理性的

The six authors have displayed, in their own ways, a panorama of modem Chinese social life. Zhan Xin-xin expresses the anxiety and lost self of Chinese people at the beginning of main current political culture breakdown and materialistic flooding immediately after the Great Cultural Revolution. Liu Suo-la exposes the anti-classic and pro-individualistic radicalism of young college students facing an opening-up and multi-cultural age. Chen-Rong, in transcendence of historical rationalism, proposes human spiritual emancipation and subjective revelation in order to oppose traditional feudalistic stereotypes. Liu Zhen-yun in his typical cool-minded description, discloses the routine spiritual enslavement, oppression and murder, as well as men\'s helplessness, hopelessness and distortedness in familiar daily life affairs. Zhang Wei attaches importance to a heart-felt emotional and conscientious expression, thinking that the only things that may combine one\'s individual subjective options with his personal moral responsibility towards world and others are his inner authentic feelings and conscience.

这六位作家是张辛欣、刘索拉、谌容、刘震云、张炜和潘军，他们从不同的角度，以各自不同的方式，展示了中国现代社会中的一幅幅人生图景：张辛欣的作品呈现了"文化大革命"以后主流政治文化分化瓦解和物质主义泛滥初始人的自我迷失与彷徨焦虑的状态；刘索拉表达了改革开放和文化多元时代青年大学生反叛经典和张扬个性的激进姿态；谌容从超越历史理性的高度致力于反抗传统意识和封建世俗观念对人格个性的压抑，提倡人的精神解放和主体意志的彰显；刘震云以近乎残忍的描写，揭露了熟视无睹的日常生活对人的精神上的奴役、蹂躏和扼杀以及人在这一过程中的无奈、绝望和扭曲；张炜强调一种内在真情与良知的表达，认为唯一能够把个人的主观选择与对世界、对他人的道德责任联系起来的，就是人在心灵深处为自己和他人保存的那一份真情与良知；潘军从复归自我和维护个性尊严的角度，把人的爱欲和物欲升华为一种超越世俗伦理道德的纯个人化、精神化的心理体验和情感交流。

The six authors have displayed, in their own ways, a panorama of modem Chinese social life. Zhan Xin-xin expresses the anxiety and lost self of Chinese people at the beginning of main current political culture breakdown and materialistic flooding immediately after the Great Cultural Revolution. Liu Suo-la exposes the anti-classic and pro-individualistic radicalism of young college students facing an opening-up and multi-cultural age. Chen-Rong, in transcendence of historical rationalism, proposes human spiritual emancipation and subjective revelation in order to oppose traditional feudalistic stereotypes. Liu Zhen-yun in his typical cool-minded description, discloses the routine spiritual enslavement, oppression and murder, as well as men"s helplessness, hopelessness and distortedness "in familiar daily life affairs. Zhang Wei attaches importance to a heart-felt emotional and conscientious expression, thinking that the only things that may combine ones individual subjective options with his personal moral responsibility towards world and others are his inner authentic feelings and conscience.

这六位作家是张辛欣、刘索拉、谌容、刘震云、张炜和潘军，他们从不同的角度，以各自不同的方式，展示了中国现代社会中的一幅幅人生图景：张辛欣的作品呈现了"文化大革命"以后主流政治文化分化瓦解和物质主义泛滥初始人的自我迷失与彷徨焦虑的状态；刘索拉表达了改革开放和文化多元时代青年大学生反叛经典和张扬个性的激进姿态；谌容从超越历史理性的高度致力于反抗传统意识和封建世俗观念对人格个性的压抑，提倡人的精神解放和主体意志的彰显；刘震云以近乎残忍的描写，揭露了熟视无睹的日常生活对人的精神上的奴役、蹂躏和扼杀以及人在这一过程中的无奈、绝望和扭曲；张炜强调一种内在真情与良知的表达，认为唯一能够把个人的主观选择与对世界、对他人的道德责任联系起来的，就是人在心灵深处为自己和他人保存的那一份真情与良知；潘军从复归自我和维护个性尊严的角度，把人的爱欲和物欲升华为一种超越世俗伦理道德的纯个人化、精神化的心理体验和情感交流。

Li-lei get the understanding of the mysteries of the "Tao", the profundities of the "Dhyana", and knew well the mystery of the theory of One painting. By the spirit of being above worldly considerations, he upgraded his artistic conception, looked the "painting trace" as the record of the "heart trace", integrated the painting meaning with the poet meaning, as well as improved the rational "Tao" and the Dhyana to the stage of poet. All these could be regard as the "mixture of emotion and rationality" in Li-lei's abstract art creation.

李磊参悟了&道&的玄妙、&禅&的高深，也读懂了石涛&一画经&物我两忘、离形取智的奥秘，以超然物外的&本我&抒写寄兴的精神，提升自我境界，把&画迹&只是作为&心迹&的记录，并且把画境与诗境融为一体，所营造的形而上达到是一种境界形态的形而上，也即是将理性的&道&和&禅&上升到诗的境界，这也可视作是李磊抽象艺术创作中的另一种&情理交汇&。

There indeed are an abundant amount of anonymous ad hominem attacks from kobe lovers who don't corroborate their opinions, but if you ignore those and look at the rational posts, you'd understand too why the author's piece is also an unsubstantiated, undeveloped, and dishonest analysis- the only difference between the author's article and these anonymous posts you refer to is that the author's is 10 times longer and without the invectives.

这确实有很多匿名的带个人偏好色彩的攻击，这些言论来自科比的拥护者们，他们并不能说清自己的观点，但是如果你跳过这些去看那些理性的发言，你会明白为什么那个作者的文章是如此的五根据，未开化和分析多么不诚实——也许在作者和那些你所说匿名发言的的区别就在于，作者的言论是10倍的长，并且没有恶言。

The standard of knowledge is open, and is shaped by common sense using conversation between knowers and beknowers.

学习者是被动的、被塑造和被利用的客体，没有自己的声音和权利；受工具理性的支配，研究者以实证主义的定量化、形式化作为教师教育研究的方法；科学知识的霸权地位剥夺了本土知识的合法性，造成了研究者对我国教师教育发展历史、尊师重教的民族传统、基本国情以及独特的教师教育资源等的&集体遗忘&，也造成了研究者多元思想的祛魅。

But a Broom stick, perhaps you'll say, is an Emblem of a Tree standing on i ts Head; and pray what is Man, but a Topsyturvy Creature, his Animal Faculties p erpetually a Cock Horse and Rational; His Head where his Heels should be; grov eling on the Earth, and yet with all his Faults, he sets up to be an universal R eformer and Corrector of Abuses, a Remover of Grievances, rakes into every Slut' s Comer of Nature, bringing hidden Corruptions to the Light, and raises a mighty Dust where there was none before, sharing deeply all the while, in the very sam e Pollutions he pretends to sweep away: His last Days are spent in Slavery to Wo men, and generally the least deserving;'till worn to the Stumps, like his Broth er Bezom, he's either kickt out of Doors, or made use of to kindle Flames, for o thers to warm Themselves by.

或许你会说，一根扫帚把不过象征着一棵头冲下的树而已，那么请问：人又是什么？不也是一个颠倒的动物吗？他的兽性总是骑在理性的背上，他的头去了该脚应去的地方，总是在土里趴着。可是尽管有这么多毛病，他还自命为天下的改革家、除弊者、伸冤者，把手伸进人世间每个藏污纳垢的角落，扫出来一大堆从未暴露过的脏物，把原来干净的地方弄得尘土满天，非但没扫走脏物，还把自己弄得满身污垢。到了晚年，他又变成女人的奴隶，通常是一些最不堪的女人，直到他被折磨得只剩下一根枯枝，于是他也像他的扫帚老弟一样，或者是被扔出门外，或者是被拿来生火，用于温暖别人了。

Based on the analyses the author puts forward an idea of semiology method on architecture history rescarch and uses the new method on the research of the histo.

本文从建筑历史研究的方法论入手，对传统的将建筑发展的历史看作是理性的、连续的、逻辑的过程的历史学式研究方法进行了剖析，对另外两种常见的研究方法进行了肯定，并提出了&符号学式研究&的概念，本文按照这一新的建筑历史研究方法，对中国明堂与宫殿的发展历史进行了整体式的分析与阐释。

Under the head of rational pleasures, I comprehend, first, proper charities, to real and compassionate objects of it; secondly, proper presents to those to whom you are obliged, or whom you desire to oblige; thirdly, a conformity of expense to that of the company which you keep; as in public spectacles; your share of little entertainments; a few pistoles at games of mere commerce; and other incidental calls of good company.

根据理性的乐趣首长，我理解，首先，适当的慈善机构，把它真正的和同情的对象；第二，适当提出的那些人，你有责任，就是你的愿望或强迫；第三，一个合格的费用该你的公司，保留；用作公共眼镜，你的份额小娱乐；在单纯的商业游戏几pistoles，以及良好的公司的其他附带要求。

"Ontology" in the Chinese etymology means "the highest","the most fundamental","the most popular" and "the most important". Although it is a loan word, it has great difference from the oringinal meaning of ontology when translated into Chiness and has abvously "transferred meaning". If the "original meaning" of ontology is a "transcendental" purely logic stipulation" and a unique morphology of "the Western Philosophy", a field of idea world, absolute spirit, pure reason which is isolated from the experience world or prio to the experience world", and "a pure principle unable to be proven from the real world", then in Chiness,"ontology" has richer transferred meanings unparalleled with ontology in the West.

&本体&在中文词源里，有&最高&、&最根本&、&最普遍&、&最重要&等含义；本体论虽然是外来词，但翻译为中文后，与原来的ontology已经有了很大的区别，产生了明显的&转义&：如果说ontology的&本义&是一种&是论&或&存在论&，是一种超验的&纯粹的逻辑规定性&，是&西方哲学特有的一种形态&，是&与经验世界隔绝或者先于经验世界的理念世界、绝对精神、纯粹理性的领域&，是&不能从现实世界得到验证的纯粹的原理&，是比一切其他哲学思维都更纯正的&第一哲学&的话，那么在中国的&水土&上，&本体论&已经具有了比西方的ontology丰富得无可比拟的&转义&。

What revolted the mature Goethe in the young Kleist, who submitted his work to the elder statesman of German letters "on the knees of his heart"—the morbid, the hysterical, the sense of the unhealthy, the enormous indulgence in suffering out of which Kliest's plays and tales were mined—is just what we value today.

年轻的克莱斯特（2）——就是那位把他的作品递呈给资深的德国政治家，并在扉页上题写了&以我心灵的膝盖&的作家——用以颠覆理性的歌德的，潜藏于他的戏剧和传奇故事中的病态、歇斯底里、非健康状态的情感、肆意放纵的苦难意识，正是我们今天的价值取向。

With Death guitarist Schuldiner adopting vocal duties, the band made a major impact on the scene.

随着死亡的吉他手Schuldiner接受主唱的职务，乐队在现实中树立了重要的影响。

But he could still end up breakfasting on Swiss-government issue muesli because all six are accused of nicking around 45 million pounds they should have paid to FIFA.

不过他最后仍有可能沦为瑞士政府&议事餐桌&上的一道早餐，因为这所有六个人都被指控把本应支付给国际足联的大约4500万英镑骗了个精光。