特罗尔

The vote was open to all, and almost 3m people paid 2 ($3) to take part. The main rival to the 58-year-old Mr Bersani was Dario Franceschini, a former Christian Democrat who stepped in when the previous leader, Walter Veltroni, resigned in February after a disastrous showing in a regional election.

此次选举面向全国，多达300万人支付了2欧元（3美元）参加投票。58岁的贝尔萨尼先生的主要对手是达里奥·弗朗西斯奇尼，后者接任了因在地区选举中惨败而辞职的基督教民主党前任领袖瓦尔特·维尔特罗尼。

The main rival to the 58-year-old Mr Bersani was Dario Franceschini, a former Christian Democrat who stepped in when the previous leader, Walter Veltroni, resigned in February after a disastrous showing in a regional election.

此次选举面向全国，多达300万人支付了2欧元（3美元）参加投票。58岁的贝尔萨尼先生的主要对手是达里奥·弗朗西斯奇尼，后者接任了因在地区选举中惨败而辞职的基督教民主党前任领袖瓦尔特·维尔特罗尼。

Shakespeare's third period includes his greatest tragedies and his so-called dark comedies. The tragedies of this period are Hamlet, Othello, King Lear, Macbeth, Antony and Cleopatra, Troilus and Cressida, and Coriolanus.

第三阶段诞生了莎翁最伟大的悲剧和他自称的黑色喜剧，悲剧有：《哈姆雷特》，《奥赛罗》，《李尔王》《麦克白》《安东尼与克利奥佩特拉》《特罗伊勒斯与克利西达》及《克里奥拉那斯》。

Shakespeares third period includes his greatest tragedies and his so-called dark comedies. The tragedies of this period are Hamlet, Othello, King Lear, Macbeth, Antony and Cleopatra, Troilus and Cressida, and Coriolanus.

第三阶段诞生了莎翁最伟大的悲剧和他自称的黑色喜剧，悲剧有：《哈姆雷特》，《奥赛罗》，《李尔王》《麦克白》《安东尼与克利奥佩特拉》《特罗伊勒斯与克利西达》及《克里奥拉那斯》。

C6 o;{4 Z2 t% ^5 Awww.zikao5.com 19. Shakespeare's third period includes his greatest tragedies and his so-called dark comedies. The tragedies of this period are Hamlet, Othello, King Lear, Macbeth, Antony and Cleopatra, Troilus and Cressida, and Coriolanus.

第三阶段诞生了莎翁最伟大的悲剧和他自称的黑色喜剧，悲剧有：《哈姆雷特》，《奥赛罗》，《李尔王》《麦克白》《安东尼与克利奥佩特拉》《特罗伊勒斯与克利西达》及《克里奥拉那斯》。

A distinction is usually common between early baroque (prior to 1650, Monteverdi, Frescobaldi, Carissimi etc) and late baroque music (Scarlatti, Vivaldi, Bach and Handel etc), the development of the latter leading to the Musical Enlightenment.

早期的巴罗克音乐（即1650年以前，以蒙特威尔第、弗勒斯科波迪、卡里西米等为代表）和晚期的巴罗克音乐（以斯卡拉蒂、维瓦尔弟、巴赫，享德尔等为代表）的区别不大，后来的启蒙音乐就是从后期的"巴罗克"中直接发展出来的。

Other important milestones in the Early Music Revival included the 1933 founding of the Schola Cantorum Basiliensis in Basel , Switzerland by Paul Sacher -together with distinguished musicians including the pioneering specialist in early vocal music Max Meili , who contributed to the extensive L'Anthologie Sonore series of early music recordings and recorded Renaissance lute songs for HMV -and the 1937 presentation and recording of some of Monteverdi's Madrigals by Nadia Boulanger in France.

早期音乐复兴中的里程碑包括： 1933年，保罗-撒切尔在瑞士的巴塞尔成立了柏森音乐学院；出现了一批杰出的音乐家，如早期声乐方面的顶级专家迈克斯-梅尔(录制了 L'Anthologie Sonore 系列早期音乐唱片，为HMV录制了文艺复兴时期的鲁特琴歌曲)和1937年在法国表演与录制了蒙特威尔第的牧歌的纳迪亚-勃朗格。阿诺德-多尔梅奇注：法国出生的英国音乐家和演奏家。师从H。维厄唐(1820～1881学习小提琴后移居英国，开始收集、修理并学着演奏古乐器。他仿制了多把诗琴、击弦键琴、拨弦键琴、竖笛等乐器，最后他和他的妻子、孩子一起表演和传播早期音乐。

Ivan III united Yaroslavl, Novgorod, Tver, Perm, Ryazan and other vassal state. In 1480, he defeated Ahmad Khan, an end to the Golden Horde in tribute, ending two and a half centuries of Mongol rule and won independence.

伊凡三世统一了雅罗斯拉夫尔、诺夫哥罗德、特维尔、彼尔姆、梁赞等诸侯国。1480年，他打败了阿赫马德汗，停止对金帐汗国的纳贡，结束了两个半世纪的蒙古人统治，赢得了独立的地位。

When Zoilus insults Homer, when Maevius insults Virgil, when Vise insults Moliere, when Pope insults Shakspeare, when Frederic insults Voltaire, it is an old law of envy and hatred which is being carried out; genius attracts insult, great men are always more or less barked at.

闲聊时话题经常改变，一分钟后，公白飞从让·勃鲁维尔的诗转到把翻译《农事诗》⑥的罗和古南特相比，又把古南特和特利尔相比，还指出几节马尔非拉特的译文，特别是关于因恺撒之死而出现的奇迹。

A distinction is usually common between early baroque (prior to 1650, Monteverdi, Frescobaldi, Carissimi etc) and late baroque music (Scarlatti, Vivaldi, Bach and Handel etc), the development of the latter leading to the Musical Enlightenment.

早期的巴罗克音乐（即1650年以前，以蒙特威尔第、弗勒斯科波迪、卡里西米等为代表）和晚期的巴罗克音乐（以斯卡拉蒂、维瓦尔弟、巴赫，享德尔等为代表）的区别不大，后来的启蒙音乐就是从后期的&巴罗克&中直接发展出来的。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。