理想精神的

Knowing current talented person, our person follow realizes own biggest ideal with promote principle that we combine together, make everybody very much our development be space, environment that own great ideal that leading, but the feedback is a reasonable spirit feature to talented person with our economic performance, providing to each where there is a will development with term, here the way descend our spirit feature with the exaltation that economic performance got the continuous changes and improvements.

对于现有人才，烟汽模人遵循实现自己的最大理想与发扬光大烟汽模相结合的原则，使每个人都认识到烟汽模的发展就是自己的伟大理想，而反馈给人才的是合理的精神面貌和烟汽模的经济效益，提供给每个有志者发展的空间、环境和条件，在此方针的指导下烟汽模人的精神面貌和经济效益得到了日新月异的提高。

The fact that Chinese culture lacks of ultimate religious transcendence leads to its aesthetic secularity.

哲学精神、道德理想和宗教精神会不同程度地体现在这一社会的艺术创造、艺术消费以至审美精神之中，并通过一定的艺术内容和艺术形式体现出来。

The national spirit is in nationality"s common language, the common region, in the economic life foundation has, the shape together becomes, And displays in the national culture the common psychological quality, is nationality"s psychological characteristic, the cultural tradition and the energetic complex compound which realizes from me, Is the national members to this nationalitys ideal, the goal and the future self-approval, Is realizes this national ideal, the goal and the future tremendous spiritual strength.

民族精神是在民族的共同语言、共同地域、共同经济生活的基础上产生、形成并表现于民族文化上的共同心理素质，是民族的心理特征、文化传统和自我意识的精神综合体，是民族成员对本民族的理想、目标和前途的自我认同，是实现本民族理想、目标和前途的巨大精神力量。

On the one side, Bakhtin borrows resources from the mythological world, and permutes"Dionysus"with the"Carnival"by way of"displacement"in discourse, and at last, develops Nietzsche's Dionysian spirit into his unique carnival spirit; on the other side, Bakhtin apparently leads a different way from Nietzsche ranging from interpreting contexts to religious attitudes and spiritual orientations in the following souls of the Dionysiac Theory. He eventually transforms Nietzsche's aesthetically artistic ideal of"Traum und Rausch"("Dream and Drunk") into a religious spiritual demand of"leading two lives", and fulfills"a transcendental journey from the God to the man".

尼采的酒神理论和巴赫金的狂欢理论之间，存在着无比亲密的&对话关系&：一方面巴赫金从神话世界中索取理论资源，通过话语的置换，用&狂欢&取代了&酒神&，将尼采倡导的酒神精神发展成自己独特的狂欢精神；另一方面巴赫金又在遵循酒神理论精髓的同时，在阐释语境、宗教态度、精神所指上，与尼采存在明显的不同，并最终将尼采&梦与醉&的审美艺术理想转换为走向&两种生活&的宗教精神诉求，实现了一种&从神到人的超越之路&。

On the one side, Bakhtin borrows resources from the mythological world, and permutes"Dionysus"with the"Carnival"by way of"displacement"in discourse, and at last, develops Nietzsche's Dionysian spirit into his unique carnival spirit; on the other side, Bakhtin apparently leads a different way from Nietzsche ranging from interpreting contexts to religious attitudes and spiritual orientations in the following souls of the Dionysiac Theory. He eventually transforms Nietzsche's aesthetically artistic ideal of"Traum und Rausch"("Dream and Drunk") into a religious spiritual demand of"leading two lives", and fulfills"a transcendental journey from the God to the man".

尼采的酒神理论和巴赫金(来源：A4eBC论文网www.abclunwen.com)的狂欢理论之间，存在着无比亲密的&对话关系&：一方面巴赫金从神话世界中索取理论资源，通过话语的置换，用&狂欢&取代了&酒神&，将尼采倡导的酒神精神发展成自己独特的狂欢精神；另一方面巴赫金又在遵循酒神理论精髓的同时，在阐释语境、宗教态度、精神所指上，与尼采存在明显的不同，并最终将尼采&梦与醉&的审美艺术理想转换为走向&两种生活&的宗教精神诉求，实现了一种&从神到人的超越之路&。

As a cognitive activity, science embodies the lofty ideal and spirit seeking and struggling for the truth and knowledge;As a intelligential activity, science embodies the lofty Olympic ideal and spirit going forward forever toward the aim of " quicker, higher and stronger" on intelligence;As a social activity bearing close on the future and destiny of humanity, science embodies the lofty ideal and spirit of serving and benefiting humanity and struggling for the freedom and liberation of humanity.

科学作为一项认识活动，它体现着对真理和知识的追求并为之奋斗的崇高理想和精神；科学作为一项智力活动，它体现着在智力上永远向着&更快、更高、更强&的方向迈进的崇高的奥林匹克理想和精神；科学作为一项与人类的前途、命运息息相关的社会活动，它体现着为人类的幸福、自由和解放而奋斗的崇高理想和精神。

Second, there are four Chapters of this paper: Chapter I Russian History and the fate of intellectual in the 20thcentury, which unscrambles the very historical context reflected by Doctor Zhivago. It refers to the changes of Russian history and politics, the fate of Russian intellectual, the living condition of Pasternak in the torrent times. Chapter II The choice of fate by Russian intellectuals, specificly analyses different choices by different intellectuals, in order to prominent truly noble character of Russianintellectuals; ChapterⅢThe spiritual confusion of Russian intellectuals, analyses the basic formation of their spiritual confusion in the 20th century context of Russian History. It refers to the disjunction between reality and ideal, the tragedy of Hamlet-like character, and Zhivago-like spiritual orphan of Jew. Chapter IV The spiritual remolding of the Russian intellectuals, which profoundly analyzes the relationship among Tolstoyism, Christian faith and belief of the humanitarianism on the blue print of Doctor Zhivago's spiritual experiences, therefore, reflects the tropism of humanitarian value of Russia in the 20th century.

其次，正文部分共分四章：第一章&20世纪俄罗斯历史与知识分子的命运&，主要是从20世纪俄罗斯历史与政治变革、20世纪俄罗斯知识分子的命运、处在时代漩涡中的帕斯捷尔纳克的生存境遇等方面，来(来源：6a6aAB5eC论文网www.abclunwen.com)解读《日瓦戈医生》所反映的特定历史语境；第二章&俄罗斯知识分子的命运选择&，通过具体分析在特定的历史语境中，俄罗斯不同类型的知识分子对于命运的不同选择，以突出真正的俄罗斯知识分子高贵的人格品质；第三章&俄罗斯知识分子的精神困惑&，从理想与现实的脱节、&哈姆雷特式&的性格悲剧、日瓦戈式的&犹太精神孤儿&等方面，具体分析了20世纪俄罗斯历史语境中知识分子精神迷茫的基本形态；第四章&俄罗斯知识分子的精神重塑&，以日瓦戈医生的精神历练为蓝本，对20世纪俄罗斯知识分子的精神重塑与托尔斯泰主义、基督教信仰以及对人道主义的崇信的内在关系做了深刻解剖，从而折射出20世纪俄罗斯社会的人文价值取向。

There were also real herotic comedies and extolled comedies,the sad in the happy,and the happy in the sad,there was aesthetics style in the tragicomedies,it was a group of people with the aid of characters from the plays to give vent to their sad feelings,it was a art shape of dramatists who were at the bottom of the society at that time,those were the impacted sparks of the dassic.

从戏剧美学的角度观照，元杂剧三国戏中有典型的英雄悲剧，也有真正的英雄喜剧与歌颂喜剧，并且能悲中寓喜，喜中有悲，具有悲喜交集的美学风格，这是那个时代士人群体沉郁苦闷的人生悲剧借助历史人物的心理宣泄，是元剧家们在沉入社会下层的人生境遇中所吸取的民间三国故事中孕含的富有理想色彩的乐观主义精神的艺术投影，是经典文化与大众文化相碰撞的火花在元代文化土壤结出的艺术果实，这种美学风格大大扩展了元代三国戏的审美张力，也增加了其文化意蕴与审美价值。

SeeCoo Culture Organization is a mine of information about seeing. We are excavators as to immense image world, disseminators as to pioneer vision nowadays, practitioners as to operating professional books base on professional eyes, executors as to editing wonderful books for readers, subverters as to rubbishy visions in flippancy days, explorers as to cultural spirit of books, idealists as to demonstrating the charm of books when few people maintains reading.Now is a time full of Multiple values, so we are often perplexed by confusion and disorder of the aesthetic world.

视库文化机构是读图时代的&看&的知识宝库，是浩瀚图像世界的发掘者，是当今新锐视觉的传播者，是用专业眼光做专业书籍的实践者，是为了读者需求做好书的执行者，是浮躁年代垃圾视觉的颠覆者，是寻找图书文化精神的探索者，是书籍旁落的时代仍执著于展现书籍魅力的理想者……在赞叹价值多元的同时，往往也会困惑于审美世界的混乱无序。

In this paper the philosophical spirit refers to constantly criticizing, negating and transcending the objective and subjective worlds by social individuals when perceiving self-being, and to the perpetual pursuit for the truth.

哲学精神是指作为社会个体从自我生命感悟出发对世界(包括客观世界和主观世界)永无止息的批判、否定、超越以及追求与探索精神，编辑理念就是编辑在编辑实践活动中所体现出来的理想追求、价值准则和行为规范在精神上的沉积和升华。

In the United States, chronic alcoholism and hepatitis C are the most common ones.

在美国，慢性酒精中毒，肝炎是最常见的。

If you have any questions, you can contact me anytime.

如果有任何问题，你可以随时联系我。