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理想精神

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The third part "Wu"s selfhood ideal" tries to reveal the humanism connotation of "using Tao to fight against Shi", through the analysis of Wu"s two kinds of ideal personality-man of honour and queer bachelor. In Wu"s opinion, at the end of the feudal times, the clerisy can vindicate the dignity of culture and the selfhood of literator, only by disputing the infraction of common customs thoughts and retaining the logos spirits of clerisy. This is Wu"s rational thinking to the dilemma lot when Chinese literators couldn"t unify "Tao" and "Shi.

第三部分"吴敬梓的人格理想"旨在通过对吴敬梓君子、奇人两种理想人格的分析,揭示其中蕴涵的"以道抗势"的人文内涵,在吴敬梓看来,在那个风雨如晦的封建末世里,作为"社会的良心"的知识分子,只有抗拒世俗思想的侵害,保持住文人的理性精神,才能维护文化的尊严和文人人格的尊严,这是吴敬梓对中国文人在"道"与"势"无法统一的情境下两难命运的理性思考。

This dissertation intends to probe into James's reflection and reconstruction of American culture by analyzing four of his great novels. It argues that Henry James, on reflecting the American cultural tradition based on Emersonian ideas, and following Matthew Arnold's great vision of cultural combination, put forward an ideal cultural pattern combining the American freedom and morality with the European intelligence and aesthetic experience. Henry James's cultural conceptualization is, in this sense, a supplement to the traditional American idealistic individualism.

论文认为,詹姆斯在对以爱默生为代表的美国传统文化思想进行反思的基础上,以马修·阿诺德(Matthew Arnold,1822-1888)的文化融合思想作为借鉴的对象,提出了一种融美国的自由精神、道德力量与欧洲的经验、审美于一体的理想的文化模式,这一构思是对美国传统理想型个人主义思想的补充与完善。

Is mainly through the time background which as well as the biography experience inquisition locates to author Liang Chenyu,explored it to create "Huan Sha Ji" such has poured into the traditional historical story the deep political content,while eulogized struggle spirit which more country rulers and the ministers vigorous planned to be stronger,make determined efforts,also criticized the Wu rulers and the ministers sybaritism,to be greedy for money lasciviously,does not distinguish loyal deceitful decayed essential the dramatic work behind,what were more was to mold the painstaking care which the Xi Shi image poured into,namely Xi Shi has represented Liang Chenyu in the ideal character image,and was reposing author's ideal of life.

主要是通过对作者梁辰鱼所处的时代背景以及生平经历的探究,来探索其创作《浣纱记》这样一个将传统的历史故事注入了深厚的政治内容,在歌颂了越国君臣发奋图强、励精图治的斗争精神的同时,也批判了吴国君臣骄奢淫逸、贪财好色、不辨忠奸的腐朽本质的剧作的背后,更多的是为塑造西施形象所倾注的心血,即西施代表了梁辰鱼理想中的人物形象,并寄托着作者的人生理想。

In the respect of life ideal and aesthetic pursuit, Zong Baihua takes Goethe as his exemplar. His ideal of " artistic life" contains not only classic humanist standpoint, but also the moulage of Kantist super-utilitanrianism. On one hand, his ideal is full of moving creative spirit of Goethean lasting pursuit of life.

在人生理想及其美学追求上,宗白华以歌德为模范,其"人生艺术化"理想既包含着古典人道主义的立场,又有康德式超功利观念的印痕;既洋溢着歌德式生命永恒追求的运动创造精神,又体合了叔本华所意欲的以审美静观、艺术为人生解脱的超世方式。

The fact that Chinese culture lacks of ultimate religious transcendence leads to its aesthetic secularity.

哲学精神、道德理想和宗教精神会不同程度地体现在这一社会的艺术创造、艺术消费以至审美精神之中,并通过一定的艺术内容和艺术形式体现出来。

On the one side, Bakhtin borrows resources from the mythological world, and permutes"Dionysus"with the"Carnival"by way of"displacement"in discourse, and at last, develops Nietzsche's Dionysian spirit into his unique carnival spirit; on the other side, Bakhtin apparently leads a different way from Nietzsche ranging from interpreting contexts to religious attitudes and spiritual orientations in the following souls of the Dionysiac Theory. He eventually transforms Nietzsche's aesthetically artistic ideal of"Traum und Rausch"("Dream and Drunk") into a religious spiritual demand of"leading two lives", and fulfills"a transcendental journey from the God to the man".

尼采的酒神理论和巴赫金(来源:A4eBC论文网www.abclunwen.com)的狂欢理论之间,存在着无比亲密的&对话关系&:一方面巴赫金从神话世界中索取理论资源,通过话语的置换,用&狂欢&取代了&酒神&,将尼采倡导的酒神精神发展成自己独特的狂欢精神;另一方面巴赫金又在遵循酒神理论精髓的同时,在阐释语境、宗教态度、精神所指上,与尼采存在明显的不同,并最终将尼采&梦与醉&的审美艺术理想转换为走向&两种生活&的宗教精神诉求,实现了一种&从神到人的超越之路&。

Among other things,"spiritualism paradigm"answers the value of entrepreneurship and is"inevitable explanation"to entrepreneurship education."Epistemology structure"and"spiritualism paradigm"together with"ethological requirement"jointly provide the necessary knowledge required by entrepreneurs and is"solid insight"of entrepreneurship education. The engagement of"ethological requirement"and"spiritualism paradigm"provides"reasonable pursuits"for the realization of entrepreneurs'dreams.

其中,&精神学范式&解答了创业者的价值问题,是对创业教育&必然的解读&;&知识论结构&与&精神学范式&和&行为学要求&一起,共同提供了创业者所需的各种知识,是创业教育&实然的领悟&;&行为学要求&与&精神学范式&的有机结合,又为创业者的理想实现提供了&应然的追求&。

21St century is the period of developing advanced science, changing culture and ideasfrom time to time and continuous strength of international communication. Competition isbecoming sharper and sharper with it . Society in the future would need people withhigher quality. The people should not only have advanced knowledge , but also havenoble-minded accomplishment, lofty ideals, large-minded, correct world outlook, outlook onlife and value outlook, social sense of responsibility, perfect character, at the same time , theyshould have the spirit of cooperation individuality and special creativeness.

世纪是一个科技高速发展,文化思想日新月异,国际间的交流日益加强的时期,随之而来的竞争也越来越激烈,未来社会对人才素质的要求也就越来越高,既要求人才具有高深的知识水平,同时要求人才自身具有高尚的修养、远大的理想、宽阔的胸襟,正确的世界观、人生观、价值观,社会责任感、健全人格,更要有合作精神,个性化精神,独特的创造精神。

The author first discusses the consistency of spiritual pursuit in law and literature, and then sums up the points under discussion in the two works: Antigone and The Merchant of Venice. The author points out that law spirit of the realistic pursuit includes conventionalizing of the pursuit of justice while justice in literature is interpreted from a new, poetic and ideal perspective.

在此部分讨论中,首先探讨了文学与法律对法律精神的正义核心价值追求的一致性,其次对第二章中《安提戈涅》和《威尼斯商人》两部作品所论述的问题进行梳理总结,指出文学与法律两种视角下对法律精神解读的差异,最后以正义价值为归结,指出现实法律追求的法律精神包括对正义的追求被世俗化,而文学具有诗性的理想正义给予了法律精神重新审视。

In this paper the philosophical spirit refers to constantly criticizing, negating and transcending the objective and subjective worlds by social individuals when perceiving self-being, and to the perpetual pursuit for the truth.

哲学精神是指作为社会个体从自我生命感悟出发对世界(包括客观世界和主观世界)永无止息的批判、否定、超越以及追求与探索精神,编辑理念就是编辑在编辑实践活动中所体现出来的理想追求、价值准则和行为规范在精神上的沉积和升华。

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However, as the name(read-only memory)implies, CD disks cannot be written onorchanged in any way.

然而,正如其名字所指出的那样,CD盘不能写,也不能用任何方式改变其内容。

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