理路

From a more great historical view,this article trys to explore the development course of the CPC"s construction target thought in New Period,reveal its inner logic and moving obit,show its theoretical quality of advancing with times and reflect its time and society"s historical connotation and development direction.

本文力图从更为宏大的历史视野来考察新时期党的建设目标思想的发展演变过程，揭示出该思想发展的内在理路与运行规律，展示其与时俱进的理论品格，进而反映出这一思想所处的时代与社会深厚的历史内涵与发展祈向。

He is conscious of the fact that what he does can't turn out a success, but he still do what he want to do, and this also embody a high-pitched spirits in a dilemma of ridiculousness.

总体而言，《离骚》一诗乃是一个有机的整体，其结构形式与思想意蕴是不可分割的：它的结构形式是一种"有意味的形式"，而它的思想意蕴则是有着清楚内在理路的思想。

"Silence", beauty of " balance and harmony",and beauty of satori,and all of these in the intrinsic logic of

禅宗美学主要有四个特质：自由之美、空寂之美、圆融之美和顿悟之美，而这些在书法的理路中都能找到。

Through exploring the internal logic interconnection among various key elements embedded in Berlin\'s body of thought, it summarizes the threshold logic underlining the following study of Berlin, i.e., the untiring efforts to defend the validity of liberalism under the superficial historic relevance. The basic structure of study based on this threshold logic is then outlined.

本文通过探析伯林思想体系中的各大要素之间的内在逻辑联系，论证了研究伯林所要围绕的逻辑主线，即伯林始终致力于捍卫自由主义原则的有效性，进而阐释了本文研究的基本理路。

Through exploring the internal logic interconnection among various key elements embedded in Berlins body of thought, it summarizes the threshold logic underlining the following study of Berlin, i.e., the untiring efforts to defend the validity of liberalism under the superficial historic relevance. The basic structure of study based on this threshold logic is then outlined.

本文通过探析伯林思想体系中的各大要素之间的内在逻辑联系，论证了研究伯林所要围绕的逻辑主线，即伯林始终致力于捍卫自由主义原则的有效性，进而阐释了本文研究的基本理路。

In order to explain why can transition from Marx" s politics economic critique theory to new-Marxist" s society culture theory and this transition valuably research about human beings how to go out cultural-history trouble predicament and the crisis circumstance of industry society in 20th century .

以此来说明从马克思的政治经济批判理论到新马克思主义者的社会文化批判理论得以转变的理路，及这种转变对于20世纪人类的文化——历史困境的出路和工业社会的危机状况进行了有价值的探索。

According to Zhou Yang, He Qi-fang, Ding Ling as the particular objects, my article describes their processes in thinking conversion and internal logic routes from the angel of the writers principle part. I will analyze the"incline"to the direction of the great frame of political ideology so as to dialyze their cultural puzzles, hardship choices and cultural diseases existed in themselves.

文章又以周扬、何其芳、丁玲为具体对象，从文人主体的角度，描述他们思想转变的过程与内在理路，分析其文学理论与创作成果向政治意识形态方向的&倾斜&和在政治意识形态大框架中闪出的重重&缝隙&，以此透析文人进入政治体制的运作轨道后所面临的文化困境、艰难选择以及自身存在的文化病症。

Yet, once a worship of Confucian doctrine of Song and Ming dynasties and later a modern intellectual of liberalism, Mr. Cai was shown in his ideas to be deeply influenced by the tradition of "ideology first" on the one hand, and on the other hand, to be a unique modern enlightener, he reevaluated the traditional values according to the needs for survival in new conditions. So what he tried to do goes far beyond the explanatory power of the traditional ideology and the modernity, and rather, is an attempt to reconstruct them.

当然，我们亦发现作为一位曾经拜倒在宋明儒脚下而站起来的近代自山主义知识分于，他的美育观体现出他一方面深受&思想优先&这一传统意识的影响，另一方面扮演了独特的现代启蒙者角色：他依照观代生存需要来重新估定了传统价值，这显然不只是传统的思想道德范畴能够予以诠释的，而是一条探求如何实现传统重整的现代性理路。

The philosophy of the Ming-Qing Dynasties represents retrogressive movements of body.

这一中国哲学史的内在理路的揭示，既历史与逻辑一致地是对身体而非心体这一中国哲学本体的真正澄清，又对于我们把握整个人类哲学发展具有重要的启示意义。

In chapter one,I willanalyse three methodological principles in Jameson's dialecticalcriticism,that is,totalization,mediation and historicization;in chaptertwo,I will discuss Jamesonian theory aboutf the political unconsciousand his Marxism hermeneutic system;and in the final chapter,I willexplain the various ways of Jamesonian narrarive analysis,and attemptto explore his unconscious of the cultural-political poetics by which anycultural text is read as both ideolegy and utopia.

在第一章，我们分析了詹姆逊的辩证批评的三大方法论原则：总体化、中介化和历史化，并依据他的元批评观点考察了他与当代西方的各种理论话语的关系。在第二章，我们主要介绍了他的政治无意识理论以及他的马克思主义阐释学体系，揭示了他的文学和文化批评的主要特征。在第三章，我们以詹姆逊本人的批评实践为例说明了他的叙事分析的基本理路，并对他的文化政治诗学——即把文化文本既看作是意识形态的，又看作是乌托邦的——本身的无意识进行了历史的分析。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失