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On the other hand what incensed him more inwardly was the blatant jokes of the cabman and so on who passed it all off as a jest, laughing 1530 immoderately, pretending to understand everything, the why and the wherefore, and in reality not knowing their own minds, it being a case for the two parties themselves unless it ensued that the legitimate husband happened to be a party to it owing to some anonymous letter from the usual boy Jones, who happened to come across them at the crucial moment in a loving position locked in one another's arms, drawing attention to their illicit proceedings and leading up to a domestic rumpus and the erring fair one begging forgiveness of her lord and master upon her knees and promising to sever the connection and not receive his visits any more if only the aggrieved husband would overlook the matter and let bygones be bygones with tears in her eyes though possibly with her tongue in her fair cheek at the same time as quite possibly there were several others.

253另一方面,他在内心深处更感到愤慨的是出租马车夫之流恬不知耻地开的玩笑。他们把整个事件当成笑料,肆无忌惮地放声大笑,装作对事情的来龙去脉了如指掌,其实他们心里糊里糊涂。这本来纯粹是两个当事人的问题,除非那位合法的丈夫收到密探的一封匿名信,说是就在那两人相互亲昵地紧紧搂抱着的关键时刻,给他撞上了,从而就促使那位丈夫去留意他们那暖昧关系,导致家庭骚乱。犯了过错的妇人跪下来向当家的告饶,只要这位受了损害的丈夫肯对此事抱宽恕态度,既往不咎,她就答应今后与那人断绝关系,再也不接受他的访问。她热泪盈眶,然而兴许长着一张标致脸蛋儿的她,同时还偷偷吐舌头呢,因为很可能还有旁的好几位哩。

Without him there might not have been a regional mystery as clever as Percival Wilde's Inquest, or an ironic study as able as Raymond Postgate's Verdict of Twelve, or a savage piece of intellectual double-talk like Kenneth Fearing's The Dagger of the Mind, or a tragi-comic idealization of the murderer as in Donald Henderson's Mr. Bowling Buys a Newspaper, or even a gay and intriguing Hollywoodian gambol like Richard Sale's Lazarus No.

没有他,很可能就没有象珀西瓦尔·王尔德的《传讯》那样设想巧妙的地域性疑案小说,或者象雷恭·波斯特盖特的《十二人的裁决》那样有力的讽刺作品,或者象肯尼思·菲林的《思想匕首》那样充满了模棱两可的言论的淋漓尽致之作,或者象唐纳·汉德逊的《波林先生买报》那样把凶手美化的悲喜剧,或者象理查·莎尔的《拉北路斯第七号》那样开好莱坞式愉快的玩笑。?

Recommend several films Tragedy: This classics shooting in 1997 film "Titanic ", not knowing the tear having deceived the whole world number people , is weepy work absolutely be worth watching "Cape number seven " volume not too long ago Taiwan film , box office are high Work "this killer is ignored not very" let person be difficult to be dismissed from self's mind, lens affection is very intense "Secret being able to not speak" maiden work , the person Zhou Jie Lun's fresh gimmick, let film affection reveal natural Comedy:"Big talk on travel west " the Zhou Xing Chi representative work having to speak , deep joke "The girl friend has had my Gothicism" to laugh at having a tear , has shown full one aspect being in love "The wheat takes responsibility for series film " the child is very childish very big and powerful "The imp manages affairs " making the undeaded insect expert suffer "Very consummate " the Zhang Zi Yi head undertakes the producer , city comedy Others:"Hali Porter ","eavesdrop stormy or unstable situation ","return to 17-year-old ",...

推荐几部电影悲剧:《泰坦尼克号》这部在1997年拍摄的经典电影,不知道赚了全球多少人的眼泪,绝对是值得一看催人泪下的作品《海角七号》不久前的一部台湾电影,票房高《这个杀手不太冷》让人难以忘怀的作品,镜头感情很强烈《不能说的秘密》周杰伦的处女作,其清新的手法,让影片感情流露自然喜剧:《大话西游》不得不说的周星驰代表作,深刻的玩笑《我的野蛮女友》有笑有泪,展示了恋爱的饱满一面《麦兜系列电影》很童稚很强大《小鬼当家》整蛊专家啊《非常完美》章子怡首担制作人,都市喜剧其他:《哈利波特》,《窃听风云》,《重返17岁》,《博物馆奇妙夜》。。。

Even though Deng Jianjin's early paintings were related to dreams, love, sex, pornography, peeking, and self-absorption, they provided no entertainment at all. Instead they gave a representation of exaggerated, dead serious, and even overcorrect individual heroism. They bore the historical baggage of China's 5000 years of civilization and all the suffering and oppression of Chinese people in modern Chinese history. They were a diligent and honorable means of salvation.By the end of 1990s, Deng Jianjin's series 'About the Witness's Dreams' continued to carry on his signature style of being 'expressive' and 'intimate', but cynicism and jokes had also started to prevail among his paintings heavy in colors and opened up a way out for 'sentimental youth' and 'heavy-hearted moods'. Ever since then, Deng Jianjin has obtained a sense of uninhibited freedom and been able to let his thoughts flow on this paintings.

邓箭今的早期作品虽然与梦境有关,与情色和色情有关,与偷窥和自恋有关,但却毫无娱乐性,是一种放大了的、极其严肃的、甚至是矫枉过正的个人英雄主义写照,它背负着五千年文明的历史包袱和近现代中国人民的所有压抑和苦难,是一种花大力气的、正派的拯救的方式。90年代末,邓箭今在《有关目击者的梦境》系列中,虽然延续了他一贯的"表现"和"私密"的话语风格,但是调侃和玩笑之风开始盛行于色彩拥挤的画面,并为"感伤的青春"和"忧心重重的情怀"开启了一扇透气的风门,从此,邓箭今游刃有余,思想得以自由穿行。

What I did is very straining at the beginning, often baffled by the question which the classmates put forward, For letting this piece with right titles and proper words I, I begin under lesson time study physics, The content that previews on one ' s own initiative followingly, dabble some knowledge after class, gradually, I can be calm in the face of various kinds of which everybody put forward at last Question, it wins physics of Beijing the first prizes of contest even the achievement unable term describe by speech sense, I have overcome the joke which is opened by the destiny with my own effortat last.

一开始我做的很吃力,常常被同学们提出的问题难倒,为了让我这个物理课代表能够当的名正言顺,我开始在课下时间研究物理,主动预习后面的内容,涉猎一些课外的知识,渐渐的,我终于能够从容的面对大家提出的各种问题了,甚至还获得了北京市物理竞赛的一等奖,那种成就感简直无法用语言形容,我终于用我自己的努力战胜了命运和我开的这个玩笑。

Even though Deng Jianjin's early paintings were related to dreams, love, sex, pornography, peeking, and self-absorption, they provided no entertainment at all. Instead they gave a representation of exaggerated, dead serious, and even overcorrect individual heroism. They bore the historical baggage of China's 5000 years of civilization and all the suffering and oppression of Chinese people in modern Chinese history. They were a diligent and honorable means of salvation.By the end of 1990s, Deng Jianjin's series 'About the Witness's Dreams' continued to carry on his signature style of being 'expressive' and 'intimate', but cynicism and jokes had also started to prevail among his paintings heavy in colors and opened up a way out for 'sentimental youth' and 'heavy-hearted moods'. Ever since then, Deng Jianjin has obtained a sense of uninhibited freedom and been able to let his thoughts flow on this paintings.

邓箭今的早期作品虽然与梦境有关,与情色和色情有关,与偷窥和自恋有关,但却毫无娱乐性,是一种放大了的、极其严肃的、甚至是矫枉过正的个人英雄主义写照,它背负着五千年文明的历史包袱和近现代中国人民的所有压抑和苦难,是一种花大力气的、正派的拯救的方式。90年代末,邓箭今在《有关目击者的梦境》系列中,虽然延续了他一贯的&表现&和&私密&的话语风格,但是调侃和玩笑之风开始盛行于色彩拥挤的画面,并为&感伤的青春&和&忧心重重的情怀&开启了一扇透气的风门,从此,邓箭今游刃有余,思想得以自由穿行。

In fact, most students who came to the sale held on the Main Green at Brown University had only supportive things to say about it. Itsuka Kurihara, class of 2011, yelped,"Oh my God, I so want to get one from someone!" Susan Scavone, class of 2012, was excited to send one to a guy classmate who lives on her same floor,"I thought it'd be a really funny joke. He's gonna get it and be like, umm…"

事实上,大多数参加了在布朗大学的大门避孕套的销售的学生们都一致赞同。2011班的学生以苏卡·克瑞哈娜顺喊道:我是多么的渴望能够从某人那里得到一个啊。20012班的学生苏珊·斯卡瓦非常高兴能够给和她住同一层楼的男同学买个避孕套,&这是一个很滑稽的玩笑,他将会接受并且喜欢上它,嗯。。。。。。&

My grandpa inspired me to become a man just like a seagull flying freely over the sea, not a canary in a bird cage. I was strict with myself when I was a child and tried to do best. It is with my parents' encouragement; I read widely and dabbled in all kinds of books that turn out my solid kinds of knowledge. Ironically, God played a not-so-little joke on me.

我最欣赏这句格言,因为爷爷告诉过我要做一只自由自在的海鸥自由的翱翔,而不是一只养在闺中的金丝鸟,因而从小我就严格要求自己,要做就做到最好,父母的鼓励给我了充足的自信,广泛的涉猎给了我坚实的文化积累,学业上从不甘心落后,然而上天跟我开了一个不小的玩笑。

And Father was Noel Ashenden, who though he did not actually invent the match-book, went into the field when it was still a not very flourishing novelty, and whose slogan, almost a poem,'Close Cover Before Striking'(a simple stroke, as Father liked to say), obvious only after someone else has already thought of it (the Patent Office refused to issue a patent on what it claimed was merely an instruction, but Father's company had the message on its matchbooks before his competitors even knew what was happening), removed the hazard from book matches and turned the industry and Father's firm particularly into a flaming success overnight—Father's joke, not mine.

埃森顿。他并没有发明火柴册,却在册装火柴方兴未艾之际进入了这个行业。父亲撰写了如诗般的广告语:&合上盖后再擦火柴&(其实就是简单地划一下,父亲喜欢这样说)。显然,只是在别人也想到这句话后(专利局认为这句话只是个使用说明而已,拒绝授予专利权。尽管如此,在竞争对手们还没弄明白究竟是怎么回事时,父亲的公司就把这句话印在火柴册上了),父亲的广告语消除了册装火柴的安全隐患,也在一夜之间使册装火柴业,特别是父亲的公司,走向令人惊诧的成功——这是父亲的玩笑,不是我的。

But, if this world is not merely a bad joke, life a vulgar flare amid the cool radiance of the stars, and existence an empty laugh braying across the mysteries; if these intimations of a something behind and beyond are not evil humour born of indigestion, or whimsies sent by the devil to mock and madden us, if, in a word, beauty means something, yet we must not seek to interpret the meaning.

但是,如果这一存在不仅仅是一个粗俗的玩笑,其生命也不是淡漠星光中的些微闪烁,其存在不是神秘主义的空洞讥笑;如果这一存在的征兆不是因无法理解而产生的胡编乱造,不是魔鬼作弄戏耍我们的奇思怪想,如果,总而言之,美意味着某种存在,我们无需去解释她的意义。

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