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Since the new century, many masterpieces on understratum narration reach considerable height and depth, we can find from them the new potentiality and wider space of humanitarianism and great vigor of realism in understratum narration.

新世纪以来,许多底层叙述的优秀作品让我们看到了底层叙述可以抵达的高度与深度,看到了人道主义在当代语境中进行底层叙述的新的发展可能和越来越宽广的空间,同时也看到了现实主义底层叙述的巨大力量。

By the expounding in the four parts, this treatise outlines the background, status quo and vista of understratum narration in modernistic culture context, and reaches a conclusion that humanitarian solicitude and realistic standpoint are both the most important.

通过四个部分的论述,大致勾勒了底层叙述在现代性话语语境中的存在背景、目前现状以及未来的发展前景,最终得出的是底层叙述不可或缺的两翼——人道主义精神关怀和现实主义表述立场。

Perhaps in such situation, the difference between China's realism and utopianism is that: only being with various wills and violence, could it have more unique and obvious vigor.

或许在这种情境中,中国的现实主义和乌托邦主义生存的环境差异也正在于:只有在一个由各种所谓的意愿/暴力交织的现场,才会充满了更为独特的、明显的活力。

With an introduction outlining the use of the body in Greek art from the prehistoric simplicity of Cycladic figurines to the realism of the Hellenistic age, seven thematic sections then feature stunning photographs of close ups taken from the British Museum's outstanding collection of marble, bronze and terracotta sculpture.

一个介绍,概述了在希腊艺术机构,从史前的基克拉迪雕像使用简单的希腊化时代的现实主义,七个专题部分的功能,然后从大英博物馆的大理石,青铜和兵马俑优秀收集采取关闭窗口惊人的照片雕塑。

They performed consciously era's awful command, constructed their literary thought on the axes of political discourse: overstating literary societal political function, emphasizing literary class nature and party spirit, affirming to take over literary domanial discourse hegemony, carrying actively out "socialism realism", so that disregarding liter...

他们都自觉地执行时代的威严命令,建构了以政治为轴心话语的文艺思想:夸大文艺的社会政治作用,强调文艺的阶级性和党性,主张争夺文艺领域的话语霸权,积极推行&社会主义现实主义&,从而忽视了文艺自身的规律和独立性。

Taking as examples the dialogues on historical knowability in postmodernism and realism, the dialogues between different historical periods and the dialogues between various voices from different perspectives, this paper intends to tackle the colorful polyphonic features of Possession from all sorts of voices and consciousnesses to reveal the cause of controversies and conflicts in the criticism around the novel.

本文以《占有》中后现代主义和现实主义有关历史可知性的对话,各个历史时期之间的对话和多视角叙事为例,探讨了该小说中的众声喧哗的景象,以说明《占有》研究中存在大相径庭的各种解读的原因。

In the 1940s, the famous philosopher Pierce, founder of American practicalism and semiotics, distinguished icon, index and symbol. Peirce (1940) pointed out "Syntax in every language mirrors logic iconicity by means of conventional rules."

20世纪40年代,美国现实主义和符号学的创立者、著名的哲学家皮尔斯指出&每种语言的句法,借助约定俗成的规则,都具有合乎逻辑的象似性。&

To start with, realism was characteristic of his fables. The ways he chose his subject matters, produced images and expressed feelings were different from strong romantism basically characteristic of Zangzi's fables.

首先《韩非子》寓言具有鲜明的现实主义风格,其寓言在选材、形象的塑造和感情的表达方式上,均与以浓厚的浪漫主义风格为基本特色的《庄子》寓言形成鲜明的对比。

Dr. Teaney's Sinological research mainly concentrated on Confucianism, which corresponds to the rationalism and realism of Protestantism in a sense.

丁家立的汉学研究主要集中在孔子的儒家思想上,因为孔子的哲学思想一定程度上契合了其所信奉的新教的理性主义和现实主义。

Looking at it from an artistic perspective, although such exhibition in public spaces is indeed avant-garde, in actuality these uneducated, sloppily dressed, even filthy farmers can be found in every corner of the city, by the end of the 1990s they were already a reality visible everywhere.

二十世纪上半期的现实主义艺术为当时的底层社会建立了自己的话语权力,成为底层社会的代言人,并在之后成为一种平民主义的政治话语。

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在对危险的南部地区访问时,他斥责什叶派民兵领导人对中央集权的挑衅行为。

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