琴弦

Several times the balalaika was tuned up and the same notes were thrummed again, but the audience did not weary of it, and still longed to hear it again and again.

一连调了几次琴弦，又听到悠扬悦耳的琴声，听众不感到厌倦，只想一次又一次地听他弹奏。

Its 21strings stretch lengthwise across the boxlike body;under each string is a separate, movable bridge.

它的21根琴弦张在如同空木盒子一般的琴身上。

Each Classic treble string is ground using proprietary centerless grinding techniques.

每条高音古典琴弦均使用独家的技术进行精细的碾磨。

Now i'm alone i'm looking out , i'm looking inway down, the lights are dimmercome on, come oncome on, come on

请静心聆听这些好听的乐曲吧，让《迷情仙境》中的每根琴弦的拨动，与每个音键散发略带忧郁的气氛，为喜爱《迷情仙境》的人们，打造属于自己的心情故事。

The sign of cantilever type specialty structure, especially the string which made in German Roslau,make the tamber more rich and better performence.

悬臂式设计的特长结构，特别采用德国Roslau琴弦，使音色更丰富，表现更卓越。

I don't remember, but I do remember the charge that ran through me the first time I heard that opening musical theme—ominous, staccato, plucked out on strings, so simple, so stark, like the horns that announce the next tercio during a bullfight.

但我清楚地记得那一股贯穿我全身的电流，在我第一次听到开场主题曲的时候——不祥、时断时续、琴弦跳动，如此简单，如此直白，如宣告斗牛中下一方阵上场的号角。

Written in the "Victoriandustrial", harpsichord-laden Gothic style of "Opheliac" but with a metal edge,"Laced / Unlaced" shows the evolution from child prodigy classical violinist to reigning queen of metal Gothic / Industrial violin, and beckons us ever deeper into EMILIE AUTUMN's strange world with a flick of her black-nail-polished fingers.

写于&Victoriandustrial&，其中满载着大键琴哥特风格的&Opheliac&更添一丝阴暗金属的风味。&Laced / Unlaced&向我们展示的是她从一个天才少年古典提琴手向一个哥特金属/工业提琴女王的蜕变，同时跟随着她那涂着黑色指甲油的手指在琴弦上的游动，我们也被深深吸引到EMILIE AUTUMN那神奇的世界中去。

My untuned strings beg for music in their anguished cry of shame.

我那失调的琴弦在它们羞惭的痛苦哀鸣中乞求音乐。

My untuned strings beg for music in their anguished cry of shame.

我失調的琴弦在它們羞愧的痛苦呻吟中乞求音樂。

Every violin has the same complex outline, bulging at the top and bottom and waisted in the middle to give the player's bow easier access to the four strings.

每一个小提琴都有同样难于理解的外形，突起的顶部和底部，和凹陷的中部，中部的凹陷可以方便演奏者很容易就触及到琴弦。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。