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Note that such a W must involve either a different corpus of intrinsic properties from those in our world, or no intrinsic properties at all. A type-F monist who holds that the only coherent intrinsic properties are protophenomenal properties might end up denying the conceivability of zombies, even under a structural-functional description of their physical state – for reasons very different from those of the type-A materialist.

主义这样的W必须含有,或者和我们这个世界不同的固有属性,或者没有固有属性。F类一元论认为仅由的融贯的固有属性是主现象属性,可以中止于对人偶设想的拒绝,即使在一个结构功能描述的物理事态下,理由不同于A类物质主义者。

Preciosity in France was eventually carried to excess and led to exaggeration and affectation (particularly by the burlesque writers), as it did in other countries—as seen, for example, in the movements Gongorism in Spain, Marinism in Italy, and Euphuism in England.

法语中的这个词Preciosity最后被延伸和夸大,其他一些国家也有类似的现象,如西班牙的恭果拉主义,意大利的马利诺风格,和英国的尤弗伊斯体。

The reason behind this phenomenon is traditional felonious penalty tendency, serious public order situation, the "strike-hard scale, light prevention" criminal policy and people\'s pertinacious thinking of retaliation.

导致这种现象的原因包括:传统重刑主义思想的影响、严峻的社会治安形势和"重严打、轻预防"刑事政策的影响和民众报应思想的影响。

In city of Hangzhou, we go shopping everywhere on everyday. This has already become certain kind of essence of the urban civilization like a huge behavioral art performance in a metropolitan. In the insatiable desire for popular variation, people adore and linger in the material implication to consume their esthetic idealism underneath their heart with an absolute belief for the fashionable desire.

在杭州这座城市里,我们随时随地都在Shopping,这已经成为城市文明的某种现象特质,如同一场声势浩大的都市行为艺术表演,钟情并流连于透明橱窗带来的物质暗示之间,在永不满足的流行变幻中,怀着对时尚欲望的绝对信仰,消费着我们心底的唯美主义理想。

In my father's life, it was partly tribalism and patronage and nepotism in an independent Kenya that for a long stretch derailed his career, and we know that this kind of corruption is still a daily fact of life for far too many.

在我父亲的一生中,独立的肯尼亚国长期存在的宗族主义、权势相通和裙带关系在很长时间内使他的事业发展遭受挫折,而我们知道,这种腐败现象仍是无数人每天都要面对的生活现实。

In our male-dominant male-centric tradition, we blame the Asian woman for the phenomenon. And in our minorities-are-the-victims tradition, we also blame White Privilege, White sexual imperialism, and the white-washing of the world that globalization has wrought–theories we use like a panacea to explain why any minority race may experience inequality in this world.

按照男性中心的社会传统,我们把责任推到亚裔女性头上;按照"少数族裔是受害者"的社会传统,我们指责白人特权主义,指责白人性爱帝国主义,指责全球化造成的白人给全世界人民洗脑的现象——我们用这些理论来解释一切少数族裔所遇到的不平等,好似包治百病的万金油。

How to correctly use minimalism to seek for essential thoughts of things integrated into the Chinese local architecture cultures to change phenomenon commonly existed in Chinese design industry with overfull simulating western economy developed countries.

如何正确的将极少主义追求事物本质的思想合理的融入中国的本土建筑文化中,以改变中国设计行业普遍存在的过多的模仿西方经济发达国家建筑的现象。

Moreover, most of them have already eliminated the scary part of image and only maintains the good wife one. Chapter five "genderal cultures in hetero-type marriage stores" discuss sources of those concepts and criticize them from feminine perspectives. This chapter emphasizes three aspects: rules for traditional wives in those stories, female images in those stories, and the communicative patter of the two sex in those stories. This chapter intends to find sexual cultures in the stories, explores discrimination in the patriarchic society and shows sympathy of it.

第五章〈异类婚恋故事所蕴藏的性别文化〉,采取综合讨论方式研究异类婚恋故事,一方面从社会背景追溯某些思想观念的渊源,另方面也参照当代女性主义思想加以批评,分就「异类婚恋故事中的妇职规范」、「异类婚恋故事的女性形象」以及「异类婚恋故事中的两性相处模式」三方面入手,主要是对异类婚恋故事做一统整,尝试找出故事里所反映的性别文化,以了解父权社会中的性别歧视、男性中心等现象,从而揭发女性在父权社会里的处境,并对其有著关怀与同情;另外,也关注故事里突破传统性别文化之处,因其提供了关於女性的新思维,让读者透过故事里不同既往的性别刻画,跳脱传统性别文化的拘囿,得以重新解读、认识女性的多元面貌。

The revival of Confucius has been going on for years. It has been linked at the popular level to a general loss of faith in Marxism and Maoism, which has led to an interest in reappraising many once-discredited belief systems.

孔子的复兴现象已经存在了几年,它的根植于大众的原因是人们逐渐对马克思主义和mao-ze-dong思想失去了信念,同时产生了对那些曾经被批判的思想体系的重新评估的兴趣。

At the same time, with the re-recognition of the western modern aesthetics and classicism, the relationship among modernism, post-modernism as well as classicism is discussed. Their development and practical significance are treated dialectically.

并分析了这些若干现象及引发的困惑与迷茫的社会历史背景和原因,同时,通过对西方现代美学和中西古典美学的再认识,论述现代主义、后现代主义与古典主义美术在中国的紧张关系,辩证地看待它们在中国美术的发展及现实意义。

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推荐网络例句

I didn't watch TV last night, because it .

昨晚我没有看电视,因为电视机坏了。

Since this year, in a lot of villages of Beijing, TV of elevator liquid crystal was removed.

今年以来,在北京的很多小区里,电梯液晶电视被撤了下来。

I'm running my simile to an extreme.

我比喻得过头了。