现代派

Abstractionist painting is the avant-garde of the modernist art , representing a major breakthrough of 20-century painting.

抽象主义绘画是现代派艺术的代表，是廿世纪绘画发展的重大突破，但在我国尚缺乏必要的研究。

With regard to artistic forms,the Absurdist Fiction became the main source of modeling,inspiration and influence.

在小说领域，萨特和加缪的存在主义小说、海明威和其他许多现代派作家的虚无主义故事都演绎了这一主题。

The twentieth century, to Apollinaire, Wilder, Pirandello, Brecht, Japan and Chennai, represented by such a large number of modernist writers, have launched an attack on the illusion of Marxism utmost to get rid of in order to fourth block theatrical illusion for the characterization of the wall, but their specific tactics are different.

二十世纪以来，以阿波利奈尔，怀尔德，皮兰德娄，布莱希特，日奈等一大批现代派剧作家为代表，都向幻觉主义发动了攻击，竭力破除以第四堵墙为表征的戏剧幻觉，但他们的具体手法却各不相同。

The form discussion studies Liang Zongdai and Ye Gongchao respectively introduced and spreaded the French imagism and British and American formalism. The Poem special issue in the literature and art supplement of Ta kung Pao Newspaper and New Poetry organized twice discussions in poetic forms. The pure poetry school introduced that the modernists introduced the western and ancient pure poetry theories: from Baudelaire, Mallarme, Vale'ry, H. Read, A. Bremond to J.M. Murray, and the basic idea and difference of pure poetry. Besides, a lot of modem poets became greatly interested in pursuit heat of the pure poetry in late Tang and Nan Song dynasties, studying the development and variation of pure poetry. Music theory argues that modernists make introduction and reform on the western and Chinese music theory. He Qifang and Bian Zhilin continue the topic to the contemporary time, and put forward the theoretical frames in Chinese poetry. Rhyme and rhythm theory make researches on the introduction and reform of French symbolism and British and American modernists' rhyme and rhythm theory, making studies on the Chinese new form poetry and its thyme and rhythm theory.

纯诗论是形式论的重心；对西方和古代的纯诗理论之引入，引进了从坡到波德莱尔、马拉美、瓦莱里、默里、里达、白瑞蒙的纯诗理论；纯诗理论的基本内涵与差异；诸多现代派诗人掀起了晚唐南宋纯诗热，对姜夔、严羽作了新的理解；对纯诗理论的发展和变异，含梁宗岱的现象学形式论，何其芳的唯美论与形式论，现代派诸人的诗本体论；梁宗岱对纯诗理论的中国化研究，含梁宗岱的超越性与形式性，"超验"与"妙悟"的比较研究与形态超脱性的比较研究；中西纯诗形态的超脱性等；现代派纯诗论是对初期白话诗理论的清算，对新月派、象征派探索的总结和发展，音乐论是对纯诗论的延伸和对格律论的发展；现代派引入研究了西方诗学音乐论理论，含坡、瓦莱里、里德的纯诗音乐论、抽象音乐论、各种具体的音乐论技术论点；引入了中国古代诗学中关于诗与音乐、音韵、音顿、音义、平仄双声叠韵等音乐的理论；进行了两次关于新诗音乐论的大讨论；在节奏、音顿、音韵三方面借鉴了西方的理论，同时改造了古代的格律理论，扬弃了平仄说，何其芳、卞之琳把新诗音乐论命题延续到当代，提出了汉诗音乐论的理论框架。

There is a saying that literature somehow aims at studying human, which gives a faithful representation of the life and the thought of mankind.

一、有关现代派文学的基本知识现代派文学是19世纪80年代出现的、20世纪20年代至70年。。。

In a sense, mod-ernists have a different sense of plane from the ancient genernations. Withsome exception, it is unanimous that the flatting is the main character of mod-ern art. In the terms of structure. it should be a deep structure.

从这个意义上说，现代派绘画在本质上具有与早期绘画不同的平面意识，除了极端的例子，平面化作为现代派绘画的主要特征却是不争的事实，从结构主义的观点来看，它应算作绘画的另一个深层结构。

The oversea modern school literature hese works have their given aged background,and have creativetechniques which are different from critic- practicalism,we must definitude that in teaching practice, because that works is constituted for didactical contents,then we understand this part imply that we know and grasp the main characteristic of modern school literature.

外国现代派文学作品，有着与批判现实主义作品迥然不同的创作手法，在教学实际中，必须明确这一点，这是教学内容的主体部分，了解了这一部分，就了解和把握了现代派文学的主要特征。

The chapter of criticism studies the relationship and poetry criticism between the modernists and the western new criticism.

批评篇研究现代派与西方新批评的关系和诗评，资料篇研究本文发现的现代派诗刊。

Today, I'm sorry to say, there still remains a gulf between those obsessed by forms (and Classicists can be as guilty of this as Modernists, Post-Modernists, or Post-Post-Modernists), and those who believe that communities have a role to play in design and planning.

对不起，今天我还是要说，对于形式样式走火入魔的一派（这一点，古典主义派和现代主义派，以及后现代派，后-后现代派都是一样的，谁也逃不了干系）和那些坚信社区应该在建筑设计和规划中应当发挥作用的一派，这两派之间的巨大鸿沟依然存在。

The form discussion studies Liang Zongdai and Ye Gongchao respectively introduced and spreaded the French imagism and British and American formalism. The Poem special issue in the literature and art supplement of Ta kung Pao Newspaper and New Poetry organized twice discussions in poetic forms. The pure poetry school introduced that the modernists introduced the western and ancient pure poetry theories: from Baudelaire, Mallarme, Vale'ry, H. Read, A. Bremond to J.M. Murray, and the basic idea and difference of pure poetry. Besides, a lot of modem poets became greatly interested in pursuit heat of the pure poetry in late Tang and Nan Song dynasties, studying the development and variation of pure poetry. Music theory argues that modernists make introduction and reform on the western and Chinese music theory. He Qifang and Bian Zhilin continue the topic to the contemporary time, and put forward the theoretical frames in Chinese poetry. Rhyme and rhythm theory make researches on the introduction and reform of French symbolism and British and American modernists' rhyme and rhythm theory, making studies on the Chinese new form poetry and its thyme and rhythm theory.

纯诗论是形式论的重心；对西方和古代的纯诗理论之引入，引进了从坡到波德莱尔、马拉美、瓦莱里、默里、里达、白瑞蒙的纯诗理论；纯诗理论的基本内涵与差异；诸多现代派诗人掀起了晚唐南宋纯诗热，对姜夔、严羽作了新的理解；对纯诗理论的发展和变异，含梁宗岱的现象学形式论，何其芳的唯美论与形式论，现代派诸人的诗本体论；梁宗岱对纯诗理论的中国化研究，含梁宗岱的超越性与形式性，&超验&与&妙悟&的比较研究与形态超脱性的比较研究；中西纯诗形态的超脱性等；现代派纯诗论是对初期白话诗理论的清算，对新月派、象征派探索的总结和发展，音乐论是对纯诗论的延伸和对格律论的发展；现代派引入研究了西方诗学音乐论理论，含坡、瓦莱里、里德的纯诗音乐论、抽象音乐论、各种具体的音乐论技术论点；引入了中国古代诗学中关于诗与音乐、音韵、音顿、音义、平仄双声叠韵等音乐的理论；进行了两次关于新诗音乐论的大讨论；在节奏、音顿、音韵三方面借鉴了西方的理论，同时改造了古代的格律理论，扬弃了平仄说，何其芳、卞之琳把新诗音乐论命题延续到当代，提出了汉诗音乐论的理论框架。

Breath, muscle contraction of the buttocks; arch body, as far as possible to hold his head, right leg straight towards the ceiling (peg-leg knee in order to avoid muscle tension).

呼气，收缩臀部肌肉；拱起身体，尽量抬起头来，右腿伸直朝向天花板（膝微屈，以避免肌肉紧张）。

The cost of moving grain food products was unchanged from May, but year over year are up 8%.

粮食产品的运输费用与5月份相比没有变化，但却比去年同期高8％。