特德

Five-year-old Emelia Fawbert with the fossilised remains of an Ice Age rhinocerous she discovered in the Cotswold Water Park, Gloucestershire

五岁大的艾米莉亚·法伯特在英国格洛斯特郡考兹沃德河畔公园内发现了冰河世纪的犀牛骨化石。

From banks like Rothschild and Coutts, to consultancies like McKinsey, educated business leaders, similar to lawyers, have been able to create and maintain distinct, valuable offerings.

从罗特希尔德和高特斯等银行家，以至麦肯锡等顾问专家，他们这些曾经受过良好教育的商业领袖都与律师一样，能够创造和维持独特和具价值的服务提供。

This text aims to reveal the social significances in Margaret Atwood's latest novel Oryx and Crake from the perspectives of science and morality.

本文旨在从科技与道德的角度分析玛格丽特·阿特伍德的最新一部小说《羚羊与秧鸡》中的社会意义。

Some of those include Lee Schmidt, whose Schmidt-Curley firm is flourishing, Bill Coore, who has teamed with Ben Crenshaw to produce several of the country's top designs at places like sand hills and the new Bandon Trials at Bandon Dunes Golf Resort, John Harbottle, Tom doak and Greg Muirhead.

其中的设计师包括李施密特，他史密克利公司很火；比尔库尔，他和本克伦哨一起建造了几个世界级的顶尖球场如沙丘高尔夫俱乐部；班顿沙丘度假村中球场的设计约翰哈博特，汤姆多克，格雷格谬尔海德。

In 1966, Shaw joined the Royal Shakespeare Company, where he spent the next decade of his career and eventually became an associate artist He mostly appeared in Shakespeare plays, including the title role in Cymbeline; Edmund of Langley in Richard II; the King in All's Well That Ends Well; Ulysses in Troilus and Cressida; and Leonato in Much Ado About Nothing.

1966年，肖加入皇家莎士比亚公司，在那里度过了职业生涯中的十年并最终成为一名联合艺术家。他几乎一直在演莎剧，包括《辛白林》、《爱德华三世》、《理查德二世》中的同名主角；《皆大欢喜》中的国王；《特洛伊罗斯与克瑞西达》中的尤利西斯；《无事自扰》中的雷奥那多。

At 1.94m the powerfully built defender would be of benefit to any Bundesliga defence, amd Dortmund have previously shown interest in the giant Croat, but have been cautious due to his injuries.

身高1.94米的高大后卫对任何的德甲后防都是一个好的补充，多特蒙德早就对这名克罗地亚巨人表达出了兴趣，但因为他的伤势所以比较小心谨慎。

At 1.94m the powerfully built defender would be of benefit to any Bundesliga defence, amd Dortmund h**e previously shown interest in the giant Croat, but h**e been cautious due to his injuries.

身高1.94米的高大后卫对任何的德甲后防都是一个好的补充，多特蒙德早就对这名克罗地亚巨人表达出了兴趣，但因为他的伤势所以比较小心谨慎。

Eighteen years later, Casa Grande crowned La Cuesta Encantada, Hearst's "Enchanted Hill" above tiny San Simeon.

18年后，卡萨格兰德加冕德拉库埃斯塔恩坎塔达，赫斯特的"魔法山"小圣西米恩以上。

He was often alone and lonely, but he had many friends, including James Joyce; the heiresses Nancy Cunard and Peggy Guggenheim; and the painter Jack Butler Yeats, the brother of William Butler Yeats.

他通常孤独、寂寞，但有很多朋友，包括詹姆斯·乔伊斯、女继承人南希·卡纳德和佩姬·古根汉姆和威廉·巴特勒·叶芝的弟弟、画家杰克·巴特勒·叶芝。

AC Cochrane, Reformed Confessions of the Sixteenth Century; BJ Kidd, Documents Illustrative of the Continental Reformation; HJ Hillerbrand, The Reformation in Its Own Words; HA Oberman, Forerunners of the Reformation: The Shape of Late Medieval Thought; W Cunningham, The Reformers and the Theology of the Reformation; BMG Reardon, Religious Thought in the Reformation; H Strohl, La pensee de la Reforme; GW Bromiley, Historical Theology: An Introduction; H Cunliffe - Jones, ed., A History of Christian Doctrine; S Ozment, The Age of Reform, 1250 - 1550; HJ Grimm, The Reformation Era 1500 - 1650; AG Dickens, The English Reformation; IB Cowan, The Scottish Reformation; GH Williams, The Radical Reformation; FH Littell, The Anabaptist View of the Church; GF Hershberger, ed., The Recovery of the Anabaptist Vision; PE Hughes, The Theology of the English Reformers; PDL Avis, The Church in the Theology of the Reformers.

交流的Cochrane ，改革的供词十六世纪；北京基德的文件，说明了大陆改革； hj hillerbrand ，改革在其自己的话；公顷oberman ，先行者的改革：形状中世纪晚期思想；瓦特坎宁安，改革者和神学的改革； BMG公司里尔顿，宗教思想，在改革； h strohl ，香格里拉pensee德香格里拉reforme ；毛重罗米立，历史神学：导言； h cunliffe -琼斯，教育署，历史的基督教教义； s o zment ，年龄的改革， 1250 -1 550； h j格里姆，改革的时代， 1 500- 16 50；银狄更斯，英语改革；兴业Co wan先生，苏格兰改造；生长激素威廉斯，激进改革；l i ttell跳频，再洗礼派的看法，教会；绿hershberger ，教育署，经济复苏的再洗礼派的远景；体育休斯，神学的英语改革者；牙周膜使用条款，教会在神学的改革者。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。