现代性的

This shows that tradition become weaken and modernity augmentative .In area of city and countryside union , after urbanizing.

这是快速城市化过程中城乡结合部传统性削弱，现代性增加的外在表现。

Chapter three analyzes it's cultural and social capital theoretically in order to sum up the modernity transformation theory of it.

第三章从理论高度分析清真餐饮业的文化与社会资本，总结出清真餐饮业现代性转型理论。

In the late capitalistic society,the modern crisis of law emerged.

在晚期资本主义时期，出现了法律的现代性危机。

Mao ze-dong's literaure thought influenced confoundedly the construction of Chinese literaure theories and structure of ancient literature research structure.

这一时期知识分子选择了社会主义现代性，爱国主义是他们转变的情感基础。

The appearance of consumerism is a modern affair.

消费主义的兴起是一个现代性事件。

This dissertation is divided into parts in discussing the modernistic features of John Donne.

该文从上下两篇论述多恩的现代性特征。

However, during New Trend '85, Gu Wenda differentiated himself from most artists of Chinese Painting of the time and showed his contemporary consciousness by experimenting on traditional ink painting materials and techniques. This brought out a new possibility for the contemporaneity of Chinese Painting. Since then, unremitting efforts have been made to "modernize" Chinese Painting through traditional abstract elements like ink-wash and Calligraphy. These efforts streamed into a new trend called "modern ink"(or "abstract ink","experimental ink") in late 1980's, though seemed not widely acknowledged for its resemblance to Abstract Expressionism of 1960's and 1970's American art. What is interesting is that while some artists are endeavoring to "westernize" their art, a new trend grouped as "Neo-literati Painting" appears with very traditional form and mood. This can be explained as a group of people's resistance to the reformation of traditional culture as well as their nostalgia to traditional ideals. However, this school tends to be artificial for the absence of the particular context, and the expression with traditional brushwork is also regionally limited. Of all the efforts of reformation, Chinese Painting that accordingly adopts the tradition heads the list because of the cultural identification of the big number of population and greater market as a result of the economic growth of China. Meanwhile, the immense conservative inertia of traditional Chinese culture can also be detected.

在"现代艺术"风起云涌的"85新潮"中，谷文达以传统水墨的材料和方法表达出不同于当时大多数中国画艺术家们这种文化心态和文化认知的现代意识，为中国画的现代性提供了一种方案；以水墨、还有选择中国传统书法的抽象因素等可能来进行现代性探索，一直是中国画连绵的努力，在80年代后期汇聚成"现代水墨"（又或曰"抽象水墨"、"实验水墨"），是中国画的又一流向，但是不是没有脱离60、70年代美国的"抽象主义"意义，反而还有了拾人牙慧之嫌，所以始终难以获得更大的认可和成功；很有趣的是，与此"西化"流向同时的，还有以非常传统的方式出现的"新文人画"潮流，或许可以把这看着是部分中国文化人在中国以西方为参照的新文化背景下对之的抵制，对传统理想的怀念和诉求，但由于已经失去了其语境和环境，"新文人画"显得娇情和造作，而且这种以非常地域化的传统笔墨语言来表现的方式也失去了更为普遍化的可能；反而是延续传统一脉的国画，由于有巨大的人数基础的本土文化的认同，在中国经济发展后有了更大的市场，所以还是蔚然为中国画的一大潮向，从这也可以看到中国文化承传的保守性的力量。

Unacademic trend is gathering up because of intervention of mass media, one hand is civilian literatura criticism that is far from obscure modern and post modern concept or theory category, and gentle to readers, the other hand is banishing deepness so that animadversion on culture and literature leads to absence of real criticism.

大众传媒的介入，使文学批评的非学理倾向逐渐增强：一方面是平民化文学批评倾向明显，没有现代性和后现代性等晦涩的概念和理论范畴，注重文本对读者的亲和力；另一方面，深度的放逐，批评批判化的倾向出现，导致真正批评的缺席，没有比较中和的批评互补，不能推出新的典范。

First, when making the analysis to Contemporary China\'s television words system, always based on the macroscopic perspective in this article, especially in globalization age, I will look into the system in the relationship among the dynamic structural relations of whole politics, the economy, the culture in global community, and will carry on the explanation by using the correlation theories such as the modernity, post-modernity, the modern nation-state, the industrial competition, the globalization, as well as many modern culture theory and so on. Next, this article I considered the special cultural status of TV culture in the entire big cultural structure, in the meantime, I also considered the affiliation and the general character with other cultural type contacting. Finally, what compositing the writing frame is a spreading process structure:"environment→disseminator→information product→receiver→environment".

在本文中，这种&结构分析&具备三层涵义：首先，在对当代中国的电视话语系统作分析时，始终都以宏观的视野作依托，尤其是从全球化进程中的政治、经济、文化等动态的结构关系中去加以观照，并运用相关理论(如现代性、后现代性、现代民族国家、产业竞争、全球化等)进行阐释；其次，既考虑到了电视文化在整个大文化结构中的特殊地位，又考虑到了它与其它文化类型的联系及共性；最后，组成本文写作框架的是下述传播过程：&环境→传者→信息产品→受者→环境&。

The study leads us to unveil one essential historical fact: as an aesthetic and literary movement, romanticism (either in the English or in the Chinese context) is virtually a product of the so-called project of modernity; however, conditioned by different cultural, social and historical specificities, the romantic movements in the English context and the Chinese context respectively display a different two-sidedness.

通过这种比较研究我们发现了一个基本的历史事实：作为一种文学和美学运动的浪漫主义无论是在东西方语境中都是以主体性原则的确立为核心的现代性工程的产物；但是在现代性工程这一宏大的历史背景之下，中英两国的浪漫主义思潮又因其各自具体的文化、社会和历史等因素的影响和制约而分别呈现出了各自独具特色的两面性。

However, as the name（read－only memory）implies, CD disks cannot be written onorchanged in any way.

然而，正如其名字所指出的那样，CD盘不能写，也不能用任何方式改变其内容。

Galvanizes steel pallet is mainly export which suits standard packing of European Union, the North America. galvanizes steel pallet is suitable to heavy rack. Pallet surface can design plate type, corrugated and the gap form, satisfies the different requirements.

镀锌钢托盘多用于出口，替代木托盘，免薰蒸，符合欧盟、北美各国对出口货物包装材料的法令要求；喷涂钢托盘适用于重载上货架之用，托盘表面根据需要制作成平板状、波纹状及间隔形式，满足不同的使用要求。