现实主义的

"Araby" from Dubliners This tale of the frustrated quest for beauty in the midst of drabness is both meticulously realistic in its handling of details of Dublin Life and the Dublin scene and highly symbolic in that almost every image and incident suggests some particular aspect of the theme.

都柏林人》：这则故事主题是在单调乏味的环境包围下对美的追求的挫败，故事既富于现实主义又富于象征主义，现实主义在于它细致入微的描述了都柏林的景观与生活，象征主义在于每一个意象每一件事都暗示着主题的某个方面。

In its broader context, social realism can be regarded as something of an international phenomenon, including the Wandering of Russian artists in the 19th century, the Mexican mural paintings of the 1930s and the so called Ashcan art of America, spanning from the turn of the 20th century to the 1930s. The difference between social realism and socialist realism is that the former is free from the influence of national ideology and control; it is the result of independent thought and criticism by freethinking intellectuals.

社会现实主义，从广义上讲应被视为一种国际现象，它包括19 世纪俄国"巡回画派"、1930年代墨西哥的壁画以及大体发生在美国世纪之交到30年代的所谓的"垃圾桶画派"，它与社会主义现实主义不同的是，前者不受国家意识形态和艺术体制的控制，它是自由知识分子对社会现实的独立思考和批判。

In its broader context, social realism can be regarded as something of an international phenomenon, including the Wandering of Russian artists in the 19thcentury, the Mexican mural paintings of the 1930s and the so called Ashcan art ofAmerica, spanning from the turn of the 20thcentury to the 1930s. The difference between social realism and socialist realism is that the former is free from the influence of national ideology and control; it is the result of independent thought and criticism by freethinking intellectuals.

社会现实主义，从广义上讲应被视为一种国际现象，它包括19 世纪俄国"巡回画派"、1930年代墨西哥的壁画以及大体发生在美国世纪之交到30年代的所谓的"垃圾桶画派"，它与社会主义现实主义不同的是，前者不受国家意识形态和艺术体制的控制，它是自由知识分子对社会现实的独立思考和批判。

This tale of the frustrated quest for beauty in the midst of drabness is both meticulously realistic in its handling of details of Dublin Life and the Dublin scene and highly symbolic in that almost every image and incident suggests some particular aspect of the theme .

：这则故事主题是在单调乏味的环境包围下对美的追求的挫败，故事既富于现实主义又富于象征主义，现实主义在于它细致入微的描述了都柏林的景观与生活，象征主义在于每一个意象每一件事都暗示着主题的某个方面。

The first part mainly introduces the definition, construction and appraisal of scientific theories. The second part analyzes the process of construction of neorealism. The third part, in static perspective, displays falsifiablilty, parsimony and logical coherence of neorealism that is the logical standard with which scientific theories must accord.

第一部分，从科学方法论的角度，总体介绍科学理论的概念、建构和评价；第二部分，解读新现实主义科学理论的建构过程；第三部分，从静态的角度考察新现实主义理论的"可证伪性"、"简约性"和"逻辑一致性"，上述三大特点是科学理论必须具备的逻辑标准。

Although realism, neorealism, idealism, neoliberal institutionalism and world system theory could be refereed sometimes in this study, these IR theories could not proved a systematic framework for studying EUs CTAI.

国际关系理论中的现实主义和新现实主义、理想主义和新自由制度主义以及世界体系理论虽然也为本文的研究提供了一定的借鉴，但都无法确立研究欧盟国际行为能力的系统分析框架。

Bakhtin points out that the main characteristic of Rabelais writhing is grotesque realism decided by culture of folk humor .

巴赫金认为拉伯雷的创作是一种怪诞的现实主义，其特征是极度的夸张、降格和双重性，而这些特征是源于民间诙谐文化，只有深入了解民间诙谐文化的形式、特征，尤其是它的深层本质，才能对拉伯雷的创作，对怪诞现实主义有更深一层的认识。

Among a few essays which are about the expressionistic techniques used in the play, they mainly focus on some of the expressionistic techniques such as stream of consciousness, dream, and some auxiliary stage devices, but there is no systematical analysis of the expressionistic techniques adopted in the play.

因此，本文试图从现实主义戏剧和表现主义戏剧的特点分析作品，从而在作品的整体结构，人物的刻画，舞台设计和语言使用上寻求理论支撑，进一步证明《推销员之死》是一出现实主义与表现主义完美结合的戏剧。

It is a paradox that at a time when the most critically esteemed western films were neorealist in style, the Japanese barely exported their supremely realistic home dramas or presented examples of a then-thriving tradition of left- leaning, socially conscious films.

矛盾的是，在大部分为评论界所尊崇的西方电影属于新现实主义风格之际，日本人却很少将其现实主义程度极高的家庭片推向海外，也鲜有关怀社会的左倾电影这一于日后兴盛之传统的范例。

DM Armstrong, Universals and Scientific Realism: Nominalism and Realism, II; F Copleston, History of Philosophy, II; R Seeberg, Textbook of the History of Doctrines; M deWulf, History of Medieval Philosophy, I; WGT Shedd, Dogmatic Theology; E Gilson, History of Christian Philosophy in the Middle Ages.

马克阿姆斯特朗，共性和科学的现实主义：唯和现实主义，二女copleston ，哲学史上的第一，第二； r seeberg ，教科书的历史理论；米dewulf ，历史，中世纪哲学，我； wgt谢德，教条式的神学电子商务吉尔松，历史上基督教哲学在中世纪。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。