry air, high winds, and the buildup of forest debris conspire to stoke the flames.

但小火可以迅速变成失控的地狱，像这样1990年的大火在奇瓦瓦地区，墨西哥，当时的条件，如干旱，干燥的空气，高风，组成森林碎片阴谋斯托克的火焰。

Now, living in the Kanas Lake, a primitive tribal, they Hillwood home to grazing, hunting living, knifing to the mountain pine huts erected, take off the thick skins to withstand cold, the use of primitive cooking Modulation a fragrant milk wine, and they do not alien marriages, and others struggle, a self-proclaimed them to Tuva people to their own ancestors of Genghis Khan, the old saying that the names of their ancestors remember every Tuva is the responsibility of descendants of people, they leisurely generations live in this Shiwaitaowan Kanas, known as the forest people.

现在，在喀纳斯湖畔居住着一个原始部落，他们以山林为家，以放牧、狩猎为生，砍来山上的松木搭建起木屋，剥下厚厚的兽皮抵御严寒，使用原始的炊具调制出香喷喷的奶酒，他们不与外族通婚，不与他人争斗，他们以图瓦人自居，以成吉思汗为自己的先祖，古训说牢记祖先的名字是每一个图瓦人子孙的责任，他们世代悠闲地生活在喀纳斯这片世外桃园中，被称做&林中百姓&。

The people of the city of Valyria discover dragons lairing in the Fourteen Fires and use them to forge the Valyrian Freehold.

瓦雷利亚城的人在Fourteen Fires里发现龙穴，并且使用他们建造瓦雷利亚自由堡垒。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。