现在式

That night, on going to bed, I forgot to prepare in imagination the Barmecide supper of hot roast potatoes, or white bread and new milk, with which I was wont to amuse my inward cravings: I feasted instead on the spectacle of ideal drawings, which I saw in the dark; all the work of my own hands: freely pencilled houses and trees, picturesque rocks and ruins, Cuyp-like groups of cattle, sweet paintings of butterflies hovering over unblown roses, of birds picking at ripe cherries, of wrens' nests enclosing pearl-like eggs, wreathed about with young ivy sprays.

而现在，我在黑暗中所见到的理想画面成了我的盛宴。所有的画作都是出自我的手笔，潇洒自如的房屋、树木铅笔画，别致的岩石和废墟，克伊普式的牛群，以及各种可爱的画：有蝴蝶在含苞的玫瑰上翩翩起舞；有鸟儿啄着成熟的樱桃；有藏着珍珠般鸟蛋的鹪鹩巢穴，四周还绕着一圈嫩绿的长春藤。

Wu Hong: We have talked for a long time, now we can make a short review. Actually in the review I found something interesting: you have always tried to understand art in your own way, from the period that you were receiving college education, up to the time you stayed in Dongcun Village or your living in Italy. That is why you seem to be out of "step with" the situations at different times.

吴鸿：从与你谈话到现在，我们可以做一个简单的回顾，实际上在这个回顾的过程当中，我发现了一个特点：从你在接受学院式的教育期间，到你在东村期间，以及你在意大利生活的这段期间，你都是在按照自己的方式去理解艺术，从而似乎都与你当时所处的环境有那么一点"不合拍"。

Beira-style self-flagellation act crazy and did not let Edward change her mind and this time, young Jacob appeared uninhibited pale in her world, though he knows the hearts of otherwise Beira others, or affectionately to accompany and protect her.

贝拉自虐式的疯狂举动并没有让爱德华回心转意，这时，年少不羁的雅各布出现在她苍白的世界里，他虽知贝拉心中另有他人，还是深情地陪伴、保护着她。

But now, after over 100 years, the undead count has risen from his grave as Vladimir Draco, thirsting for blood and revenge.

但是现在，百年之后，不计其数的Vladimir Draco式不死族从坟墓中爬出，它们渴望鲜血和复仇。

Behind the romantic eroticism of The Dream Records of Witness and Why Does Sunset Make Us So Beautiful, we still can see the violence and the hidden bloodiness. In the works from 2004 to 2005, in the lazy, depressed, irritable and uneasy emotions, the treatment of figures and time-space got new significance. However, the metaphor of neo-expressionism became the monologue-like means of his psychological pouring out, using today's popular colors and images and striving to make them getting rid of the "plane" narrative logic.

有关目击者的梦境》、《夕阳为什么让我们如此美丽》，出现在画面浪漫的情色背后我们仍可以看到暴力和隐藏的血腥。2004年至2005年的作品中，在慵懒、低迷、烦躁和不安的情绪中，人物和时空的处理有了新的意味，虽然新表现主义的隐喻感成为他内心独白式的心理倾诉手法--利用当今的流行色彩和图像，又极力使它们摆脱"平面化"的叙述逻辑。

But he is a bogeyman from a bygone age.

但是现在有关自由市场的一切都是过去式了。

After more than one century, the technology of telecommunication is from the single line exchange and the artificial exchange to the program-controlled exchange, the communication business has become one of the largest bossiness in the world.

从简单的单线式、人工交换方式到现在的数字化、程控交换方式，经过一个多世纪的发展，电话通信已经成为世界范围电信业务量最大的一种通信方式。

It only takes him a minute or two to braze the broken pneumatic limbs of his iron beasts.

现在只需一两分钟就可以焊接他那些钢铁巨兽的气压式四肢了。

Now I can swim breaststroke over 50 meters.

我现在已经会用蛙式游超过50公尺了。

Although the spartan room in the brownstone on Rue La Bruyère had witnessed a lot of suffering, Silas doubted anything could match the anguish now gripping his pale body.

虽然布吕耶尔街上那褐色的斯巴达克式石屋已经见证了无数的苦难，但塞拉斯却觉得他现在的痛苦才是世间最难堪的。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。