狗咬狗

The dog has nipped the postmen on the leg.

这条狗咬了邮递员的腿。

In the hands of Shu-Hua He, the reporter saw a number of dog bite wounds Ranunculus.

在何淑华的手上，记者看到多处狗咬猫爪的伤痕。

Puppies do teethe just as human babies do .

就是这样一个例子，当小狗咬伤的事情。

Or I'll unleash my dog on you.

否则我放狗咬你。

There are many doggie toothpastes on the market, and you may use a toothbrush, or even a washcloth to apply the toothpaste.

在市场上，有很多的狗咬胶，你也可以用牙刷，或者甚至是洗衣服的…也可以适用牙膏。

I had a full and active boyhood, one that raged with scabs and scrapes, mashed and bloody knees, bumps and lumps, gashes and slashes, cats' claws and dogs' teeth, jagged glass, ragged steel, knots, knobs and shiners.

我有一个完美而活泼的童年，常常是疤痕累累、浑身刮伤、膝盖上血肉模糊、包包块块不断，身上遍布割伤和砍伤、猫抓狗咬的痕迹，锯齿玻璃、参差不齐钢铁、木结造成的鼻青脸肿、黑眼眶。

I had a full and active boyhood, one that raged with scabs and scrapes, mashed and bloody knees, bumps and lumps, gashes and slashes, cats' claws and dogs' teeth, jagged glass, ragged steel, knots, knobs and black eyes.

小时候的我活泼好动，身上经常疤痕累累，瘀伤不断；膝盖常常被磕碰得鲜血淋淋；身上不是这儿鼓一块就是那儿肿一块；不是这儿被划伤就是那儿被割破；不是被猫抓就是被狗咬；有时还会碰上锋利的玻璃碎片，或者带锯齿的钢板；往往这里红肿未消，那里疙瘩又起，眼睛也经常弄得乌青发紫。

I had a full and active boyhood, one that raged with scabs andscrapes, mashed and bloody knees, bumps and lumps, gashes andslashes, cats' claws and dogs' teeth, jagged glass, ragged steel,knots, knobs and black eyes.

小时候的我活泼好动，身上经常疤痕累累，瘀伤不断；膝盖常常被磕碰得鲜血淋淋；身上不是这儿鼓一块就是那儿肿一块；不是这儿被划伤就是那儿被割破；不是被猫抓就是被狗咬；有时还会碰上锋利的玻璃碎片，或者带锯齿的钢板；往往这里红肿未消，那里疙瘩又起，眼睛也经常弄得乌青发紫。

Stop your dog from snapping at me.

别让你的狗咬我。

What is the most uncriminal month of all May-except for one strange statistic. More dog bites are reported in this month...

哪个是犯罪率最低的月份五月——除了一个奇怪的数据，该月上报了更多的狗咬伤人案件…，因此推知，A为正确答案。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。