狄俄尼索斯

At the hands of a band of these fanatical women ,of whom his own mother

的惩罚。而带领这群狂热的女人胡作非为的就是狄俄尼索斯的母亲。

At the stern of the ship is a depiction of a dark satyr (one of the mythological beings that attend the god Dionysus) with his foot upon the neck of a prostrate figure, exactly the attitude of Delano, when he subdues Babo in the longboat.

在船尾有这样一个雕像，黑色的森林之神（侍从酒神狄俄尼索斯的神话人物之一）用脚踩在一被降服者的脖子上，态度跟Delano在长艇制服Babo时一模一样。

Olympias was devoted to the orgiastic rites of Dionysus, and her eccentricity did not make her easier to get along with.

奥林匹亚是专门orgiastic仪式的狄俄尼索斯，她偏心没有使她更容易相处。

An orgiastic festival in ancient Greece in honor of Dionysus.

在古代希腊的一种狂欢节日为纪念狄俄尼索斯。

Dionysus The god of wine and of an orgiastic religion celebrating the power and fertility of nature.

狄俄尼索斯：酒神，常举行宗教仪式庆祝大自然的权力和丰产。

The god of wine and of an orgiastic religion celebrating the power and fertility of nature.

狄俄尼索斯：酒神，常举行宗教仪式庆祝大自然的权力和丰产。

TheKingoccupiedthebuildingnowknownastheBoculium,nearthe Prytaneum,asmaybeseenfromthefactthateventothepresentday themarriageoftheKing'swifetoDionysustakesplacethere.

国王现在占领了建筑物已知的如Boculium，靠近那 Prytaneum，如同从事实可能被见到甚至到现今国王的妻子婚姻对狄俄尼索斯在那里发生。

The god that was worshipped on the Meru and was identified with Dionysus, may have been Shiva or Vishnu.

神是崇拜的梅鲁，并确定了与狄俄尼索斯，可能已被湿婆或毗湿奴。

A frenzied,impassioned choric hymn and dance of ancient Greece in honor of Dionysus.

赞美酒神的合唱诗古希腊为纪念酒神狄俄尼索斯，而唱的狂暴而令人激动的合唱颂歌和跳的舞

A canticle or prayer sung or intoned in this manner.A frenzied, impassioned choric hymn and dance of ancient Greece in honor of Dionysus.

赞美酒神的合唱诗古希腊为纪念酒神狄俄尼索斯，而唱的狂暴而令人激动的合唱颂歌和跳的舞

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。