现代

In the modern concept of education and information technology strategy under the guidance of the school actively promote the education reform, the realization of the first multi-media teaching into every classroom, to highlight the "digital campus" building, in order to explore the modern information technology widely used for the characteristics of help Students carried out in cooperation with the inquiry-based learning a new system of teaching and student self-study courses at the core of the new system.

在现代教育观念和信息化策略的引导下，学校积极推行教育教学改革，率先实现多媒体教学进入每一间教室，突出"数字化校园"的建设，探索以现代信息技术的广泛应用为特征、有助于学生开展探究与合作式学习的教学新体系和以学生自主研究为核心的课程新体系。

This article starts with a review of the history of the "Expression" conception in the Occident literature tradition,from which to conclude the base connotation of modern "Expression" conception in occident.Relying on this springboard,we analyses the history of the occidental modern plastic arts gradually ,then the naissance and development of the occidental modern plastic arts may boil down to a going-deep course driven by the "Expression" conception:the impressionism which had been pursuing sensual reality brought out a turning point from Representation to expression;Faurism accomplished the consciousness of Expression based on inheriting and criticizing Post-Impressionisme, and resisted the suppressant on Expression by Physical Image; the German Expressionism and Surrealism uplifted Expression at the same time they resisted Physical Image by "Nugatory Physical image"; From the apocalypse of Cubism,Suprematism and De Stijl tended towards Pure Plastic which excluded Physical Image completely,meaning that it had realized absolute Expression in the range of plastic;After WW II,artsists in western detected that Pure Plastic had actually suppressed Expression newly,as a result of Abstract-Expressionism and Mirnirnaliam Art,Expression broke away from Pure Plastic gradually to seek some new possibilities other than plastic.

本文从对西方文艺传统中的&表现&观念的历史考察着手，归纳出西方现代&表现&观念的核心内涵，以此为基点来逐步分析西方现代造型艺术史，进而将西方现代造型艺术的产生与发展归结为在&表现&观念驱动下不断递进的历史进程：印象主义对感觉真实的追求为造型艺术由再现走向表现打开了缺口；野兽派在继承和批判后印象主义的基础上首次实现了表现的自觉，并在艺术中反抗物象对表现的压迫；德国表现主义与超现实主义以不彻底的&否定性物象&来张扬表现反抗物象；至上主义、风格派等则在立体主义的启示下走向完全排斥物象的纯粹造型，在造型的范围内实现彻底的表现；二战后的西方艺术家们察觉到纯粹造型已经掉转头来形成新的对表现的压制；经由抽象表现主义、最低限艺术，表现逐步摆脱了纯粹造型，寻求造型之外的新的表现可能。

Exploiting new water and soil resources, improving water and soil use efficiency and digging up the potential of water and soil are important to develop modem forest production. The common feature of building new shelter belt system in different areas with extra emphasis on different facets of forestry is to combine ecologic benefit, economic benefi and social benefit into one. It fully gives expression to the common requirement of modem oasis forestry and modem agriculture.

开发新的水土资源，提高水土资源的利用效率，挖掘水土潜力发展现代林业生产；将生态效益与经济、社会效益结合，不同地区又有所侧重，是建立新防护林体系的共同特点，充分体现出现代绿洲林业及现代农业的共同要求。

To realize the modernization of man's moral quality, school education in ethics must be modernized.

它体现了现代德育的本体功能和内在价值，是现代德育的本质规定。人的道德素质现代化，是现代社会发展对人才素质的根本要求。

Comparing the sand wedge developing conditions of three stages of the Holocene in Diaojiaohaizi section with the sand wedge developing conditions on Qinghai-Xizhang Plateau and the environmental conditions in the southrn boundary of modern perennial frozen earth area in north area in northeastern China, this thesis hold that the temperature of the cold stages of the Holocene was only2-3℃lower than that of today.

将大青山调角海子剖面全新世三期砂楔与青藏高原现代寒冻裂隙发育的条件及我国东北现代多年冻土区南界的环境条件类比，认为全新世低温期时气温最多只比现代下降了2~3℃。

We have observed the structure of these dune sands and analyzed the grain-size,surface textural features and several main chemical elements of them,the results showed that:(1) these dune sands have some eolian structure characteristics which are similar to the recent dune sands;(2) they are also similar to the recent dune sands in grain-size components,and parameters of Mz,?滓,Sk and Kg,as well as in several main chemical components;(3) the scatter plots of Mz-?滓,SiO2-Al2O3+TOFE and the probability curves of grain-size showed that these paleo dune sands are different from paleosols and fluvio-lacustrine facies but are consistency with recent dune sands;and(4) the quartz sands have well roundness and some surface textural features such as dish-shape pits,crescent-shape pits,pockmarked pits,upturned cleavage plates,siliceous precipitates and siliceous crevasses,indicating that they had been carried for a long time by the wind.

对这些沙丘砂的沉积构造观察以及粒度、扫描电镜和常量化学元素分析结果表明：(1)这些沙丘砂具有与现代沙丘砂相似的风成沉积构造特征；(2)粒度及其参数--Mz、σ、Sk和Kg，以及主要化学组分SiO2、Al2O3和TOFE也与现代沙丘砂相近；(3)Mz-σ、SiO2-Al2O3+TOFE散点图和概率累积曲线显示这些沙丘砂与萨拉乌苏组中的河湖相、古土壤差别明显，而与现代沙丘砂一致；(4)石英砂颗粒具有良好的磨圆以及碟形坑、新月形坑、麻坑、上翻解理薄片、硅质沉淀和硅质裂纹等表面结构特征，反映其曾受持久的风力搬运作用。

This paper views these two novels as two experiments on the emerging modern individualism in the fiction world, which, through the experience of isolated individuals struggling in very difficult situations, explore the potentials and limitations of modem individualism. After these two novels are scrutinized by deconstructionist methodology, it is found that from the very origin of modern novels there exists a bewilderment of and even challenge to individualism.

本文将这两部小说看作是新生的现代个人主义在艺术世界中所进行的两个&试验&：它们通过考察孤立个体在生存极境中的遭遇，检视了现代个人主义所能创造的辉煌和可以企及的极限；而运用解构主义的分析方法可以发现，现代小说自源头起就潜藏着对个人主义的困惑和质疑。

It is pointed out that these modern versions are also modern dramatists'rediscoveries, reinterpretations and reinvent...

这些现代翻版都是把莎剧置于现代社会的意义和价值结构中，置于现代剧作家的主体透视之下，对莎剧所作的再发掘、再解释和再创造。

Investigation of the modern ink painting market is as important as the resea...

本文在界定现代水墨概念和简单梳理发展概况的基础上，结合中国当代艺术市场的大背景，从生产环节——艺术家，评价环节——理论家和策展人，流通环节——画廊、展览、拍卖行入手调查分析现代水墨的市场现状和存在的问题，并深入探讨现代水墨市场良性发展的途径和对策。

Based on the analysis of The Magician of Lublin by Issac Bashevis Singer, the American Jewish writer, this thesis is to spotlight on the western spiritual puzzlement Jewish writers often concern themselves with, on the solution to their spiritual problems, and to discuss the universality of the solution in modern Western society.

本文通过对美国现代犹太作家艾·巴·辛格的小说《卢布林的魔术师》的解读，分析了现代犹太作家所关注的西方文化中的精神困惑，揭示出了作者在小说中探讨的精神困惑之出路对现代西方社会的普遍意义，并解释了其中包含的宗教因素的合理性。

She gently rebuff ed him, but agreed that they could be friends

她婉言拒绝了，但同意作为朋友相处。

If in the penal farm, you were sure to be criticized.

要是在劳改农场，你等着挨绳子吧！