特德

G. Derbyshire, one of the study's authors, told Reuters

正如这项研究的发起人之一，斯图尔特·德比博士告诉路透社的

In describing his new house to me,''.

在特德向我描绘他的新房子时，他把它描述得很好。

Margaret Devereux was one of the loveliest creatures I ever saw, Harry.

玛格丽特德福洛是我平生见过的最可爱的女子，哈利。

She was an extraordinarily beautiful girl, Margaret Devereux, and made all the men frantic by running away with a penniless young fellow.

她是个极美的姑娘，玛格丽特·德弗日，当时曾使舆论哗然，因为她跟一个不名一文的年轻人私奔了。

Margaret Drabble is one of the most famous and important contemporary British writers.

当代英国女作家玛格丽特德拉布尔是大不列颠文坛的焦点人物之一。

Margaret Drabble is a key figure in the British literature circle.

玛格丽特·德拉布尔（1939—）是当今英国文坛的焦点人物。

Margaret Drabble grows mature during the second wave of feminist movement and surely she and her works are more or less influenced by feminism.

玛格丽特·德拉布尔成长于第二次女性主义运动的浪潮中，因此她的作品及其中反映出来的观点必然受到女性主义思想很大的影响。

Margaret Drabble, author of 17 novels, was the only author to name Shakespeare's Antony and Cleopatra .

致力于女性小说写作的英国著名女作家玛格丽特·德拉布尔是唯一提名莎士比亚《安东尼与克莉奥佩拉》的作家。

The feminist theories and methodology of feminism, especially those of Virginia Woolf and Simone de Beauvoir will be used to explore the unique standpoints and living conditions of intellectual women as well as the reasons for their confusion depicted in Margaret Drabble's works. After the analysis, this thesis also puts forward possible suggestions for the future generations of intellectual women to realize their self value.

通过分析研究玛格丽特·德拉布尔小说中的知识女性的生命历程和生存状态，一方面可以填补女性文学批评领域里比较空缺的部分，分析她们的社会背景，考察她们的生活境遇，探讨其中的缘由，让那个时代的知识女性形象得以充分的再现；另一方面，通过寻找知识女性在20世纪六、七十年代生存困境的原因，可以给当代的知识女性以警示，让她们不再重蹈覆辙，冷静清晰的看清自己的人生目标，将未来之路完完全全掌握在自己的手中。

As one of the first female novelists who take her themes from the growing feminist movement of the mid-twentieth century, Margaret Drabble (1939-) is considered among the most accomplished British authors of the postwar period.

玛格丽特·德拉布尔(1939-)是战后英国作家中最有成就的作家之一，同时也是从二十世纪中叶不断发展的女性主义运动中获取创作主题的女性小说家之一。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。