现实主义

This tale of the frustrated quest for beauty in the midst of drabness is both meticulously realistic in its handling of details of Dublin Life and the Dublin scene and highly symbolic in that almost every image and incident suggests some particular aspect of the theme .

：这则故事主题是在单调乏味的环境包围下对美的追求的挫败，故事既富于现实主义又富于象征主义，现实主义在于它细致入微的描述了都柏林的景观与生活，象征主义在于每一个意象每一件事都暗示着主题的某个方面。

Chapter Five A Probe into the Creative Approach and Characteristics of thinking in A Dream of Red Mansions Since 1950s, scholars have been used to evaluate A Dream of Red Mansions from the perspective of critical realism which prevails in Europe in 19th century, and have not noticed the great differences between the two as to creative motivation, purpose, the principle of faithful representation of real social life, typical examples and typical characters in the typical environment, real details and several other important respects. It is inappropriate to evaluate the thoughts and artistic value of A Dream of Red Mansion simple with crtical realism as the only criterion.

第五章 《红楼梦》的创作方法和思维特征辨探五十年代后习惯以欧洲十九世纪批判现实主义标准衡量《红楼梦》，没有注意两者之间在包括创作动因和目的，忠实地再现社会现实生活的原则，典型和典型环境中的典型性格，细节真实等几个重要方面都有着很大差异，简单地以批判现实主义的标准去评析《红楼梦》的思想艺术是不合适的。

"Dead Souls" is the Russian critical realism, the cornerstone of literary development, but also the development of Gogol's creative pinnacle of realism.

死魂灵》是俄国批判现实主义文学发展的基石，也是果戈理的现实主义创作发展的顶峰。

His literary idea is also embodied in his comments on classic writers. Pushkin and Gogol, generally believed to be realistic writers, are considered to be nonrealistic by Nabokov, who has established the reliable literary traditions for his creation.

纳博科夫的文学观念也反映在他对经典作家的论述之中，通过将普希金、果戈理等普遍认为的现实主义作家解释为非现实主义的作家，纳博科夫为他的艺术创造确立了可以依赖的文学传统。

Realism faces the challenge from the transmission of popular low-brow culture and the disorder of art market and the high-brow art forms are impacted severely by such popular low-brow culture and such disorder, so that the realistic art just with the realistic skills and without the culture spirit and it is hard for people to distinguish the true characters of realism.

现实主义还有来自另外一方面的挑战：大众低俗文化的传播和艺术市场的无序，对高雅艺术形成不小的冲击，致使徒有写实技巧而缺乏文化精神的写实艺术泛滥，从而使人们难以分辨现实主义的真正品格。

Andthey bagan to take great effort to painting those things from life they felt "have fun"and "have no fun", using the tone of calmness, impersonality, and even jocosity,slef-mockery.

本文第二部分从新生代油画容易被理解为现实主义的回归——回归生活、回归写实这一角度入手，分析新生代油画与传统现实主义油画的区别与联系，从而体现新生代油画的艺术特征。

This paper is trying to make a comprehensive and systematic study on the following subjects: the development history of Latin-American Magic-Realism and its acceptance in China; the relationship of Latin-American Magic-Realism and Chinese literature in the new period.

本文试图在这一影响取得时间距离后，重新在新时期中国文学发展的历史潮流中，以拉美魔幻现实主义为参照系，对拉美魔幻现实主义的发展，在中国的接受情况及与新时期中国文学的关系作一个全面的梳理。

These two concepts don't play critical roles in the theoretical system of offensive realism, but through a deep analysis of them based on history and reality, an ulterior logical paradox of offensive realism will be exposed.

在进攻性现实主义的理论体系中，这两个概念并不占有重要的地位，但是在历史和现实的基础上通过对它们的剖析却能揭示出进攻性现实主义一个比较隐蔽的逻辑悖论。

Although Eliot's idealistic impulse has been noted before, how it can be reconciled with her avowed realist aesthetics and how shall one view it within the mid-Victorian artistic atmosphere is a new question.

虽然有关艾略特理想化倾向的说法早已有之，如何解释这种倾向与其现实主义承诺的关系、与维多利亚时期的现实主义与理想主义之争的关系却是一个新课题。

George Eliot: Harmonizing Idealism and Realism——Reexamined Within the Framework of Mid-Victorian Realism Abstract This dissertation is a study of Eliot's idealism in relation to the prevalent debate during the mid-Victorian period on two artistic modes—realism and idealism.

乔治〓艾略特：理想主义与现实主义的"调合"—维多利亚中期现实主义背景下的重新审视本文试图在维多利亚中期两种主要艺术模式之间论争的大背景下探讨乔治〓艾略特的理想主义因素。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。