现实政治

The reason that causes the primary and junior high school lessons burden overweigh is various, there is school, teacher of, parent of, society of, in fine can is divided into the reason of the history and the reason of the actuality, this text is from these two the generous noodles carried on the analysis, Chinese traditional culture and educational special features composing the main aspect of the reason of history, namely:Value educational social political function and the basic education value mindset of the utility color of studyings.

导致中小学课业负担过重的原因是多方面的，有学校的，教师的，家长的，社会的，总之都可分为历史的原因和现实的原因，本文从这两大方面进行分析，中国传统文化与教育的特色构成了历史原因的主要方面，即：重视教育的社会政治功能和读书的功利色彩的基本教育价值取向。

The reason that causes the primary and junior high school lessons burden overweigh is various, there is school, teacher of, parent of, society of, in fine can is divided into the reason of the history and the reason of the actuality, this text is from these two the generous noodles carried 本毕业论文由无忧论文网 www.51lunwen.com 整理提供on the analysis, Chinese traditional culture and educational special features composing the main aspect of the reason of history, namely:Value educational social political function and the basic education value mindset of the utility color of studyings.

导致中小学课业负担过重的原因是多方面的，有学校的，教师的，家长的，社会的，总之都可分为历史的原因和现实的原因，本文从这两大方面进行分析，中国传统文化与教育的特色构成了历史原因的主要方面，即：重视教育的社会政治功能和读书的功利色彩的基本教育价值取向。

It says one of the greatest changes of Chinese theatre is the forming of many new types of theatre. Playwriting and stage performance be in perfect harmony,more importance is attached to politics、moral and realistic theme, are also the great changes of theatre.

在简述 2 0世纪对中国戏剧发展影响最为显著的事件之后，本文指出，话剧、越剧和评剧等许多新剧种的诞生，是本世纪戏剧进程中最重要的变化之一；剧本创作与舞台演出之间的全面融合，作品在思想上更趋重于政治与道德主题、在内容上对现实题材前所未有的注重，都体现出本世纪戏剧创作的明显特色，戏剧作品整体风格上的女性化趋势也是值得注意的现象。

The American entertainment is based on highly developped economic technology, entertainment is purely entertaining. The general public is willingly and passionately immersed in the sensual pleasure, the danger of"amusing ourselves to death"predicted by Portsman is real. The situation in China looks like that in the United States, but in fact, the technical development in China is not as overwelming as that in the States, the political element is still deeply involved in the individual life environment. Simplity of technology and complicity of psychological feelings stand out as main features of Chinese entertainment culture. People are using the forms of entertainment but refuse to be purely entertaining or entertained this is so called"amusing ourselves not to death".

就对大众的普遍影响力而言，美国娱乐文化的基于经济技术高度发达、享乐单一的现实，大众兴高采烈、心甘情愿地沉溺于感官刺激，面临波兹曼担心的&娱乐至死&的危险，而中国的娱乐文化表面上看起来趋同于美国，但一方面，中国的经济技术没有发达到统领一切的地步，另一方面，中国政治因素依然深入的渗透在的个人生存环境中，因此，中国的娱乐文化则更多地集中在技术简单、感受复杂的心理空间中，大众自觉不自觉以娱乐方式，却为不甘成为娱乐工具而抗争，可谓&娱乐不死&。

At the same time, the existence of human beings began to show the contradiction between the abstractness and practicability and that between the existence of genus and the existence of individuals. How to address such a contradiction must have recourse to what Marx has proposed, that is to say, human beings should seek their emancipation in the real society, or more specifically, in fights pertinent to politics, economy, and culture, not the reachless hypothetical world.

人的存在，也在此后开始显现出抽象性与现实性，类的存在与个体存在的矛盾，而这个矛盾的解决，只能是马克思所倡导的人的解放应当到现实社会中，在政治、经济、文化等斗争中寻求，而不再祈求遥不可及的彼岸世界。

My opinion that "art is the most political realm" is derived from the avant-garde. With Jin's Great Economic Retreat, what I want to say to them is that not all works that reflect China's realities are realist reflectionist. More importantly, what kind of works can be differentiated from "reform and open-door realist art"?

我的诸如&艺术是最政治的领域&的主张都是从前卫艺术而来的，就金江波的《经济大撤退》图片，我要回应他们的是：与中国现实社会结合的作品不全都是现实主义反映论的，更重要的是：什么样的社会作品才能区别于&改革开放现实主义艺术&？

Where major studios reformulate each day an ideal reality in an ever-growing proximity to the economy and politics.

在那里，那些&大制作室&每天都在与重新炮制梦幻中的，越来越接近经济和政治的现实相较量。

Wang Guangyi took a constructive avant-garde position in the rigescent system of art mainstream then, which owed of course to his seriousness of rationalist thinking.

在艺术中表现现实生活，加入意识形态、政治观念的内涵，在某种程度上构成了当代艺术'文化强权'的特质。

However, Foreign Minister spokesman Navtej Sarna was also quoted by Agence France-Presse as saying:"While we welcome foreign investments and companies in India, this has to be in accordance with our relevant domestic laws and regulations, and taking into consideration our security concerns and assessments."

这一定程度上反映出了印度政府的矛盾心理：一方面希望提高FDI水平，另一方面又由于历史和现实的原因对中国抱有疑虑。考虑到中印两国间日益紧密的经贸联系，印度政府的决策更应该基于商业利益，而不是政治考虑。关键词：印度经济，投资，中印关系，经贸关系两国矛盾难去，印度暗怀戒心

As soon as only needs sketchily looked that, can discover comes from exactly to this kind of position excellent taunt the complex politics and the economical reality.

不过，只需粗略一看，就会发现对这种主张的绝妙嘲讽恰恰来自于复杂的政治和经济现实。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。