现实主义的

Part I :the definition of officialdom novels ,the insightful discussion of the development of them ,and the primary analysis of the reasons of their flourishing ;Part II :the construction of subject matters of officialdom novels by probing analysis into official corruption ,official and social psychologies ;Part III: the of artistic features of characters and narrative (i.e. narrative perspective constructions ,discourse and ironical narration ),which are illustrated by the positive characters with personalities ,negative ones with complex characteristics ,more importantly ,the vulgar existence ofgray characters ,the discovery of features of narrative methods with the contract of two types of novels ; Part IV: the positive comment on the realistic rules of officialdom novels and the surpassing of the previous ones ,the shortcomings from the artistic perspective : the adoption to the reality seriously fetters artistic imagination of literature works ,it also reads to the lacking of insightful thinking ,the simple characters fail to reveal artistic glamour ,the routinized narrative methods also degrades the artistic savor of works .

第一部分，界定官场小说的内涵，并对它的历史发展，对其在当下繁荣的原因做初步的探析；第二部分，从官场小说对官场腐败、官员内心世界和社会文化心理等方面的揭示考察其主题构成；第三部分，从人物形象、叙事方式(叙事视角、叙事结构、反讽叙事、叙事话语)等分析官场小说的艺术表现特征，指出官场小说不仅塑造了性格鲜明的正面人物，也真实刻画了具有复杂人性的反面角色，更重要的是展现了官场灰色人物的庸俗生存，并通过两类不同类型小说的对比，揭示其各自不同的叙事特征；第四部分，充分肯定官场小说的现实主义价值，及其对前期官场小说的超越，并从小说艺术角度指出其存在的严重不足：小说对现实的屈从束缚了作品的艺术想象力，使小说缺乏深厚的思想内蕴；人物形象也显得单薄，无法产生感人的艺术魅力；叙事的模式化也大大降低了作品的艺术品位。

In his literary and dramatic works, Lessing expressed the thoughts to Enlighten and foster the national sprit and even to set up an integral national civilization; what"s more, he opposed the feudal separationist rule with his ideal of Kosmopolitismus. At that time, after succeeding and developing European humanist tradition, Lessing formed his religious philosophy and religious tolerance, with his rational opinion, he deepened the profundity of German Enlightenment. Furthermore, he created townspeople"s drama and advocated the realistic aesthetics. On the one hand, he praised their disposition and expressed their political desire and class interest, which made the townspeople as a new motive force to the German Enlightenment. In addition, Lessing"s Enlighten. thoughts greatly influenced the following movement—Sturm Und Drang. The essence of Lessing"s thoughts is our common valuable prosperity.In a word. Germany then greatly needed a person like Lessing, and Lessing was the child of German Enlightenment.

面对法国文化长期统治德国文化界的现状，莱辛勇敢地站出来反对"法国化"倾向，对德意志全社会进行民族启蒙，通过戏剧理论及作品，表达了建立统一的民族文化、培植德意志民族精神的思想，同时他提倡世界主义，并用它来为民族主义服务，以反对当时德国的分裂割据；他的宗教哲学思想及宗教宽容精神继承和发扬了西欧的人文主义传统，反映了莱辛的理性观，也针砭了当时德国的时弊，是他对德国启蒙运动进行的有益的探索，拓宽了德国启蒙运动的深度；莱辛在实践中创作了市民剧，他的市民主义和现实主义美学思想弘扬了市民阶级的性格，表达了他们的政治愿望和阶级利益，为德国启蒙运动增加了新的动力，是莱辛所作的杰出贡献之一；莱辛的启蒙思想对后世特别是狂飙突进运动有着重大的影响，他的思想中的精华部分是人类的共同财富。

In his literary and dramatic works, Lessing expressed the thoughts to Enlighten and foster the national sprit and even to set up an integral national civilization; what"s more, he opposed the feudal separationist rule with his ideal of Kosmopolitismus. At that time, after succeeding and developing European humanist tradition, Lessing formed his religious philosophy and religious tolerance, with his rational opinion, he deepened the profundity of German Enlightenment. Furthermore, he created townspeople"s drama and advocated the realistic aesthetics. On the one hand, he praised their disposition and expressed their political desire and class interest, which made the townspeople as a new motive force to the German Enlightenment. In addition, Lessing"s Enlighten. thoughts greatly influenced the following movement—Sturm Und Drang. The essence of Lessing"s thoughts is our common valuable prosperity.In a word. Germany then greatly needed a person like Lessing, and Lessing was the child of German Enlightenment.

面对法国文化长期统治德国文化界的现状，莱辛勇敢地站出来反对&法国化&倾向，对德意志全社会进行民族启蒙，通过戏剧理论及作品，表达了建立统一的民族文化、培植德意志民族精神的思想，同时他提倡世界主义，并用它来为民族主义服务，以反对当时德国的分裂割据；他的宗教哲学思想及宗教宽容精神继承和发扬了西欧的人文主义传统，反映了莱辛的理性观，也针砭了当时德国的时弊，是他对德国启蒙运动进行的有益的探索，拓宽了德国启蒙运动的深度；莱辛在实践中创作了市民剧，他的市民主义和现实主义美学思想弘扬了市民阶级的性格，表达了他们的政治愿望和阶级利益，为德国启蒙运动增加了新的动力，是莱辛所作的杰出贡献之一；莱辛的启蒙思想对后世特别是狂飙突进运动有着重大的影响，他的思想中的精华部分是人类的共同财富。

This dissertation has 7 chapters. Chapter One introduces the tradition of historical narration in Chinese literature, discusses the relationship between fiction and historical narration, and the historical view of humanism in traditional novels. Chapter Two analyzes the historical view in contemporary red narrative, the origin of red historical compilation, hypo-realism in red novels of officers, and the features of taking personal narrative as revolutionary narrative etc. the song of youth is taken as an example to illustrate the secret of changing little burgesses narrative into revolutionary narrative. Chapter Three focuses on re-emergence and changes of enlightenment historical narrative and the historical sense of enlightenment. Tibet, implied times and the family of red corn are taken as examples to illustrate the features of changing from enlightenment historicism to new historicism. Chapter Four examines the phenomena and characteristics of new historicism narrative. The following chapter concerns the historical narrative by Yu Hua and Mo Yan, and historical sense of quasi-new historicism in Wang Anyi's Changhenge.

正文共分七章，第一章是对&中国文学中的历史叙事传统&的追溯：探讨了中国文学中&小说&这一文类与&历史叙事&之间的渊源关系，传统小说中的人本主义与生命本体论的历史观、其悲剧本质的历史诗学与美学理念、其循环论与非主流的历史伦理：第二章是对&当代红色叙事中的历史观&的分析：探讨了其&红色历史编纂学&的由来，红色官史小说中的&伪现实主义&、&把个人叙事装饰为革命叙事&的特点、其&革命&外表下装裹着的&旧式&的叙事模型等等，还以《青春之歌》为例分析了由小布尔乔亚叙事改装为革命叙事的奥秘：第三章是对&启蒙历史叙事的重现与转型&的梳理：分析了寻根文学中所包含的启蒙历史主义意识一一从最早的民俗学趣味、到寻根诗歌中&文化民族主义&的突然高涨、还有寻根小说中所包含的各种新型的历史思想，还以稍后的扎西达娃的《西藏，隐秘岁月》和莫言的《红高粱家族》为例，探讨了其由启蒙历史主义向新历史主义过渡的特点：第四章是对&新历史主义叙事的现象与特征&的分析，先是梳理了新历史主义文学思潮从八十年代后期到九十年代末期所出现的大量现象和演变的轨迹，而后分析了各种类型的新历史主义叙事的特征，其基本尺度、还有&新&与&旧&的关系等等；此后第五、六、七章分别就余华和莫言的历史叙事、还有王安忆的《长恨歌》中的类似新历史主义的历史意识进行了分析。

Among tragic novels,at first,by creating Unbalanced People,Hardy proved that at that time people were in division with society,nature,other people and theirselves,therefore,he made a new definition about """"people"""" and depicted the modern's basic outline:lonely,broken and pessimistic.Secondly,by courting persistently to """"Paganism Spirit"""",he not only criticized a great deal of drawbacks of Englightenment Modernityrdecrepit ethics,rigid reason,etc,but also drew the """"aesthetic""""prescription for the modern in predicament and called people to get back to t heir own existence,resume due status of perceptuality,impules and desire,etc.Thirdly,by profoundly conveying of pessimism,he revealed people's miserable situations under the violences of civilization and undependence after losing the God.Thus he refused the deformities of Enlightenment Modernity and enlightened people to look for new way of existence.At last,though dominated by realism,through the unique use of """"coincidence"""" and """"psychological depiction"""",his creation ,hi form,was somewhat similar with the modernism novels in the 20th century.

哈代在他创作的悲剧小说中，首先，通过对&非平衡性人物&的塑造，反映了当时的人们正处在与社会、自然、他人和自我的四重分裂状态中，由此他对&人&进行了重新的定义，描绘出了现代人的基本轮廓：孤独、破碎和悲观；其次，通过对&异教精神&的执着追求，他不仅批判了启蒙现代性的诸多弊端：衰朽的伦理道德、僵化的理性等等，同时，亦为困境中的现代人开出了&审美&的药方，呼唤人们回到自身的存在，恢复感性、冲动、欲望等的应有地位；第三，通过对&悲观主义&的深刻表达，他揭示了现代人的悲惨处境和失去上帝后的无所归依，从而拒绝了启蒙现代性的畸形规划，启示人们寻找新的存在之路；最后，虽然为现实主义所主宰，但通过&巧合&和&心理描写&手法的独特运用，他的创作又在形式上与20世纪的现代主义小说一脉相通。

The book includes, for example, Qu Yuan, a poet from Chu at the end of the Warring States Period in China, an outstanding statesman and the first great patriotic poet to be loved and esteemed by the Chinese people, and his long poem Lisao; Li Bai, the great poet of the Tang Dynasty, who has been honored as "The Immortal Poet," and his representative masterpiece extolling wine-drinking, Being Invited to Drink; Du Fu, the great Tang poet of realism in China, and his Expressing Feelings in Five Hundred Words on the Way to Fengxian County from the Capital, which is representative of his five-word poems; Su Shi, a great litterateur of the Song, one of the eight famous writers of the Tang and Song Dynasties, and one of his representative works, Prelude to Water Melody--The Mid-Autumn Festival; Li Qingzhao, the most famous woman poet of the Nansong Dynasty, and her famous ditty, The Plucked Blossom: The Gloom of Separation; and several other prominent poets.

譬如，本书中收录的诗人及其诗词包括：中国战国末期楚国杰出的政治家、深受中国人民热爱和景仰的中国历史上第一位伟大的爱国诗人屈原及其长篇诗作《离骚》；人们奉为&诗仙&的唐朝大诗人李白和他咏酒的代表杰作《将进酒》；中国唐代伟大的现实主义诗人杜甫及其五言诗代表作《自京赴奉先县咏怀五百字》；唐宋八大家之一的宋代大文豪苏轼及其代表作之一的《水调歌头--中秋词》；南宋最著名的女诗人李清照及其小令词作名篇《一剪梅》；还有一些其他著名诗人。

Of course, it must be admitted that the works on display at this Exhibition is not to confirm Mao Zedong Era as well as the art and lives of this Era, metaphored in the theme "Mountain Flowers in Full Bloom", but to provide a new orientation to deeply introspect the Era through re-representation of them in an artistic way. In my opinion, such new orientation is significant and meaningful because it opposes to the prevailing cynical standpoint of art that scoffs at and gets rid of that Era.

当然，必须看到的是，在本次展览中，&山花烂漫&所隐喻的毛泽东时代及其&革命现实主义和革命浪漫主义&相结合的艺术与生活，并不是这次的参展作品要去认定的一个事实，而是通过它们的再度呈现，为人们深刻反思那个&山花烂漫&的时代提供一个新的方向，而这个方向之所以重要和有意义，在我看来，正在于它与当下流行的那种以玩世不恭的艺术立场，来调侃和消解那个时代的方向是相对立的。

Neither the killing of Mr Zarqawi nor any breakthrough on the political front will stop the insurgency and the fratricidal murders in their tracks.

在对危险的南部地区访问时，他斥责什叶派民兵领导人对中央集权的挑衅行为。

In fact,I've got him on the satellite mobile right now.

实际上 我们已接通卫星可视电话了