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现代性

与 现代性 相关的网络例句 [注:此内容来源于网络,仅供参考]

Because of the abstractness and market economy as the result of modernization, hospital human care is absence and be omitted.

。由于受现代性的后果——抽象性和市场经济的影响,医院人文关怀缺失和被疏漏。

Actually, if we want to seriously discuss about 'Modernity', we'll find out that this issue has an awkward situation in China. Let's forget about the sociological issues and let's simply start from visual arts. The old generation of artists who brought western arts to China, actually brought along western classic arts academism that is just small part of western classic art, and it's far of being exhaustive. Furthermore, what they brought along went through many changes due to the contact with revolutionary realism and local culture. The result of this process was what was called "Modern Art" in China. After having arrived in China, a part of the western artistic academicism became "Chinese Modern Arts" and this misplacement still exists. Perhaps it comes from a creative misreading, however whether it has the capability of becoming an independent system or not, still remains uncertain.

事实上,当我们想认真的讨论"现代性"时,就会发现这一问题在中国有着极其尴尬的处境,且不谈社会学角度,从视觉艺术这个很小的角度切入,将西方艺术带入中国本土的老一代艺术家们带来的其实是西方学院派的艺术,是西方古典艺术的尾巴或被革命现实主义化了的西方古典艺术,而被带入中国本土后却被称为"现代艺术",直至今日当代艺术在西方的学理支撑到了中国本土变成了被断章取义的只言片语,这其间"错位"一直存在着,或许这是一种有创造性的误读,但误读的主体是否具有独立消化能力的系统值得商榷。

He reveals the acceleration of gravity accompanied with the thought falling down from the cliffs. The glittering surface not only expresses the meaning of the image itself, but the process of the negation and extension of the significance. Anti-visual focus becomes a method to overthrow the identity and the modernity, which results in the uncertain world of the future.

他让人们看到了思想从悬崖边坠落的重力加速度,波光粼粼的褶皱传达出来的不仅仅是图像本身的意义,更让人感受到了意义被否定并无限延异的过程,反视觉中心成为他瓦解主体性与现代性的一种策略,其结果是人们看到了一个不确定性的未来世界。

To a certain extent. Fang Zhenning is a fetishist. A lot of what he shoots is modern architecture-humanity's greatest achievement since the industrial age. it is no longer simply buildings. but symbols of the modern age. but his lens peels from actual objects all their normal characteristics-weight. bulk. smell. time. continuity and meaning-and through enlargement. intercepting details creates a kind of concrete abstraction. allowing the actual object to exist in another state.

在某种程度上,方振宁是一个拜物教徒,他拍摄的多是现代建筑物——工业时代以来人类最庞大的创造,它们已不是单纯的建筑,而是现代性的象征物,但是他的镜头把实际物体通常的特性——重量、体积、气味、时间、连续性以及意义——剥下,以放大、截取细部的方式造成一种具像的抽象性,让实际物体以另一种状态存在。

A musical understanding and aesthetic point of view, to clarify the minimalist music that marked the beginning of the performance and aesthetic understanding of the emotional distance, abandoned the doctrine of abstract music, incomprehensible "aesthetic" so that modernity and aesthetics of music to be coordinated and balanced .

就音乐的理解和美感的角度而言,简约主义音乐厘清了滥筋的情感表现和美感理解的距离,离弃了不可理喻的抽象主义音乐的"美感",使音乐的现代性和美感得到协调和平衡。

In his thoughts, the beauty is released from its leaning on rationality and arrives at aestheticism.

但是,席勒的意义不止于此,他还是对现代性进行审美批判的审美主义第一人,也是超越主体性的主体间性美学的鼻祖。

First, when making the analysis to Contemporary China\'s television words system, always based on the macroscopic perspective in this article, especially in globalization age, I will look into the system in the relationship among the dynamic structural relations of whole politics, the economy, the culture in global community, and will carry on the explanation by using the correlation theories such as the modernity, post-modernity, the modern nation-state, the industrial competition, the globalization, as well as many modern culture theory and so on. Next, this article I considered the special cultural status of TV culture in the entire big cultural structure, in the meantime, I also considered the affiliation and the general character with other cultural type contacting. Finally, what compositing the writing frame is a spreading process structure:"environment→disseminator→information product→receiver→environment".

在本文中,这种&结构分析&具备三层涵义:首先,在对当代中国的电视话语系统作分析时,始终都以宏观的视野作依托,尤其是从全球化进程中的政治、经济、文化等动态的结构关系中去加以观照,并运用相关理论(如现代性、后现代性、现代民族国家、产业竞争、全球化等)进行阐释;其次,既考虑到了电视文化在整个大文化结构中的特殊地位,又考虑到了它与其它文化类型的联系及共性;最后,组成本文写作框架的是下述传播过程:&环境→传者→信息产品→受者→环境&。

Heidegger's mode of reading of Marx'sthought could help re-disclose Marx's critique of modernity,and re-present his own critiqueof modernity.

在我们看来,读解海德格尔对马克思的这种解读,不仅有助于人们重新发现马克思的现代性批判思想,同时也有助于再现海德格尔现代性批判的独特性。

The study leads us to unveil one essential historical fact: as an aesthetic and literary movement, romanticism (either in the English or in the Chinese context) is virtually a product of the so-called project of modernity; however, conditioned by different cultural, social and historical specificities, the romantic movements in the English context and the Chinese context respectively display a different two-sidedness.

通过这种比较研究我们发现了一个基本的历史事实:作为一种文学和美学运动的浪漫主义无论是在东西方语境中都是以主体性原则的确立为核心的现代性工程的产物;但是在现代性工程这一宏大的历史背景之下,中英两国的浪漫主义思潮又因其各自具体的文化、社会和历史等因素的影响和制约而分别呈现出了各自独具特色的两面性。

Thirdly, as to modernity of Chinese literature, based on the discussion of China and the West,tradition and modernity, it reveals their competition in the field of May 4th literature, theconfrontation, respective dilemma and final fusion of the east and west discourse. Finally,viewing the overseas Chinese critics as a whole, this thesis, taking C.T.

第三,在中国文学现代性问题上,以关于中与西、传统与现代的讨论为基础,揭示双方以&五四&文学传统为场域展开的角逐以及在中国文学现代性讨论中的中西话语交锋、各自的困境和最终的融合。

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