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He began performing in a trio with two other musicians. In 1969 John went solo and changed his name to John Denver.

在那里,他开始与另外两个音乐家组成三人小组开始了演唱表演。1969年后,丹佛开始独唱,并把他的名字改为约翰·丹佛(丹佛是约翰喜欢的邻近一条乡村公路的山里的一个地名)。

His major works and commissions include: ' Three Temperaments , for Big Choir ' (1986), ' Counterpoint of Times , for woodwind septet ' (1989), ' Wild Children , for mixed Chamber Ensemble ' (1993), ' Overture , for solo Chinese bass drum and Chinese winds and percussion band ' (1994), ' Intonation , for chamber orchestra ' (1990-1994), ' Flavour of Bashu , for two violins, piano and percussion ' (1995), ' Pole , for solo Chinese Yun-luo, Chinese pai-gu and Chinese bass drum with six percussionists ' (1996),commissioned by Japan Asian Percussion Ensemble, ' Symphonic Prelude --- Bashu Capriccio' (1996), 'The Song Without Words , for solo percussion ' (1997), commissioned by the Ministry of Culture of Japan, Japanese Contemporary Music Association, and Japanese Embassy in China,'Illusions of the Symphonic Stage of Tang Dynast y , for orchestra of Tang Dynasty, percussion, voices and a big choir '(1999), commissioned by Japanese No Music Guanshiliu Green Spring Association, Chinese Music Research Center in Japan, Japanese Asian Percussion Ensemble and Japanese-Chinese Cultural Exchange Association,'The Prospect of Colored Desert , for violin, cello, sheng, pipa and percussion '(2000),commissioned by Yo-Yo Ma, Silk Road Project Inc. of the U.S., Sony Record,'Three Movements of Autumn , for small Chinese instruments ensembl e'(2000) and ' Sound Games , for 5 Chinese Percussion Instruments Players ' (2000-01), commissioned by La Cité de la Musique, Paris "2000 Chinese Classical Music Series", ' Fusion I , for Mixed Chamber Ensemble ' (2002), commissioned by Holland New Ensemble and Atlas Ensemble, ' Fusion II , Concerto for Solo Chinese Percussion and Orch.' (2002), commissioned by Japanese–Chinese Committee of Friendship and Public Music Performance, and ' Fusion III , for Irish flute, accordion, bodhran, Chinese sheng, zheng, Percussion and 13 Strings with Chamber Choir.' (2003-04), commissioned by China-Ireland Exchange Program, ' The Three Images from Washing Painting , for chamber ensemble of 17 players '(2005) commissioned by the New Juilliard Ensemble for the special concert of the Juilliard Centennial and sponsored by Asian Cultural Council and the Guggenheim Partnership and 'The Butterfly Dream', new 7 scenes Opera inspired by KUN QU' (2007) commissioned by the Contemporary Legend Theatre, Taiwan etc.

主要作品及委约包括:《三种气质,无伴奏合唱》(1986)、《时间的对位,木管七重奏》(1989)、《野娃子,混合室内乐队与童声》(1993)、《对话,男声独唱,女高音,童声合唱团,混声合唱团与混合乐队》(1993-94)、《序鼓,独奏中国大鼓、排鼓、云锣与中国民间吹打乐队》(1994)、《吟,室内交响乐》(1990-1994)、《蜀韵,两支小提琴、钢琴与打击乐》(1995)、《极,独奏中国云锣、大鼓、排鼓与六位打击乐演奏家》(1996)、《巴蜀随想,交响序曲》(1996)、《无词歌,打击乐独奏》(1997)(日本国文化厅、日本现代音乐协会、日本国驻中国领事馆等联合委约)、《梦的交响舞台,唐代乐队,打击乐,人声与合唱团》(1999)(日本能乐观世流绿泉会、日本中国音乐勉强会、日本亚洲打击乐团、日中文化交流协会等联合委约)、《舞蹈组曲,大型管弦乐队》(1999)、《漠墨图,小提琴、大提琴、笙、琵琶与打击乐》(2000)(马友友、美国丝绸之路文化发展公司、日本Sony唱片等联合委约)、《秋三阕,9位中国乐器演奏家》(2000)、《响趣,5位中国打击乐器演奏家》(2000)(法国巴黎音乐城"2000中国古典音乐系列音乐会"委约)、《融I ,混合室内乐团》(2002)(荷兰 New Ensemble, Atlas Ensemble联合委约)、《融II ,打击乐协奏曲》(2002)(日本日中友好音乐公演委员会委约)、《融III ,爱尔兰笛子、手风琴、巴朗鼓,中国笙、筝,打击乐,13件弦乐器以及室内合唱团》(2003-04)(爱尔兰国家文化委员会、爱中2004文化交流年组委会委约)、《水墨画意三则,为17位演奏家的室内乐团》(2005)(美国朱丽亚音乐学院新室内乐团委约,美国亚洲文化基金会和美国古根海姆基金支助)及《梦蝶,七场新昆剧》(2007)等。

And on the other side, there's Steven, who also use to sing solos when his voice was a bit higher.

在台的另一侧是STEVEN,他的声音略高一点的时候也曾当过独唱。

Number Ones includes his solo chart toppers in the UK and abroad from the period beginning with his Off the Wall album right up to the new song "One More Chance".

这些冠军单曲包括他在英国的独唱冠军单曲和国外从他的Off the Wall这张专辑开始到新歌One More Chance这段时间内的歌曲。

Brightman is nothing short of brilliant.Her unparalleled ability to inject passion into her songs makes her one of the best soloists in the world.

布莱曼的才华洋溢,她那种将热情注入歌声中的能力无人能比,使她成为全世界最优秀的独唱者之一。

He now concentrates more on concerts and recitals and restricts his opera performances to one or two productions a year.

现在的他更重视演唱会和独唱会的演出,并将自己的歌剧演出限定在每年

He now concentrates more on concerts and recitals and restricts his opera performances to one or two productions a year.

现在的他更重视演唱会和独唱会的演出,并将自己的歌剧演出限定在每年 1-2次。

We want to thank all of them, musicians- music directors, pianists, organists, soloists, accompanists, choir members, youth choir members, youth ensemble, platform participants; program coordinators; and all those working behind the scene, the kitchen hands, setup crew, audio-video technicians, cleanup crew, etc – for their dedication, hard work, and countless hours of planning and preparation in making this occasion very special and memorable.

音乐方面-音乐指挥、钢琴司琴、风琴司琴、独唱者、伴奏、成人及青年诗班班员、青年乐团、舞台表演者;节目协调者;以及幕后协助者-厨房工作、布置团队、音响控管组、善后清理者等等-由於他们的奉献、勤奋,以及在计划及预备上所花费的时间,使此次节目成为特别难忘的庆典。

His major works and commissions include: ' Three Temperaments , for Big Choir ' (1986), ' Counterpoint of Times , for woodwind septet ' (1989), ' Wild Children , for mixed Chamber Ensemble ' (1993), ' Overture , for solo Chinese bass drum and Chinese winds and percussion band ' (1994), ' Intonation , for chamber orchestra ' (1990-1994), ' Flavour of Bashu , for two violins, piano and percussion ' (1995), ' Pole , for solo Chinese Yun-luo, Chinese pai-gu and Chinese bass drum with six percussionists ' (1996),commissioned by Japan Asian Percussion Ensemble, ' Symphonic Prelude --- Bashu Capriccio' (1996), 'The Song Without Words , for solo percussion ' (1997), commissioned by the Ministry of Culture of Japan, Japanese Contemporary Music Association, and Japanese Embassy in China,'Illusions of the Symphonic Stage of Tang Dynast y , for orchestra of Tang Dynasty, percussion, voices and a big choir '(1999), commissioned by Japanese No Music Guanshiliu Green Spring Association, Chinese Music Research Center in Japan, Japanese Asian Percussion Ensemble and Japanese-Chinese Cultural Exchange Association,'The Prospect of Colored Desert , for violin, cello, sheng, pipa and percussion '(2000),commissioned by Yo-Yo Ma, Silk Road Project Inc. of the U.S., Sony Record,'Three Movements of Autumn , for small Chinese instruments ensembl e'(2000) and ' Sound Games , for 5 Chinese Percussion Instruments Players ' (2000-01), commissioned by La Cité de la Musique, Paris "2000 Chinese Classical Music Series", ' Fusion I , for Mixed Chamber Ensemble ' (2002), commissioned by Holland New Ensemble and Atlas Ensemble, ' Fusion II , Concerto for Solo Chinese Percussion and Orch.' (2002), commissioned by Japanese–Chinese Committee of Friendship and Public Music Performance, and ' Fusion III , for Irish flute, accordion, bodhran, Chinese sheng, zheng, Percussion and 13 Strings with Chamber Choir.' (2003-04), commissioned by China-Ireland Exchange Program, ' The Three Images from Washing Painting , for chamber ensemble of 17 players '(2005) commissioned by the New Juilliard Ensemble for the special concert of the Juilliard Centennial and sponsored by Asian Cultural Council and the Guggenheim Partnership and 'The Butterfly Dream', new 7 scenes Opera inspired by KUN QU' (2007) commissioned by the Contemporary Legend Theatre, Taiwan etc.

主要作品及委约包括:《三种气质,无伴奏合唱》(1986)、《时间的对位,木管七重奏》(1989)、《野娃子,混合室内乐队与童声》(1993)、《对话,男声独唱,女高音,童声合唱团,混声合唱团与混合乐队》(1993-94)、《序鼓,独奏中国大鼓、排鼓、云锣与中国民间吹打乐队》(1994)、《吟,室内交响乐》(1990-1994)、《蜀韵,两支小提琴、钢琴与打击乐》(1995)、《极,独奏中国云锣、大鼓、排鼓与六位打击乐演奏家》(1996)、《巴蜀随想,交响序曲》(1996)、《无词歌,打击乐独奏》(1997)(日本国文化厅、日本现代音乐协会、日本国驻中国领事馆等联合委约)、《梦的交响舞台,唐代乐队,打击乐,人声与合唱团》(1999)(日本能乐观世流绿泉会、日本中国音乐勉强会、日本亚洲打击乐团、日中文化交流协会等联合委约)、《舞蹈组曲,大型管弦乐队》(1999)、《漠墨图,小提琴、大提琴、笙、琵琶与打击乐》(2000)(马友友、美国丝绸之路文化发展公司、日本Sony唱片等联合委约)、《秋三阕,9位中国乐器演奏家》(2000)、《响趣,5位中国打击乐器演奏家》(2000)(法国巴黎音乐城&2000中国古典音乐系列音乐会&委约)、《融I ,混合室内乐团》(2002)(荷兰 New Ensemble, Atlas Ensemble联合委约)、《融II ,打击乐协奏曲》(2002)(日本日中友好音乐公演委员会委约)、《融III ,爱尔兰笛子、手风琴、巴朗鼓,中国笙、筝,打击乐,13件弦乐器以及室内合唱团》(2003-04)(爱尔兰国家文化委员会、爱中2004文化交流年组委会委约)、《水墨画意三则,为17位演奏家的室内乐团》(2005)(美国朱丽亚音乐学院新室内乐团委约,美国亚洲文化基金会和美国古根海姆基金支助)及《梦蝶,七场新昆剧》(2007)等。

In November, 2003 Vitas presented his new solo program "Songs of My Mother" in the Concert Hall "ROSSIYA", Moscow.

2003年9月,Vitas在莫斯科的俄罗斯音乐厅举行了他的新独唱晚会&我母亲的歌&。

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As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸,那乌黑、忧郁的眼睛,她便会相信,他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失

But because of its youthful corporate culture—most people are hustled out of the door in their mid-40s—it had no one to send.

但是因为该公司年轻的企业文化——大多数员工在40来岁的时候都被请出公司——一时间没有好的人选。