独白

Potential dialogue"does not meanno dialogue, but a posture of"monologueassumed when the dialogist can in noway adapt himself to the dominant values of central power or find no partnership to dialogue with.

潜对话"并非不对话，而是与权力中心的主流意识形态无法合拍，或者在无有可与比肩的对话者时作出的一种"独白姿态。

Being different from the western mental politics, this traditional Chinese body politics mainly emphasizes the unity of body and nation rather than the contradiction of the two; emphasizes the dialogue principle of life rather than the monolog principle of sense; emphasizes the clan-species approach about harmony of colony and individual rather than the sociology approach about dimidiation of the two.

与西方的心识政治学不同，这种中国古代的身体政治学更多强调的是身国的合一而非身国的对立，是生命的对话原则而非理性的独白原则，是群己合谐的族类学方法而非群已二分的社会学方法。

I am hunted by the future, will the future be my past?Or is time a fade-out picture of my everlasting cast?Love is phasing, love is moving to the rhythm of your sight...I get closer to the crossing point of light.Sanctus, Sanctus Dominus, Deus Sabaoth.Pleni sunt caeli et terra gloriae.Hosanna in excelsis. Benedictus...Let us try to live our lost illusions; they're the sun at nightIf we don't, we'll never taste the spice of life

乐曲在安静的音乐背景下，由深沉的女声独白带出，独白引用了上一首曲子的歌词"眼光决定爱的运动阶段，黑暗中接近光的交叉点"，在紧凑的节奏下，男声和吟唱出现，那是对轮回的期盼和欣喜，在音乐升华气氛的衬托下，给人心灵放飞的感觉，仿佛可以看到生命之光的完美闪现，随之， Cretu 登场，又是让人共鸣的歌词：让我们尽量去生活在失去的幻想中，那是夜晚中的太阳，如果不能这样，我们将不能体会生活的意味。

In the first elegy there are two monologues from two different speakers.

在第一悲歌有两个独白从两个不同的发言者。

In the second elegy the monologue develops into an animated dialogue.

在第二个挽歌的独白发展成为一个动画对话。

MY love, but only you to the existence of ......

个人独白：我的爱，只为了你而存在。。。。。。

Kash . Comedian Greg Fitzsimmons, co-hosting for the second time in three years, rattled off a monologue that was heavy on jokes about sex, private parts and bodily functions.

喜剧演员格雷格菲茨西蒙斯，共同主办的第二次三年， rattled了独白这是沉重的笑话性，私营零件和身体机能。

The paper narrated the Lu Ling's novel's polyphonic factors from three aspects: the relation of the author and protagouist; the novel structure and the figure's relation structure; the protagonist's inner monologues. It pointed out the novel's generation reasons and essential features by describing the static phenomena, at the same time, it embodied the ego generation of the essay's art features by Dostoevsky, Fyodor's novel creation.

文章从作者与主人公在作品中的关系、小说结构与人物关系结构、主人公的内心独白三个方面入手分析路翎小说中的复调性因素；在对此进行静态的现象描述的基础上进一步指出其复调小说产生的原因和本质特征，同时以陀思妥耶夫斯基的小说创作作为参照，凸现出其文本艺术特征的自我生成性。

But circumstances inside the Wang Jia Wei film displays one kind sometimes all in linearity time going over and future hanging to purchase state , that often is able to point out solar terms in event beginning in image "hooligan formal biography " in famous show opening,"Chongqing tells the sum the "east evil west is poisonous to the date relapse in forest "" despite of he uses detail to go to emphasize the time concept unceasingly,these stories that he gives an account of and not special time background, they may may happen within this city corner every day, They whip the specimen being away from out in life only from the city But that you only are capable to do some detail discovering two stories is each other alternative in fact , Wang Jia Wei uses this to play hide-and-seek coming to bring about one kind of synchronic sex effect dyadic game if you had looked at "Chongqing forest " carefully,chance and nothing order having shown the present age city life now that the linearity time concept having dispeled tradition narrating is protruding, the intention having formed one kind of dyadic spirit of existentialism thereby accumulates, Wang Jia Wei applying on space is more than time benefits by associating together, If you have looked at Wang Jia Wei's work but have moved, that is by no means since are what the overall world impression initiates, but being resonance because of detail, is fragmentary as well as atmosphere called up by the subjective soliloquy that the garrulity spends can let you produce mental conception makes

王家卫电影里的场景往往都在线性时间的过去和未来中呈现出一种悬置状态，尽管他不断地用细节去强调时间概念，像《阿飞正传》里那个著名的开场、《重庆森林》里对日期的反复诉说和《东邪西毒》里经常会在事件开头指出节气，但他讲述的这些故事并没有特别的时间背景，它们可能每天都会发生在这个城市的角落里，它们只是从城市生活中抽离出来的标本。如果你仔细看过《重庆森林》，你就会发现两个故事的某些细节其实是互相交错的，王家卫用这种捉迷藏式的游戏来造成一种共时性的效果，既消解了传统叙事的线性时间观念又凸现了当代都市生活的偶然和无序，从而形成了一种存在主义式的精神意蕴，而王家卫在空间上的运用更是与其时间相得益彰，如果你看了王家卫的作品而感动的话，那绝不是由于整体世界的印象所引发的，而是因为细节、片断以及絮语化的主观独白所唤起的气氛能让你产生心领神会的共鸣使然

When Bernanke requests congress to help city program through 700 billion dollar, the photograph that the ground of rife also a piece of his genuflect on the net prays, the netizen also does not forget to match monologize of on one paragraph of heart for him of course: Oh, beg you, beg you to let this thing become!

Bernanke请求国会通过7000亿美元救市方案时，网上也盛传着一张他跪地祈祷的照片，网友当然也不忘为他配上一段内心独白："哦，求你，求你让这事儿成了吧！"

They weren't aggressive, but I yelled and threw a rock in their direction to get them off the trail and away from me, just in case.

他们没有侵略性，但我大喊，并在他们的方向扔石头让他们过的线索，远离我，以防万一。

In slot 2 in your bag put wrapping paper, quantity does not matter in this case.

在你的书包里槽2把包装纸、数量无关紧要。